♪♪
[piano ragtime playing]
♪♪
[honk]
[crash]
[coughing]
- [in burly British accent] Are you all right there,
old chap?
- [in burly British accent] Indeed, indeed.
You came out of nowhere!
- Yes, I am ever so sorry.
[clicking] I looked down for a moment to write this letter,
and I did not see you there.
- Ah, well, I hope the letter was about something important!
- Ah, yes, it says, "On my way.
"Go ahead and start dinner without me.
I pray this letter reaches you before I arrive."
- Ah, very well.
Is there any damage?
- I don't know.
Should we check the fender?
- Yes.
Well, it looks like it's, uh...
Well, the fender's slightly bent.
- A bent fender?
- A bent fender.
- A fender bender.
Both: A fender bender.
Dalton: Oh, I quite like that one!
- Yes, indeed!
Now, should we take a picture of the damages for posterity?
- Ah, yes.
- Yes, indeed.
- Has this ever happened to you with horses?
Tori: Bah, never!
But, I do like that I don't have to feed these automobiles oats.
- Ha! [camera click]
Oh, I think I blinked.
- Yeah, well, do you even need to be in the picture at all?
- Ah, perhaps not!
- Yes, indeed.
[camera click]
- Send that to me.
- Ah, yes.
It should get to you in nine months.
The only developmentalist is in Chicago.
- [in British accent] Is everything all right?
I heard there was a horse accident.
Are the horses okay?
- No horses, constable!
- What, no horses?
- Oh, no, not a one.
These are horseless carriages.
- Horseless carriages.
That's a bit of a mouthful, innit!
- Oh, we've been saying automobile!
All: Auto-mobile.
Ike: Well, seeing as you two's the only ones with one of these,
this should never happen again.
- They do intend to make more of them!
- Well, that won't do!
I'll have to stand in the intersection all day
blowing me whistle and holding me hand out.
Tanner: [in burly British voice] All right.
I heard there was a horse accident.
Everybody load up your dead horses.
[thunk]
- No horses!
- What?
- I know.
Crazy.
- Oh, perhaps we were moving too fast.
- Hmm.
Too fast.
Perhaps we should limit how fast these things go.
Let's say 100?
- 100 what?
- I don't know.
- That's probably very fast.
- You're right.
90 then?
[mumbled agreements]
[audience laughter]
Too fast.
- No dead horses.
- Chicago.
- One hundred.
What do we do now?
- Well, do you trust me to pay for the damages?
- Hm.
No.
- Ah, well then.
We should exchange information.
What is your name?
- Cornelius.
And yours?
- The Commodore.
- Hm.
- Perhaps we need more information.
- Ah, yes.
Do you have a pen and paper?
- That I do indeed.
- Ah, good.
Are you ready for my license plate number?
- Well, I believe.
Mmm, yes, indeed I am.
- Good.
Okay, it's 1.
- Ah, got it.
- And yours?
- It's 2.
- Got it.
- Perhaps we should exchange telephone information as well.
- Ah, sure!
- Yes, all right.
Mine is--
[clearing throat]
-- pick up the receiver and say to the operator,
"Get me the Commodore."
- Got it.
- All right.
And yours?
- Are you ready?
- Yes.
- Pick up the phone and say, "Get me Cornelius."
There's only one Cornelius with a phone, and it's me.
- Ah, all right.
And your address?
- 5 Lane.
- Ah.
May I repeat that back to you?
- Please do!
- 5 Lane.
- Wonderful!
Well, I should be on my way.
- Have a good night, man.
[ragtime playing]
[honking]
♪♪
- Thank you for watching this frabjous Studio C sketch.
- Yes, and what should they do
to show they've appreciated the experience?
- Well, I suppose they could like and subscribe.
- Oh, like.
Both: Subscribe.
Like.
- And for more entertainment
they're not going to find anywhere else,
they could download the BYUtv app.
- Oh, agreed!
What is an app?
- I don't know, what's a download, hm?
- Hm.
Both: App.
Download...
...the app...
- App load.
- The down app...
- The down app.