- HI.
- WELL, FIRST OF ALL, YOU LOOK FANTASTIC.
- THANK YOU.
- I HAVEN'T SEEN YOU IN--
WELL, YOU HAVEN'T BEEN HERE IN THREE YEARS,
AND I DON'T KNOW IF I'VE SEEN YOU SINCE THEN.
- I KNOW, ISN'T THAT CRAZY? I FEEL LIKE I'M ALWAYS HERE.
IT'S BECAUSE I WATCH YOU EVERY DAY,
SO I FEEL LIKE I'M ALWAYS HERE.
- I SEE. - YES.
- WELL, I WISH YOU WERE HERE MORE OFTEN.
COME BACK MORE OFTEN. - I WILL.
BY THE WAY, YOU'RE NOT SUPPOSED TO CLAP ANYMORE
WITH DANCING.
- OH, REALLY? - YES.
MY BOYFRIEND SAID, HE GOES,
"YOU CAN TELL THE OLD PEOPLE IN THE CLUB
'CAUSE THEY'RE THE ONES WHO ARE CLAPPING."
[laughter]
- WOW. - YES.
AND I GO, "WHAT ARE YOU--WHAT?"
- YEAH. - YEAH.
- LIKE, ON A DANCE FLOOR-- - YEAH.
LIKE, TRY DANCING WITHOUT CLAPPING.
YOU'RE LIKE, "OH, CRAP.
AH!" - YEAH.
- [groans] "I GOT TO DO IT!"
AND THEN--SO I ASK ALL KIDS.
I ASK, LIKE, YOU KNOW, MY NIECES AND NEPHEWS.
I GO, "DO YOU CLAP?" THEY GO, "NO."
- YEAH.
- AND ALL YOU GUYS ARE CLAPPING.
YOU OLD--
- YOU'RE ALL CLAPPERS.
- ALL CLAPPERS.
- NEXT COMMERCIAL BREAK, WE WILL ALL TRY TO DANCE...
both: WITHOUT CLAPPING. - YEAH.
WE SHOULD GO BACK TO THE '60s WHERE WE JUST SNAP.
- YEAH. - YOU KNOW?
- THAT TOO. [laughs]
- THAT'S WHAT WE SHOULD DO.
AND YOU ARE NOW-- CONGRATULATIONS ON THIS TITLE.
YOU ARE WOMAN OF THE YEAR ACCORDING TO "MAXIM" MAGAZINE.
- [laughs]
[cheers and applause]
- BY THE WAY--
NO, NO.
[laughing]
BY THE WAY... - THAT'S AMAZING.
- THIS WAS, LIKE, JANUARY.
AND I'M LIKE, "I'M WOMAN OF THE YEAR?
IT'S ONLY JANUARY."
- NO, THEY'VE DECIDED WAY AHEAD OF TIME.
THIS IS--
- DO IT FOR THE WHOLE YEAR.
NOBODY CAN DO ANYTHING THAT WILL TOP ME.
- NOW, HOW-- YOU LOOK FANTASTIC,
BUT ARE YOU COMFORTABLE POSING LIKE THAT?
IS THAT SOMETHING THAT--
- NO. - NO.
- LET ME TELL YOU, YOU GET--
AFTER YOU DO ONE OF THESE SHOOTS
WHERE YOU HAVE TO SUCK IN THE WHOLE TIME
AND THEN STICK OUT, ARCH YOUR BACK, PUT--
AND YOU'RE LIKE-- BY THE END OF THE DAY,
YOU'RE LIKE, "CAN I GO NOW? THIS IS SO PAINFUL."
- YEAH. - IT'S NOT FUN.
- YEAH, WELL, THAT'S HOW I DO THE SHOW.
THE ENTIRE TIME, I'M SUCKING AND--
- SUCKING IN.
- IT DOESN'T LOOK LIKE IT,
BUT THAT'S WHAT'S HAPPENING RIGHT NOW.
- CHIN OUT. ARCHED BACK.
- YOU WOULDN'T BELIEVE WHAT'S HAPPENING...
both: INSIDE.
- AND YOU--ALSO, I'M REALLY IMPRESSED WITH THIS.
YOU GOT YOUR MASTER'S DEGREE.
YOU WENT BACK AND GOT YOUR MASTER'S DEGREE.
- I DID. [cheers and applause]
I THOUGHT I WAS HERE SINCE THEN, BUT I HAVEN'T BEEN HERE.
- NO. - YEAH.
I WAS DOING IT-- I WOULD--
WHEN I WAS SHOOTING "DESPERATE HOUSEWIVES,"
I WOULD GO TO NIGHT SCHOOL.
SO I WOULD BE ON THE SET ALL DAY, AND THEN I'D BE, LIKE,
IN FULL HAIR AND MAKEUP RUNNING TO CLASS.
- WHAT DID YOU GET YOUR MASTER'S IN?
- CHICANO STUDIES,
WHICH IS MEXICAN-AMERICAN HISTORY.
- WOW. - IN THE UNITED STATES.
- THAT'S REALLY COOL THAT YOU'RE DOING THAT.
AND THEN YOU JUST MET THE DALAI LAMA.
YOU'RE DOING VERY INTERESTING THINGS.
- I DID. I DID.
- I'VE ALWAYS WANTED TO GO TO ONE OF HIS--
- YOU'VE NOT MET HIM? - I'VE NOT MET HIM.
- HE TOUCHED MY-- LOOKIT.
HE'S JUST PURE JOY. - HE SEEMS THAT WAY.
YOU CAN FEEL THAT WHEN YOU'RE WITH HIM, IN HIS PRESENCE?
- YEAH, IT'S, LIKE, TANGIBLE.
IT'S IN THE AIR.
AND I TOOK MY MOM.
AND, YOU KNOW, IF IT'S NOT CATHOLIC,
SHE DOESN'T REALLY KNOW.
SO I WAS LIKE, "MOM, HE'S LIKE THE POPE OF BUDDHISM."
TO PUT IT--YOU KNOW. AND SHE'S LIKE, "OKAY."
SO WE GO, AND THIS EVENT HAD EVERYBODY THERE.
IT WAS, LIKE, NAOMI WATTS AND JERRY RENNER AND--
JEREMY RENNER AND EVERYBODY.
AND SO WE MET THE DALAI LAMA.
AND AT THE--AT NIGHT, WE WERE SKYPING,
I THINK WITH MY DAD, AND I WAS LIKE,
"MOM, MOM, COME HERE. TELL DAD WHO YOU MET TODAY."
AND SHE GOES "JIM CARREY!"
[laughter]
AND SHE GOES "JIM CARREY!"
AND I SAID, "MOM, THE DALAI LAMA."
AND SHE GOES, "YEAH, BUT JIM CARREY WAS THERE."
[laughter]
SO YEAH. - WHATEVER.
- I MEAN, IT WAS PRETTY EXITING TO MEET JIM.
- SHE GOT SOMETHING OUT OF IT. - YEAH. OH, YEAH.
- THAT'S WHAT MATTERS. - SHE REALLY LIKES JIM CARREY.
- SO YOU ARE IN LOVE
WITH A BUSINESSMAN FROM MEXICO, RIGHT?
- [laughs]
- AND THAT IS-- LET'S TALK ABOUT HIM, OKAY?
- OH, OKAY. - I MEAN, THAT'S--
- NO, LET'S NOT. - OKAY.
- [laughs]
NO, HE'S UBERPRIVATE.
- NO, BUT IT'S A VERY-- I KNOW HE'S PRIVATE.
- HE'S SUPER PRIVATE.
- BUT I'M EXCITED THAT YOU'RE HAPPY AND IN LOVE.
- THANK YOU. I'M VERY HAPPY. [laughs]
- AND--WELL, WE'RE GONNA SHOW PICTURES REGARDLESS, BUT--
- HE'S A GOOD DRESSER TOO.
- YEAH, HE IS. STYLISH.
- HE'S A VERY GOOD--
I ALWAYS HAVE TO STEP IT UP NOW.
I'M LIKE, "UGH." IT'S EXHAUSTING.
- SO DO YOU SPEND MAINLY TIME HERE,
OR DO YOU GO THERE AND SPEND TIME WITH HIM THERE?
- BOTH. - BOTH.
- YEAH, I'M HERE AND THERE.
- DOES HE LIKE TO TRAVEL AS MUCH AS YOU LIKE TO TRAVEL?
- YEAH, YEAH. - OH, GOOD.
- ACTUALLY, NO. NO, I JUST LIED TO YOU.
[laughter]
NO, 'CAUSE HE HAS A JOB.
- THAT'S A FIRST ON TELEVISION. - [laughs]
- NO ONE'S EVER LIED IN THAT CHAIR BEFORE.
- NO, HE HAS A JOB. I'M UNEMPLOYED.
- BUT I MEAN, THAT'S-- YOU TRAVEL A LOT.
- I DO. - YEAH.
- I WORK EVERYWHERE.
I LOVE PLANES. I LOVE FLYING.
I LOVE AIRPORTS. - OH.
- YES. - THAT'S WEIRD.
- I KNOW.
MY FRIENDS SAY THAT TOO.
I KNOW RESTAURANTS IN CERTAIN AIRPORTS
THAT I WILL GO EARLIER TO THE AIRPORT
'CAUSE I REALLY WANT TO EAT THERE.
LIKE, IN DALLAS, THERE'S THIS BARBEQUE PLACE
IN TERMINAL D, THE AMERICAN TERMINAL.
IN SAN ANTONIO, THERE'S A MEXICAN RESTAURANT
WHERE THE UNITED AIRLINES--
I'M REALLY-- I LOVE AIRPORTS.
[laughs]
I LIKE READING. I LIKE WI-FI.
- WOW. - I GET VERY EXCITED.
- WELL, GOOD FOR YOU, BECAUSE--
I MEAN, THAT'S ACTUALLY A REALLY GREAT...
- TRAIT. - TRAIT TO HAVE, BECAUSE--
- IF YOU HAVE TO TRAVEL. - IF YOU HAVE TO--
AND IF YOU LOVE TO TRAVEL ESPECIALLY.
- I DO.