and now a message from president Metaverse...
Good Evening, Good Evening, Hello, My fellow Metaverse Citizen. Today, I have something
very important thing to tell you. This is going to impact the entire filmmaking universe.
the META-verse - not universe. Because nobody seem to care about the universe
Oh, Back to the important thing.
We are able to use a RED Cinema Camera to create VR180 video in upto 8K 120FPS. Yes,
let me say it again, 120 frame per second Wow, let's drink on that.
Hey, what's up everybody! Your Boi Hugh here is back for another VR180 episode.
You are watching some sick slow-motion video in 120fps in an 8K 60fps VR video!
I hope you are watching this with your Oculus Quest 2 or PlayStation VR2
and set the resolution at the highest, like 8K.
This is by far the most high-end solution for VR180 filmmakers and captures incredible,
film-like, image quality. It is the dream. Well, this dream comes with a price.
Today, I want to show you some initial real-world R3D RAW footage straight out of the camera and
graded footage in REC709. I will compare it to Canon R5 - to show
you the advantages and disadvantages. If you are ready, put on your VR headset,
sit back, relax, and let me give you a 3D virtual tour of this wonderful Burbank filming studio.
Let's go!
Let me out!
Ah $h!t! Now I am in jail. I was being a dictator in the metaverse,
I really just want to rule to whole shebangs ...
She bangs, she bangs Oh baby when she moves, she moves
So what are some advantages of filming with a $25 thousand US Dollar
cinema level camera? Oh BTW, I stole that camera from RED.
First we have RED V-Raptor shooting in 8K 60fps in LOG3G10 red wide gamut RGB ungraded at ISO 1600.
16-stop dynamic range is pretty ridiculous in ever such a challenging lighting environment.
Here is the result from LOG3G10 to REC 709 with a soft contract.
Second, we have the Canon R5 in 8K 30fps in Canon Log with also ISO 1600, exact
same color temperature, which is 3800 Kelvin, 180-degree shutter angel and Aperture F3.2.
We can easily see the highlight details lost in Canon.
I also won't say one is better than the other. They have different looks.
The sharpness, FOV, and clarity are identical b/c using the same lens.
Hey, Come on in, come to my office
Well, first, as you see right now, it can shoot in 8K at 60fps in RAW.
Not just any RAW, but the best RAW, R3D. Canon R5 can only do 8K at 30fps.
What is the different between 60fps and 30fps in VR? Well, let's make a comparison.
Here we have the Canon R5 shooting at Canon Log, 8K 30fps. If you are watching this in a VR headset
like Oculus Quest 2 in full resolution, you will notice the motion is really choppy.
Kinda like ghosting around movement instead of smooth motion blur like in the cinema.
Here we have RED V-raptor shooting at 8K 120fps slow-motion speed up 200%,
so we get normal speed. It looks flat as this is in Log3G10. The motion is a lot more natural.
The real benefit of shooting in 120fps is to slow it further down
if I need to achieve slow-motion playback in VR.
The upcoming R5 C can also do 8K at 60fps. Review coming next. Don't forget to subscribe.
The RED V-Raptor, which is filming me right now,
can do 8K in 120fps. This allows slow motion and speed ramp to be introduced in VR Video,
finally. This unlocks so many possibilities for action and dance video in the metaverse.
V-Raptor is a cinema camera with a 16-stop dynamic range. You can change your exposure
in post - to protect the highlight that usually gets blown out in a giant fisheye lens DSLR combo.
Having more information makes your post-production and VFX team happy.
Bigger clients or big studios will start to take you seriously,
as you are using a cinema camera that they understand and agree as industry standards.
Canon R5 C also shoots RAW, but the RAW file size is
larger than R3D in LQ. Most of the NLE like Premiere or Danivic Resolve,
have a tough time decoding Canon RAW. So you will gain an advantage in post-production.
RED V-raptor will never overheat, stop working in long hour filming,
and it can even generate ProRes proxy if storage space is an issue. So potentially,
it can film forever. It can also do 8K 60fps VR Livestream. More on that in the next tutorial.
The disadvantage is obvious. The price.
If you don't want to go to jail like me, stealing a RED, then you will need to BUY
one. VR180 should not be your only reason to purchase such an expensive camera.
Now you see what the RED V-Raptor can do in the metaverse, in the next video, we will deep
dive into how to transform a 2D cinema camera into a VR180 camera using the Canon RF5.2MM
F2.8 L Dual Fisheye lens. We will teach you how to shoot and stitch 3D 180 video
using FREE and PAID software. There are a lot of amazing VR180 content coming next, so don't forget
to subscribe and give this video a thumb up. Share it to your friends. And I will see you next time!