the boat is like a paintbrush music is
the expression and the space between the
notes when you look at the music these
nuts are just what the composer wrote
but that is just the beginning of your
story you could probably learn it in a
few months if you know how to practice
they call this a bridge but the way I
see it it's my bridge to success my name
is Brett yang my name is Eddie Cheney
and this is our master class recently
always seems a lot of you guys
suggesting that we review your violin
playing so we decided we'll do it within
like one day we received 4,000 links
which is absolutely incredible I didn't
think you guys would be so ballsy to
yeah because we're gonna be showing this
in front of everyone and also it's not
just violence action there's also a lot
of other people yes so obviously we
weren't able to go through all of them
but if you guys will enjoy this type of
video where we rush provide constructive
encouragement make sure to hit the like
button below so we know hopefully we can
get through as many of you as possible
lucky first in our math class
earlene Eugenia 13 years old and has
been playing the violin for three years
after evanka shadow the second violin
parts when I play
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that's actually not bad you're three
years actually that's pretty good and I
like your rhythmic stability how steady
you were yes I'm just gonna share my
thoughts but it doesn't actually mean
that you should be focusing on all of
them now you show us focus on what's the
next thing they'll provide the best
benefit to your foundations I'm sure you
have a teacher we're just gonna give
that what we see so first thing I notice
is uh you're running out of but I can
see you I was trying to keep the sound
with the vibrato but it's joking you
know so here they were brought in the
boat yes it's not blending with the SAP
you can either offer that kinda like a
short retakes almost like there's a tie
but that a little breath because you
know Baroque style it's not necessary
that you want to sustain it all but if
you do want to keep it you don't like
the retake approach maybe you could
consider either changing the but just
easier to distribute the bar or you
could just practice saving
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you want to come closer to the bridge so
that with a slower body can still get
more sound it's up to you which
impressed you own a bit also one thing
though
left hip position is really nice looks a
little bit taut when you do her brother
maybe father look at your thumb my name
is Brett yang
my name is any Chan and this is a master
class
next is Miyabi Hobart H one and a half
years old and has been placed since
eight months old they're getting younger
and younger
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she's come on beat I would I would work
on the dynamics of it I mean keep it a
bit softer she's over paying off on
geniuses are born not created right
there that's a prime example nothing to
say very good
yeah I think next one is called a fan of
to Sao Paulo
Wow right name 21 years old and it's
been places for I don't wanna watch them
there's a hint point both paths
you need to work on your video and audio
syncing the visual is a little bit
delayed compared to the south the song
family could success earning criticism
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you should be taking over the master
classroom yeah to set violin fans can
play better than to set silence we have
done retiring from YouTube bye-bye
I like how crisp and even the spicata
yeah I like it also how you phrase it
look quite neither yeah yeah I'm very in
tune octaves oh yeah I like the octaves
concert is C
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[Applause]
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[Applause]
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oh my god I hope this saw Eddie and
Brett well hi guys I'm from Venezuela
and hope you enjoy it but we did enjoy
it very much I love to go to Venezuela
one day ever been first of all I very
much liked your opening ah that's very
competent and resonant very in tune
considering that you're not spamming for
brother which is hiding it so very nice
I would say the courts could be a bit
more careful some course a bit crushed
when you put too much weight on the
lower string it's a bit of a crush
because the E and a string are thinner
so I would probably just release the
weight do look at that music oh yeah try
and play by memory we would encourage
everyone to try and play by memory if
it's a clean sugar because often times
look in music I find it's quite
distracting sometimes but there's a lot
of opinions I got in trouble once for
playing by marina Sonata and I get it
I will think about how you phrase off
because it's classical style actually in
general how phrase up especially as hard
answer but be careful not to do because
it's our full upper it's easy to
yeah and then the note kind of line yeah
and then breathe and start again so any
talk you don't go hey how you go away
yeah yeah kind of have to pair you going
next one yes there's also one thing
from a technical perspective your thirst
and stuff all very good your sixes I
will work on your legato running
passages semiquavers especially when
this shifts the shift should be lighter
you can hear your tensioner so this
movement I think is quite important our
probably practices are like stop and see
if your hands are relaxed soft I also
think that even this will turn eyes
rather you're rushing a little bit of
the left hand lifting off and my
suspicion is your right arm is also not
even so fun thing to like try right if
you keep the bar but then finger the
adjacent string if you're tensing your
boy kind of follows the left hand
sometimes they should be independent of
each other yeah so I will keep the bar
just relaxing just hope that helps who's
next
out of the 4,000 all right we have Alice
she's been playing for six years
fleet nice I see if you have anything
constructive to say
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not a forest house thinking good luck -
fair enough Lourdes we don't know the
flu repertoire but my name is Eddie my
name is Brett and this is our master
class we're going to say something any
good yeah Brisbane yes I was thinking I
think that's the most obvious thing it's
interesting as someone that doesn't know
flute repertoire we can still pick up on
rhythmic inaccuracy yes the fact that as
a listener I can't get a sense of where
your rhythm is clearly I think is a sign
that perhaps the rhythm or the phrasing
could be worked on
especially because is it classical this
isn't like a contemporary yeah trying to
its do polyrhythms right exactly it's
obvious sometimes it's four-bar phrases
a bar phrases we can always hear you
have the music going towards that
direction
sometimes you're just on the left side
of the beat it's still on time but the
compliment and the three part are not
exactly a line sample thing wasn't it
yes the piano beat you to that action is
a good tip I want to go from a conductor
was in classical style it's very common
to get like caught tired to semi
clever almost think of that tied first
semi clever as non-existent I remember
it's silent it's a queue sign I remember
that oh yeah play it fruit yeah
otherwise it's easy about too late that
one was sure it was gonna sit right yeah
I would also practice subdividing as
well and also the metronome I don't know
if you're doing about a mystery all
deadly out hmm
bedroom makes it easier so you know
where you're going wrong
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take that back that was good
how's Ryan muscles Pleasant personally I
enjoy this thing to say
it was pleasant to this may be a really
professional floors might be able to
pick up on things like tonal technique
but yeah yeah from my perspective I
quite enjoyed the sound you're making
just yeah rhythm I think that yeah nice
cool good luck for the future
all right guys in order to get early
access to our master class just make
sure to LIKE this video share with all
your friends and subscribe
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this is Alec
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