Your details are so clean, like, I could have used you for the video.
If you are LA-based, hit me up.
Hello my name is Brian Puspos, I am a STEEZY instructor
and I will be critiquing STEEZY members doing my choreography and yeah that's pretty that's pretty cool.
First up is Cindy Yang doing my "Butter" choreography the beginner version.
Nice job Cindy! That was so much fun.
One thing that really stuck out to me was how much fun you were having. I love how you complete all your moves
which is kind of difficult focusing so much on completing a move can sometimes compromise the performance.
But in your case, it didn't so great job!
The only thing I noticed is uh your ronde de jambe or I call them the parmesan.
The rounding of your foot try to actually graze the floor, you probably can't see it but grace the floor
it'll help you just be aware of like your body, like for me, it's like an indicator like okay
I know what that feels like, I can go on to that next move. That's basically it great job.
This is Jessica Holyfield dancing to "Anyone".
Ooooh, I have gooses bro wow! Oh I kind of feel it behind my eyes
too beautiful, beautiful. Your details are so clean like I could have used you for the video.
if you are LA-based hit me up. If I were to critique you, this song requires a lot of space.
There's a lot of pockets where it's just complete space and it's up to you to feel that on some parts.
You could actually kind of carefully flow through that space a little slower, because I think
you go through that motion and you're already to the the last picture like too soon,
and that's why sometimes you're just kind of like there. Go over and fill that space up and kind of like time
your movement so you can get to that next sequence but it's super super amazing, I love that last part.
Right, because you've been so soft and then you showed everyone that you know I could hit. Amazing Jessica, amazing!
So up next is Joshua De La Atlas doing "Fool Around".
You play that guitar.
Nice, nice.
Josh that one's that one's a hard one, but you did a really good job at it.
Kudos to you for taking this challenge on. If I had some critiques for you just your angles on your hands and your arms
and getting used to those positions. I could see that you're kind of curling your angles
you can remedy that just with practice. It's a muscle thing and your body's going to learn eventually to not curl that.
So another thing is correct me if I'm wrong but it doesn't look like you're actually breathing like properly.
Just remember what the song is. The song is actually really calm and there actually is a lot of space in between.
So you kind of want to match that energy and especially match that breathing.
The way that I choreograph, it's like a relationship. I meet the music in the middle and the music will do will meet me in the middle.
If you try to overpower that that's when the relationship starts to see uh, humans and problems.
Try not to be too tense just trust the music and let it flow.
Kevin Farrelly, Farrelley, Kevin F? Anyways Kevin you're doing "Guilty" and we're gonna watch it right now.
Great job. Off bat you're just like a really good dancer. Pieces like this, I feel like we're made for dancers like you.
I can definitely see you like on tour with somebody just how big you made all
the movements and all the ground that you covered like if I were sitting in the back of a stadium,
I would be able to still see all your movements. So, I think you do a really good job in completing
all your pictures but I think you could work on completing like the moments you do the slide
and I want you to basically stretch that moment out. Yeah, you kind of just go here and then wait for the cut.
Kind of give that a moment and it kind of gives a dynamic to the music and it gives it like a texture.
Just know like some parts that I choreograph were intended for a purpose
so like this groove right here or this this section it was made to be in isolation.
Yeah but I get it you're having fun and you gave a little little pelvic thrust and who doesn't
like a little pelvic thrust or like doing a pelvic thrust so yeah if that's something
that you want to work on, just know that uh, this is intended to be in isolation.
Ksenia, Senia, sorry, I'm butchering your name it's a beautiful name I just don't know the pronunciation.
But you're doing "Peaches" let's go!
That one's a really long choreography.
So what I really liked about your your performance is just like your energy and how you hit all the big moments
just how you use your head a lot of people forget to use their head.
Their head is a kind of a key thing and just like your body and how your movement is.
I think it's where the details come into play with the intricacies
I think you kind of rush through them a little bit, for me, I call it checklisting and it's basically
a checkbox next to every single move and once you start a move sometimes you could
checklist it right away without completing the move first. so make sure when you start a move
complete the move before you checklist it and then you go on to the next one
and that could help with uh just like your timing yeah but good good good job.
Mark Justin Sarangarya from the Philippines doing "Peaches". Let's go Filipino!
There's actually some parts where you did it better than me. Specifically when you hit this groove.
You kind of like sunk into it and you're pocketing into it it was
something I wish that I could go back and re-record. Your use of your neck and just the way
that you're throwing your neck, it kind of gives like this confidence like this is my choreography.
This is weird because I don't want to say don't over-perform, but there were some moments where
I choreographed that were intended to kind of be stripped with the performance.
So, in the more of the slower parts, I kind of wanted the focus not to be up and at the camera.
I wanted the focus to be just the shoulders and that space and that timing but overall amazing amazing.
From australia oh...
Okay, Phoebe Yin, in the gym, you're doing "Starting Line", Aussie, Aussie, Aussie.
Was that me?
Why am I this way? That was like years ago too I'm still the same.
Phoebe, man you hit that routine really hard and sharp like the clarity was there
no moves got muddled or mushy really really good job.
Your greatest strength is like your sharpness and how strong your attack is but I also think it's hindering you at the same time.
You're so planted in the ground kind of like heavy-footed that it's kind of preventing you from
actually flowing and floating in some of the the sequences. So, trust your weight and don't be afraid
to fall into movements it's okay to kind of like put your foot off the gas a little bit on certain things.
You know what I'm saying? Because I feel like your foot's on the gas so ease up a little bit sometimes.
We got here Rodje Estrada doing my advanced version to "Butter".
What's the location?
Are you at work? Dope bro, dope, I love your energy. Freaking the smile I just feel really good
watching you, I mean if you're not doing it like Rodje like his energy then what are you even doing?
So I can kind of see you standing on the side of your feet which is kind of messing up
like your stability um, maybe it's your shoes. It looks like you have like a high sole maybe giving it a shot
with some like shoes that don't have like a like a cushion in high sole maybe that can fix your stability.
Other than that, I think you nailed it. Again, I think everyone who will take this
advanced class should smile like you and uh, yeah.
Sanchita Syeda, sorry if I'm not pronouncing that right.
We're gonna watch you do my "Butter", beginner version, let's get to it.
I love the gamer chair.
Wow! Sanchita, amazing, amazing, so much fun. I hope you enjoyed it. I really love your gamer chair.
Are you a gamer like me? So, my favorite thing that you're doing in this piece is all the
head looks and just the smiles your focus changes are really smart and it just adds
to your performance you know I'm saying? Just even looking over your shoulder and it gives it
another dynamic so really really good job.
Sarah Gomez doing "Fool Around", dang, I love your outfit!
Whoa, they got clay over there shooting?
Nice.
Sarah, you doing that in jeans that's crazy. That's a hard piece to do and you did it really really well.
All the musicality is really clear. It's so clear that i even forgot that it was even there
and I was like wait oh that's right I did do it to that sound all the way in the back.
I guess work on you know your angles your your tut hands. It's really unfair because I feel like only Clay
would be the only person that would do all the angles really really well, great job.
William Yu, "Fool Around" part two, Which is the sweater choreography, super excited to watch this.
Sir, I take my hat off to you.
It might be the first time ever in my life I've seen someone actually do it like me.
It looked identical the only difference is that I don't have your hair. You meet the music halfway,
you're not overpowering the music. because I know how hard this is with the sweater and the cardigan.
There's a lot of unpredictability, it won't come off the right way, or you know,
but those are things that you can't help. The fact that you recover from that isn't a feat in itself.
You just kind of just get it. You are definitely a person that would work with.
For sure, damn that was fun!
Just want to thank all the STEEZY members for taking these classes and sending these videos in.
We watch all of them. We appreciate all of them, and if you are interested
you could take all of these classes and become STEEZY member yourself.
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