-Do not do this
at home, people, okay?
I'm making a phone call.
Hey, Ken.
-Ken:
What's up, dawg? -Kevin:
whe--where you at again?
-Ken:
it's just where the billboard is
by the 24 hour fitness because I know that place
because I never go there.
where you are. I'll park, I'll walk
and come and grab you.
-Ken:
Just holler at your son
because you're my father.
-Singer: ♪
-Ken: ♪
♪ Dance class with Kevin Hart ♪
♪
Make sure you have wrists,
you know?
It's like you have flares. -Ken.
-Ken:
Whoa, Delta.
Whoa, where do you think you're going?
Emergency landing, whoa. -Hey, hey, Ken.
-Hey, dawg.
-Hey. -Ken: How are you doing, man?
-Hey. -Oh, my God, come on in.
We got dance class.
This is Tone. This is Loc.
these are my backup dancers. They're wild things.
We got a dance class, we're getting ready.
I have--I have our crew. -Ken, this isn't--
this isn't the dancing that I'm talking about, Ken.
-No? -Kevin: No.
-No? -Kevin: Let's go.
This isn't what we're doing. -No, no, no, before you go,
I--look, I just want to show all the moves I got.
I've been practicing ever since you called.
-Kevin: Ken, Ken, I-- -No, this is--
this is everything for me, man. -Kevin: Okay.
-This is all I got, man. -Everybody, listen to me.
-This is all I got, Kevin.
-Thank you all-- -No. Guys, guys--
---for staying out here. ---look, dancing--
-Listen... ---with Kevin Hart...
-Thank--look what you're doing to your sneakers.
-It's--they're clean. -Okay. Get your ass
in the car, Ken. Let's go.
Thank you guys so much.
Thank you, guys, everybody.
We're doing something different today.
-Different than, like, dancing with Kevin Hart?
-No, we're doing ballet. -Ballet?
-Don't be loud like that in front of these people.
Yes, it's ballet.
-Ballet? -Ballet.
-Okay. No offense
but I hate ballet. -Kevin: God, Ken.
-( upbeat music )
-Ken: I don't really wanna do ballet
but I'll do it for you because--
-I don't wanna do it either. ---I--you know, I just--
-I want you to know that I don't wanna do it either.
-Then why are you... -Kevin: I don't want you think,
like, I'm here Gung-Ho, like--
-Then why-- ---oh, my God, I can't wait
to do ballet because I'm not.
-Ken: Well, then why are you doing it?
-Kevin: Because it's a challenge.
It's a different type of workout.
-Why do you wanna be challenged?
-Because I wanna be great.
-My philosophy in life,
do as little as you can to get by.
-Ken, that's--that might be in the top two stupidest things
I've ever heard in my life. -What I would love to do
if I'm doing a favor for you, maybe you do a favor for us
and maybe just rap a little bit. -This is our exchange?
-This is our exchange, our exchange.
That'd be amazing-- -Kevin: You know what--
---if you don't mind. ---You get one rap.
-One rap, that'd be great. Can you, can you just drop a beat?
-Yes. -Just drop a beat because I'm not really good--
at any of this stuff. I'm more of a Reba McEntire fan,
so just--yeah, yeah, let's do it.
-You get one, Ken. -Okay, okay, great.
-Okay, here we go. -( vocalizing )
-♪ What the fit ♪
♪ I'm hit ♪
♪ Ken, you better get ready ♪
♪ To challenge yourself today ♪
♪ Matter of fact, I'mma change it up ♪
♪ I'm gonna do ballet ♪
♪ And I'm gonna like it ♪
♪ I got your dancers in the back and I like it ♪
-♪ Hey ♪ -Kevin: ♪ Sequins vest on ♪
♪ You got the gold pants, hammer on ♪
♪ And your headband look like a thong ♪
♪ And we ready to get it on ♪
♪ And that's it ♪ -♪ Hey ♪
-Woo-hoo.
-( cheers and applause )
- That's it. That's it.
-All right, that was a good rehearsal.
Let's do the real one. -No, no, no,
-Oh, that's it?
-Yeah, that's it. -Oh, okay.
That was good, that was good, too.
-That's all I have, man. -That's was good, too.
Can I just add the hook?
Can I be the girl that does the hook?
♪ What the fit? ♪
♪ What the fit ♪
♪ Is the shizzle ♪
See what I did there?
I didn't say shit, I said shizzle.
So I wouldn't-- just in case you guy use--
wanna use a clean version, I didn't say shit at all.
-( chuckles ) -Shit.
-( slow music )
-Did you say something?
-No.
-Laura:
and a one and a two
and a waltz and a waltz
and a pique.
-Laura:
-This is absolutely horrible.
-Five, six. Pas de bourree. -Ken:
It's just a lot of tippy toe
but there's no shimmies.
-( ballet music )
-This is a cultural disaster.
-Would you like to join us? -Kevin:
Yeah, yeah, we... -Laura:
-Don't be shy. -Ken:
-Come up. -Ken: Okay.
-Kevin: Come on, Ken. -Ken: Okay.
-Ken, you could've just came around this way, Ken.
-Laura: Oh. -Ken, you could've just used
the steps. -Ken:
-Kevin: What's your name? -Hi, my name's Laura.
-Hey, I'm Kevin. How are you?
-I'm well. How are you? -Hi, Ken.
Hangover one, two, and three. -Laura: Hi.
-Hello. -Ken: All right, thank you,
you're welcome. -Laura: So the first thing
we're gonna do is a split.
-Oh. -We're just jumping out
the gate with that? -Laura:
Just slide right down
into a split. -Kevin: Yeah, I don't think--
I don't even think I'm gonna get far, sweetie.
-Is the half hour up yet?
-It's been two minutes.
-Kevin: How long we got to hold this?
-Laura: All right, let's go to the bar.
-Kevin: Y'all drinking? -Woman: ( giggles )
-And let's just put one leg up on the bar.
-Ken:
oh, that's really good.
-( laughter )
-Ken: That's really good, Kevin. -Kevin:
-Very natural. -Shit hurt like hell.
-I'm definitely ripping something up in here.
One of my balls just dropped.
No.
-( upbeat music )
-How you doing over there, Ken?
-I'm doing dope, son.
-Kevin: I got to take your word for it
because I can't turn my neck. -It's pretty cool, man.
-Laura: Perfect. All right, hold on to the bar.
-Uh-hmm.
-And you grab your heel in your hand
and lift our leg. -Oh, you're talking
about the heel touchy split.
-Yes. Grab it.
Lift it.
-All right.
-You just a lot taller so that's why you do a--
you get a different type of bump
at the top of your...
-Laura:
-Uh, no, I wouldn't but, um, okay.
-Ken, we're not here to say no, man.
-Grab it. -Yeah.
-Yes?
And lift it, yes?
-Yes.
-There you go, yeah.
All right, okay.
-Very good.
-Good job, hammer. -Ken: Thanks. Thanks, man.
-All right. So, I'm gonna show a combination
and then we'll all do it together.
Demi plie. -Demi Moore plie.
-Grand plie. -Ken: Grande cappuccino plie.
-Lengthening our body as long and tall as possible.
-That's--now, you're being a smartass.
-Two demi plies.
-Ken can do that though.
How you put your feet like that?
-Ken: Well, I have no bones.
-Laura: Next combination, tendus.
And one and two and three.
-Oh, I was doing this on the street.
-Ken, that's not the same. That's not the same.
That's not what we're doing, Ken.
-Copy that.
-Put our arm to the side,
three tendus front.
One, two, three.
A little faster now.
One, two, three. -Ken:
-Laura:
Back.
And faster, one, two, three.
Side, one, two, three.
Side, two, three.
Faster, one, two, three.
Side, two, three.
Back, two, three.
Now, plie releve.
-Relevant. -Laura: Hold the balance, hold.
Hold.
And nice finish.
-We did it. -I'm not trying to be smart
but, uh,
your class is having a hard time keeping up.
-Ken: Hah. Ballet.
Yeah, that's what we're doing.
-Laura: Now, how do you think
dancers do turns
without getting dizzy?
That's right.
We look at one point in the room.
We turn and then we keep looking at the point.
-It's like--
it's like that spot's a camera
and I love cameras because I am a whore
and I just look at the camera.
-Laura:
And again.
-Kevin:
-I'm (bleep) up.
-Laura: Would Madeleine like to show us
a passe position?
-Go, Madeleine.
Get it, Madeleine.
-Ken: Madeleine, get it, get it, get it.
-That's what ballet's missing. -Yeah.
-You guys don't have that.
-You need... -(bleep) it up, Madeleine.
-(bleep) it up, Madeleine.
-Kevin: Get it, Madeleine.
-( laughter )
-Ballet is missing that.
Hit them with your passe, Ken. -Yeah, dawg.
-Kevin: Passe on those bitches. -West side.
-Kevin: Yeah, Ken. -West side, west side.
( barks ) can we bark in ballet?
-No, Ken, you can't.
-( barks ) West side. -Laura:
We are gonna run, run, run,
and split in the air.
-Hypothetically. -No, we're gonna do it.
-Kevin: Is there a b option? -No.
-Is there a green screen or CGI?
-No. And run, run, run,
and grand jete.
-( slow music )
-Ready? And...
and run, run, run, run, run, run.
And split.
Good. -Perfect.
The lines were, like, incredible.
-Once you get the form, Ken, it's great.
-Copy that. -Ready?
Run, run, run,
and grand jete.
Very nice.
-( scattered applause )
-If they could freeze frame?
-( slow music )
-Is there any way
you guys could just tell us who did the best?
Like, if we just broke off and, like, Ken did his variation
of what he learned today-- -Laura:
---and I did mine and then you guys tell us
who walked out as, like, the better student.
-Would you like to learn a pas de deux
and I can judge? -What?
A pas de what? -Laura: Pas de deux.
It means "a dance for two" in French.
-Oh, that makes sense. -Oh, yeah, of course.
-I didn't know that we were talking French.
If that's the case, come on ( speaks French )
-( laughter )
-Yeah. ---pas de--pas de deux.
-Choose a lady you would like to partner with.
-You got to pick somebody for me.
-All right, how about Jasmine?
-Come on, Jasmine.
-And Ken, how about Madeleine?
-Madeleine: Oh. -Laura: So take a moment
with your partner.
Add your own flair.
and then I will be the judge.
-Kevin: Uh, did you get the,
the latte that I got for you, judge?
-I just wanna-- I just wanna say you look great.
You're awesome. I'm a big fan.
-Kevin:
-Just keep that in mind when you vote.
-What happened to that $200 I had?
Maybe it's in your shoe.
For me to get the split
because I feel like that should be our finale,
am I getting airborne
or do I just slide into it?
-Well, how fast can a pig run in the mud?
It's not that tough.
You can't be up here when I go for it.
You got to be in the back
because they don't wanna see you at this moment.
-Gas.
I'm lactose intolerant.
-Just try not to get into my eye line.
I'm an actor
and I like to be center stage.
Again, I would love for you to be away to the side
but we have to have a partner, we have to have a partner.
I mean, it's starting to get a little--a little rough,
I won't lie to you. Bossy.
Okay, I don't need notes from you.
I've done three Hangover movies.
I kind of know what I'm doing.
It's gotten better.
You hate me and I hate you,
so we have a lot in common.
-My crippling anxiety
and my lack of skills
but hopefully Madeleine can pick up the slack.
If there's a moment where I could...
it would be amazing.
-( upbeat music )
-Kevin, are you ready?
-( The Nutcracker Suite music )
-Laura:
-( ballet music )
- Laura:
-( grunts ) (music slows)
-Laura:
-( upbeat music )
-( laughter )
(boing)
-( floor squeaking )
-( mixed applause )
-( upbeat music )
-( ballet music )
-Hello, my lady. Nice to see you today.
( scatting )
What?
-Laura:
-( grunt ) Goddamn.
-Laura:
-( ballet music )
-( scatting )
Ballet. Ballet.
Ballet!
-That's not.
-Ballet. Ballet.
Ballet. -Kevin:
--That's not even ballet.
-Kevin: No, that's not--hey.
-Ballet!
-Okay.
-Come on ( indistinct )
ballet.
-That's not even--
guys, that's--
dude, you (bleep) the floor.
-Like, that's not even...
-You messed up a little bit but it was great,
it was great. I think we won.
-While I appreciated Ken's enthusiasm--
-Yeah, I won.
---I would say Kevin is the winner
of ballet.
Um, no, that's great. That's...
-( applause )
-If you put your mind to it,
if you put your mind to it, you can do it.
That's all this is, man.
If you believe it.
Oh, my God.
-Yeah, congratulations, Kevin.
-Hey,
you did great, baby.
-It's okay. -Ken: All right.
-Keep practicing. -Okay. I'll keep practicing.
Ballet is amazing.
-Laura: Yes. -It isn't sewer garbage.
-No. -I'm sorry I said that.
-You'll need to ice tonight. -Yeah.
-Yeah, I am. I'm going to ice tonight.
I'm going to ice my balls.
Hi, I'm Kevin Hart.
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