(Jazz music plays)
Hello, I'm Christoph Heinrich,
Frederick and Jan Mayer Director
of the Denver Art Museum.
Welcome to the Bank of America's Masterpiece Moment.
Today I would like to talk
about one of my favorite works from our collection,
the "Bodhisattva of Compassion Seated in Royal Ease,"
also called "Guanyin Posa,"
and I would like to tell you why I think
this is truly a masterpiece.
This tenth-century sculpture is carved
from two pieces of wood,
quite likely boxwood,
a common material used during this time,
and fitted together perfectly.
It stands about 17 inches tall,
and it was once beautifully painted,
and if you look carefully
you can still see traces of color.
In Buddhist teachings,
bodhisattvas are wise and compassionate,
and they are beings who are capable of enlightenment
but postpone it in order to help ordinary people
along the Buddhist path.
Given its age, this sculpture remains
in remarkably good condition.
As I mentioned, traces of pigment remain,
indicating that its original appearance
would have been brightly painted -
draped fabric, necklace,
and crown in red cinnabar,
details like the belt and some swaths of the fabric in green,
possibly the mineral malachite.
Guanyin's arms and upper torso were probably white,
and details in black pigment.
Trace amounts of gold show us that gilt elements
added reflective brightness and vibrancy.
While most of the color is lost,
its elegance and beauty persist.
We can only imagine the wonder it might have inspired
in devotees who approached the Guanyin for merciful blessings.
This masterpiece was made in China
during the Five Dynasties period,
when China was split into small kingdoms
that were engaged in constant conflict.
Buddhism had come to China around the first century
of the Common Era or earlier,
likely via Buddhist monks and pilgrims
traveling with merchant caravans
alongside the Silk Road trade routes.
It became a major cultural force in China,
mingling with local belief systems
to develop a distinctly Chinese form of Buddhism,
flourishing over the centuries,
and leading to the creation of many temples
furnished with sculptures like this one.
The popular Chinese form of Buddhism
emphasized bodhisattvas as an accessible source
of help and guidance.
Guanyin, whose name means "the one who always hears,"
was particularly beloved.
Guanyin is usually depicted elegantly dressed
and sumptuously ornamented,
a style influenced by earlier representations in India.
Sitting serenely on a lotus throne
in the posture of royal ease,
Guanyin gazes downward,
as if listening attentively to the devotees
who pray for release from their suffering.
The figure and the throne were carved separately
from different sections of solid wood,
fitting together perfectly
to display this beloved bodhisattva.
Among all the known examples of Guanyin from this period,
this one is certainly among the finest.
The unknown maker of this sculpture
was exceptionally skilled at imbuing the work
with sensitivity and with grace.
And it was likely one of the skilled specialist artisans
whose works were displayed in temples and shrines
for the devotion of Chinese Buddhists.
Seeing the Guanyin,
I'm reminded that there is a timelessness
to the notion of compassion
for oneself and for others.
It remains as relevant today
as it did when this symbol of mercy was made,
over 1,000 years ago.
I want to thank you for taking the time
to watch today and to learn more
about the "Bodhisattva of Compassion, Guanyin."
I encourage you to join the conversation
and discuss the work with those you know.
And please visit
the Bank of America Masterpiece Moment website
to sign up for alerts
and ensure that you never miss a moment.
To sign up to receive notifications
about new Bank of America Masterpiece Moment videos,
please visit:
www.bankofamerica.com/ masterpiecemoment.