Whoa!
Come on, let's go!
Well, you all hit the jackpot this week
because our theme is Vegas.
The skill that I'm looking for this week
is flexibility, and let me tell you.
Everybody is going to want to win this challenge
because the prize is immunity.
All right, I'm putting you in Shannon's hands.
I'll do it once with the music.
Playback.
[MUSIC PLAYING]
I'm a little nervous because I've never done any aerial work
before, and I feel like I'm going to fall
off and crack my head open.
[INAUDIBLE]
TINA: Trinity has back problems, and I'm concerned about it.
And I'm not going to have her bring her back for a challenge.
You got to give it a good stretch.
MOM: Oh my gosh, who walks out there?
Tina.
Can I speak to my daughter for just one moment?
Sure, yeah.
I need to know if your back--
My back is fine.
You can't pull me out in the middle of a session.
I didn't mean to. It didn't hurt at all?
No.
I have to go.
All right, first three?
Let the challenge begin.
MOM: The aerial challenge is a daunting task.
It requires strength, flexibility,
focus, and courage.
Tyler, the flexibility just wasn't there.
I'm going to let you go.
You're out of here.
All right, we're down to two.
Come on, McKaylee. Come on, think.
Technique!
Sherry, just shut up.
Shut your mouth for five minutes and watch your kids dance.
McKaylee had every single thing fine until
the last position on the silk.
INSTRUCTOR: Trinity, you had the energy.
At the end, your pose was correct.
And McKaylee, your pose was all wonkity wonk.
Trinity was able to come out here put a smile on her face
and perform the choreography.
You're holding back.
You're done.
We have another winner--
Trinity.
Yay!
MCKAYLEE: Ugh, it just kills me that I didn't win because I
get so close every week.
Ah, you're gracing us with your presence.
I'm tired of hearing Kira's crap.
Last night, all of us mothers were talking, and Kira said,
she doesn't need the money.
She wouldn't send her daughter for the scholarship.
When some people don't have to be here because they don't need
the money or they're not going to use the scholarship,
I don't really even know why they're here.
If you're talking about me, that's not what I said.
CINDY: You didn't?
No, I didn't.
You said to me, I don't need the money.
KIRA: No, what I said, my kid wouldn't even go.
Open your ears instead of your mouth and listen.
I'm not here for the money.
I would never take my child's money.
Is your ass going to New York and doing ballet?
CINDY: You said she wouldn't even go.
Your daughter is.
CINDY: You said she wouldn't even use the scholarship.
No. No, I didn't.
Yes, you did.
No. if he would shut your mouth for two seconds
and open the ears--
That's what you said.
Get your fat ass and walk it back that way.
All right, fake boob baby.
This getup that you're wearing looks like a hooker
off the street.
Thank you.
Maybe I'll go make some money today.
Calling each other whores and drunks and fat--
I prefer serenity.
You guys ready?
Hey, hurry up.
What's going on?
They are ready to go out.
They will be fine.
No, I'm not kidding.
Gianna, what are you doing?
I have blisters all over my feet.
Well, so does my kid!
All right, just get out of here.
I'm done with you. - No, let's go!
Get out of here!
We will be right out.
All right, who's up?
MOM: Haley has to dance with high heels.
I really want her to do good, or we're going home.
Some of the classic Las Vegas dance revues
inspired this next duet's performance.
Cindy, you are a piece of work.
Please welcome Gianna and Haley.
Go, baby.
[MUSIC PLAYING]
(SINGING) You wade through muddy waters.
You take a chance [INAUDIBLE].
You keep looking over your shoulder for a better view.
[INAUDIBLE] with the silverlining.
All you want is more.
It's not enough.
You want the Midas touch.
Gold is what you're digging-- gold
is what you're digging-- gold is what you're digging for.
Let's hear it for Gianna and Haley.
I am thrilled to see the girls dancing in heels.
They were flexible in the mind.
Haley, the facial expressions--
it was a little too [INAUDIBLE] that.
I'm actually very impressed with you.
Las Vegas Haley is flirty.
You were sassy.
You were in the moment, and it's so much better than what I've
been experiencing from you.
I'm really, really proud of you.
Gianna, on your negative, I don't know.
I really didn't see one.
Abby Lee Miller can't come up with a negative?
[INAUDIBLE]
CINDY: Oh my God, she finally likes something Gianna's done.
Congratulations, sweetheart.
[INTERPOSING VOICES]
You guys did good.
I'm proud of you, both of you.
All right, guys.
Let's make this amazing.
The boys are hip hoppers, but hip hop is Kalani's weakest
genre of dance.
I see a little bit more nervousness coming from her
than she's ever had before.
[MUSIC PLAYING]
(SINGING) Let's spin the wheel.
Let's see the slots.
Let's bet it all on what we've got.
Oh, let's ignore all the best advice.
Baby, let's roll the dice.
They call me Mr. Vegas.
Tuxedo down, yeah.
Showgirl on my arm, yeah.
Yeah.
We like to rap [INAUDIBLE].
I won't let go.
I [INAUDIBLE].
And I love-- they call me Mr. Vegas.
They call me Mr. Vegas.
[INAUDIBLE] Vegas.
They call me Mr. Vegas.
HOST: What'd you think.
Kalani, you were all girl out there in that suit.
You were flexible.
You had to match two boys who say that hip hop
is their thing, and you did it.
Hip hop, Kalani?
No way.
Thank you.
Oh my God!
Let me just go from the top.
Is hip hop your thing? - No.
Please say no.
It is not.
You have to work on that timing.
You weren't even in rhythm with them.
They were in rhythm, even though it was off the wrong rhythm,
together.
But you?
I've never seen you look this Lost.
It was just like, what planet were you from?
Two of a kind.
MOM: Kalani is a dancer who most looks
like every kid in the Abby Lee Miller Dance Company.
Between Kalani and Allie, we're definitely going home.
I'm not happy about the decision.
In fact, I'm not really happy with my two fellow judges.
But I've decided that I'm not using a callback card.
I was really tough on this person
because I thought that they would be here until the end.
Kalani, today is not your day.
It's not.
Abby has been really awesome to me, and I just love her.
[INAUDIBLE] we would be really good together
if I ever get to work with her.
You got to hold your head up high.
You did your best, and that's all that matters.
Kalani doesn't want to go home, and to see her break down
and really just feel defeated, this is really hard to handle.
I feel like I have the technique,
and I wish I could show them one last time
that I'm good enough to be here.
It is what it is.