in this video I'm gonna continue covering very interesting tracking
techniques inside the ventures of that many of you probably don't know so let's
get started with this shot from rough film
we have driver driving in the car and if I'm gonna play it back we can see that
footage is very nice and smooth but a little bit slightly wobbly very
little bit and the technique I'm gonna show you works on the shots like that
unless you shoot on a higher framerate you can get away with more so the first
thing I'm gonna do is give it a little quick look so we have nice kind of cool
cinematic rec.709 going on so let's do red red white gamut
let's do lock 3G 10 and I'm gonna use my new lots for red camera is origami lot
okay it's pretty cool new cinematic lot so really quick we're gonna give it nice
look okay like that looks cool maybe a little bit kind of like that okay
perfect so here we have a driver speeding and what I'm gonna do now very
simple I'm gonna go into the tracking and I'm gonna go somewhere in the middle
where we have potentially a good tracking point something like this over
here I'm gonna go to stabilizer I'm gonna click classic stabilizer okay
point tracker I'm gonna click this little mouse over here and we have a new
point I'm gonna place it here and this time I'm gonna leave all the parameters
untouched so first I'm gonna track backwards okay tracking pretty good and
then from the middle I'm gonna track forward you don't always have to track
from the middle but it depends of how much details you have for whatever
you're tracking sometimes it's nice to track from here if I would start
tracking from this point for example but wouldn't get a decent track okay I think
that's gonna work pretty well so what we're gonna do click stabilize
and what we have now is a very nice smooth shot of the car that our footage
completely not moving around it's almost feels like everything is
floating so now we actually have a feeling that it was shot with like
Russian arm or any kind of higher end camera tracking for the car so we can
see that it's pretty nicely locked now obviously when you do this kind of stuff
you're gonna have your shot zoomed in a little bit so make sure initially to
shoot a little bit wider that way you have more room when you're planning on
doing this kind of stuff so from this point we can do essentially whatever we
want if we want to change the color of the car we can just use qualifier for
example and continue color grading as we normally would with the normal proper
technique so let's see some like that and then hue we can basically do
something like this click play and here we have it so this is it it's very quick
very short but some of you may not know this kind of technique just wanted to
share with you guys if you like this video leave a comment below click like
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