- So this, is the Canon 90D
and when they announced this camera a few months back,
I was like, "Pft, I don't even want to play with it."
And basically I was just boycotting any Canon camera
that doesn't have 24P but thankfully,
they have come around and there is
a new firmware update available.
I just installed it and I have
24 frames per second in here, yes.
Quick shout out to LG for sponsoring today's video.
We'll get into why I'm so excited to partner with them
on this video, but first of all,
let's talk about why this Canon 90D is so exciting.
It is a proper DSLR, so you do have a mirror,
an optical viewfinder.
Some people like having that,
some people don't give a (beep).
I'm a video guy, so I only once in a while take pictures.
What I do love is that you do have this
flip out screen, so if you're a YouTuber,
want to film yourself, boom.
Next we have Canon's legendary dual pixel auto focus,
which 'til today is still my favorite auto focus out there.
It's what I'm using right now and check it out.
Follow me.
Yeah, see that?
See how fast that was and how accurate,
I can move, I'm moving, I'm messing up my set here, hold up.
Got a mic jack to plug in your mic and a hot shoe
to mount your microphone up here, so it's pretty much
set up for a perfect little YouTube camera.
But I'm really excited that it has uncropped 4k
and you still get to access
your dual pixel auto focus in 4k.
And thank God for this new firmware
because now we can do all that in 24 frames per second.
(grunting)
It looks really great on my computer screen
but to really, really appreciate the 4k capability of this,
we need a bigger screen.
That's when LG was like, "We can help with that."
- Oh my Josh, look at this.
So big.
- Let's get it inside.
This is gonna be such a nice upgrade to our living room.
(simple electronic music)
Wait, what?.
Sam, look at this.
- Dude.
It's like this thick.
- This does not feel like there's a TV in here.
Look at that.
What is this?
That's my finger, and that's how thin the TV is.
What?
This is my favorite part right here.
I can't get over how thin this TV is, this is crazy.
Alright, so we just loaded up the 4k footage
that we shot earlier onto the TV
and oh my God, it looks so good.
There's just so much detail and with this 4k display,
you can really appreciate,
let me pause it really for a second.
You can see like every little strand of hair
and the texture in that shirt, all of that, so clear.
And yeah, since this is sponsored,
we are doing a giveaway.
We are giving away a 32 inch 4k display.
What are your thoughts on this monitor?
- It's pretty dope, dude.
You wanna see my favorite feature?
- Yeah.
All you gotta do is be part of the notification squad
and drop a comment within the first 12 hours
of this video going live and you will have a chance
to win one of these things and you can be like Sam,
and you can just play with the up and down levels
all day.
- It's really fun.
Whoop.
- So now that I've had a chance to use this LG OLED TV
for the past week, there's a few features that
I love about it.
First, I love how vibrant and colorful it is,
but as a film-maker, I really appreciate color accuracy.
So, you have your selection of picture modes like
Vivid, Standard, Gaming, Cinema and those are all
fully customizable but I really love that it has
this Technicolor expert mode, which is tuned by Technicolor.
If you wanna talk about color accuracy, here you go.
And Technicolor themselves actually use LG OLED displays
in some of their mastering suites so I love be able to
throw some of my work up there and getting a very accurate
representation of how it was graded.
Oh and did I mention that it is a 10 bit display,
meaning that it can show over a billion colors
and shades, opposed to 8 bit, which is far far less.
So with that capability, it's super future proofed
with HDR 10, Dolby vision, HLG.
Now since it's an OLED there a few advantages,
one is the dark, dark blacks because,
each pixel is individually controlled
so they can dim down or completely shut off,
so you're looking at something that's actually black,
opposed to something that's being illuminated.
Also check out this viewing angle.
Obviously it looks great looking at it from the front
but as we come to the side,
you got that awkward seat in the house.
It still looks good, notice the colors aren't fading
or the contrast isn't getting all whacky.
It looks great no matter where you're seated.
This is actually my first TV where the remote is
also kinda like a cursor so I can go around
and navigate, click on stuff,
so that's been really convenient.
Also, Pita loves trying to chase this
little cursor thing on the screen.
I swear, if Pita was a big dog, she would jump up there
and tackle that TV at some point.
Will you stop licking my face?
I think I can even talk to it,
it's got a little microphone button here.
Potato Jet.
- [Robotic Voice] The YouTube video found for
the keyword Potato Jet.
- Whoa, look how big I am on this TV.
Hey Carrie, who's more handsome, him or me?
- That guy.
- Wait what?
Anyways, thanks again LG for sponsoring this video
and hooking me up with this sweet TV.
I highly recommend it if you're looking for one.
It's an LG B9 and this one is the 65 inch OLED TV.
Link in the description.
Alright, so now let's get back to talking
about the Canon 90D.
Now I'm happy to say when we put this footage
on that big ginormous screen, it looked awesome.
Definitely impressive that it was coming out
of a camera as simple as this.
The codec in 4k sits at about 120 megabits per second
so that's definitely reasonable for a camera like this,
but it's still not to the level of, you know,
like a Red camera or something that shoots pro-res.
But as you would expect out of a Canon camera,
the footage, right out of camera looks nice
without much color grading needed.
I did shoot in the neutral color profile
with some slightly adjusted settings just to
make it look flat and then color graded it
just a hair, just so I have a little bit more control.
But I just love how with very very minimal work,
you can get the footage to look pretty nice.
There is no log profile, so it's not like you can get
crazy with the color grading,
but it's still enough for most people.
Canon's digital stabilization overall, I'd say,
works pretty well most of the time,
but you can sometime see that it will lock onto something
if you get it in too tight and it can kinda crack
with a subject that's moving and I always notice
it when I'm filming a close up of one of the dogs.
If they're breathing heavily, they're just doing this.
(panting)
and the camera looks like it's moving with it.
The not so awesome parts of having a dog,
Mozzarella just took a big poop inside of my truck bed.
I don't think I should show it because people
are probably eating at home
but you guys can just imagine it.
It's smeared all over the place.
She must have taken a dump and just stepped in it
and just smeared it, it was, it was,
I'm not looking forward to washing that.
Now I know a lot of you are looking into this camera
for vlogging, to film yourself so,
there is a 10 to 18 millimeter lens that's pretty good
and has some stabilization and is fairly inexpensive.
I did just buy this lens that just came out.
It's a Tokina 11-16 f/2.8.
So, I've been dying to see how this is
as a vlog camera and so far so good.
It is zoomed all the way out to 11 millimeters right now
and this camera has a APSC sensor,
which is a 1.6 X-crop factor.
So the math on this 11 to 16 millimeters is equivalent to,
I'm not sure, I can't do the math right now
but here it is.
The auto-focus is a little bit noisy on this lens,
you can definitely hear it, here, listen.
(camera lens whirring)
So that is a little bit noisy
but the sharpness definitely seems to be there at f/2.8.
And there we go, we have it setup like a pretty traditional
Casey Neistat style vlogging setup.
So let's take this out for a spin.
Alright, how's this footage look?
Oh, it looks like we're a little bit overexposed there,
but does it look nice and sharp, it's in 4k.
But anyways, I'm here to check out something super cool
Maybe they'll even let me drive it.
This is a Taycon Turbo S, Porsche's first electric car.
So, we just took it down the mountain right now
and recharging here.
How was it driving it?
- Driving it was phenomenal
but from a passenger perspective.
- Passenger perspective was less phenomenal.
- [Gene] Puke score was pretty high on it?
- It was pretty high, yeah, I couldn't--
- My goal was to try to get him to throw up
but we were, we were almost there.
- Do it for the views, man.
- Do it for the views.
It is the fastest charging car on the market right now.
- Whoa, what?
Talk about an over engineered gas cap.
It's not even a gas cap.
- One of the things with electric cars is like,
people don't want to wait a long time to charge, right?
They're used to fueling up their cars.
Going to the gas pump.
So this is the equivalent to filling up your tank,
if you will, from five percent
to 80 percent in just minutes.
I think 22 minutes is what Porsche is saying,
between five percent to 80 percent.
- Wow, yeah, that's crazy because you can literally
see that percentage going up, wow.
- [Teslarati] So you can see the overhead,
that's like a different angle of it.
- Dude, it looks like you're playing a video game.
Grand theft auto, right here.
Oh, my Jesus
Oh my God, that is exhilirating.
- Yeah?
- This is by far, the most expensive car
anyone has allowed me to touch.
Should I just kinda hit it?
Oh my God, are you serious?
I was not expecting that.
I was not, I just, I pressed it and it just went.
There's no accelerating.
- [Teslarati] There's no build up.
It's instant.
- It was just literally, wow, that is not
a feeling I'm used to.
So this is why you guys all have electric cars.
Oh my God, this is crazy.
This is crazy, this is crazy.
It's very responsive, compared to what I'm used to driving.
Okie dokie, whoa, geez.
So now I'm going 35 and then,
now I'm going 60, that was crazy.
That was so fast, geez.
I love, I'm getting an electric car.
God, it never really, it never translates
on video, y'know?
You see all those videos of people.
Like yeah, the reaction videos.
Yeah, and you always see everyone going
but it's like so quiet and its, like,
doesn't sound that impressive but when you're in it,
you're just like, ah.
This is cool.
So you said that this is about 200k?
- This one is probably about 240.
- This is about 240?
So I'm going to be starting a Patreon,
starting right now,
you can go there and donate,
there will be nudes of me on there.
Alright, we are back in my truck
and now this feels incredibly slow,
but anyways, how's this footage looking now?
It's getting really dark, it is nighttime now
and iso is at 1600 f stop 2.8
and I think it's actually looking decent
for what it is, I mean, it is really dark in here.
The auto-focus on this lens has been
a little bit noisy though, huh?
Have you been hearing it throughout this vlog?
Can you hear it?
It's focused on my face now but if I move in close.
(camera lens whirring)
You hear it?
Is that loud?
I've got the external microphone on so hopefully
that narrows it down a little bit,
but anyways, let's head back to the studio.
Now the sun is setting so we are gonna need
some better low-light lenses.
So, let's switch it out with this Sigma 18 to 35.
No image stabilization on here
but we do get that nice f/1.8 continuously.
Oh yeah, now I can just open up this lens
and look how much more exposure I can get out of it
and we can also get a nice super shallow
depth of field, check that out.
Oh yeah, anything you point this at looks awesome.
Alright, let's go, to Hollywood Boulevard.
So that's a whole museum just for taking selfies.
Who would pay money to go
and just take a bunch of selfies, right?
We just bought two tickets, so here we are.
Whoa, that's a giant brocolli.
I'm pretty sure you're not suppose to be doing that.
(hip hop music)
This is so dumb.
I can't believe we paid 50 bucks to come in here.
- Oh damn.
Where's my reflection?
- [Gene] Whoa, that's actually kinda clever.
- For a second, I thought I was invisible.
- Yeah, this room is actually kinda trippy, here,
look at that, that's kinda cool.
Now what did you guys think of the footage?
Pretty decent, right?
I love this combination.
This really reminds me of the M6 Mark two
that I've been talking about for a while.
They came out at the same time,
they're very very similar internally,
but the M6 Mark two is mirrorless,
so you don't get that optical viewfinder,
but it is cheaper and smaller.
When it comes to video quality,
the results are going to be pretty much the same,
if not the same.
The lens mounts are gonna be one of the big differences,
this has an EF mount, while this has an EFM mount.
The reason why I prefer the EFM mount
is that there are some really awesome,
compact lenses that you can put onto here,
in-case you are trying to travel light.
But you can also get an adapter
to use a standard EF lens
or you can get a speed booster
if want to use some full frame lenses.
So you get a little bit more flexibility out of this camera
and it is cheaper, giving you the same video results.
The downside is that it does flip up like this,
opposed to the side, so if you want to
put a microphone up here, it kinda blocks it
so you have to relocate it.
It also has a smaller battery
and you can also notice that the 90D just has
way more switches and buttons.
Switches and buttons can be a good thing or a bad thing.
It can be a little bit overwhelming
if you're not sure what everything does.
If you just want something to pick up,
point and shoot then this might be the way to go.
Once you get very familiar with all the buttons
and the layout of the camera,
it's very nice to have all these quick access buttons.
I have a whole video this M6 Mark two,
so if you want to go check it out,
you can hit that link right over there.
Anyways, where here over in Palm Springs now.
We're filming some cool stuff.
Ah, it's a little teaser.
Video about that coming soon.
But yeah, definitely a solid solution to vlogging in 4k.
I'm definitely pretty happy, what?
(8-bit video game music)
Anyways, let's close this out by reading a few comments.
Yo, Potato Jet, where does a dog go when it loses it tail?
Any thoughts, Sam?
- It has to be a pun, of some sort.
- It goes to the retail store.
- That's dumb.
- Sam's being a hater over,
I thought it was kinda funny, mildly.
Me: films 4k video.
My computer: Your computer is low on storage.
I mean, that is one downside of 4k.
Actually yeah, I'm filming in 4k right now
so I gotta speed it up, I can't waste too much tape.
When the RED camera is the cheapest part of the setup.
He's referencing the Ultimate Arm car rig.
If you haven't seen that video yet,
it's where we go and meet up with the guys over
at Ultimate Arm and they drive us around,
with a proper camera car, where it has a crane.
But it was awesome, it's actually super fun.
Link right there if you want to see it.
Matti Hampoja says possibly the best
epic piece of filmmaking gear ever.
Probably, if you had a car with a crane on top of it,
you don't even really need a tripod anymore,
or a dolly or a gimbal.
You need none of that.
You just drive onto the set,
"Hey, where are we filming today?"
Just driving right up to there,
"Okay, I'm just going to sit my car
and we'll get the shot.
You want the camera over there next?
Alright, no problem."
Anyways, checkout the backboards to our bed here.
It's like denim so it's like pants
and this is like a giant pant pocket.
I don't know, I thought that was interesting.
Anyways, see you guys later.
(calming electronic music)