Hello and welcome to a nuther video in our series of Must Products. My name's Nick Clark. We're from Company Interiors and we're here today to show you how to make a most Frane. I do hope you're enjoying the videos on the channel. Please do the usual stuff of trying to subscribe, if you like, this sort of stuff. And press another question if you want to keep on getting these videos. So what we're doing today is the is the must move videos that we've produced for you before.
We are now doing a smaller version of that, but this is also a more focused version of it.
So what we tend to do with the most frames is that these can be used just as maybe a series of, say, one, two, three images along a wall or maybe a long, slim section. We've used that before in in in our office design business. And, you know, it's just it's just a great product. It's a very easy thing to produce. And we're going to drop all the affiliate links in the description of all the material that we're using today. And there is a link in the description where the actual moth's product can be purchased. So there is a link that you can do all of this stuff yourself. And we will show you today in real time how we're gonna do that. So let's crack on like to just wear some gloves for this simply because has a tendency to make your hands go a little bit green. Nothing to do with any issues there. It's only a green food dye that is used to preserve these materials. So once again, these materials are totally preserved, stabilized, don't need any watering, don't need any maintenance. And we'll just carry on looking great for a long, long time. So what we're gonna do here, we're gonna start off with bunged moss. So I'm gonna have a couple of cameras here and a switch from one to the other. So the that the bunged moss is a product where you would receive that in a box.
It tends to typically have, I don't know, probably six hundred sixty centimetre square, two foot square. That tends to be what is in each box. It is a more expensive product. But you can see it's you know, it's a very nice feature. It's gonna stick out in a three dimensional style view. What I'm doing here is I'm just trying to get an idea of how my composition is going to be. So I'm gonna use this as a as a portrait image. So that's longway is going upwards. So that's how I want to just scale my my design. So just setting out at the moment. So what we're gonna do is you're gonna find that we've got a few gaps maybe in that, although I don't know, we can maybe push that together. I'm happy with that so far. So we're gonna have also another product that we're using here, which is Leiken. So Lycan is a polar region, far northern northern Scandinavian style product like and is very, very slow growing. And it's got a wonderful sort of almost coral structure to it. Very, very detailed. It looks great on some of these products here. So it's trying to get a bit of a random feel.
I'm trying to create a bit of a, you know, a bio reality. I'm trying to move as close to sort of nature as I can think my production to be. Now, here we go with flat moss. Flat moss again comes in these boxes smelling of the forest. Wonderful, wonderful product here. Preserved, preserved moss. You're gonna do nothing to this. And I can only liken this, too. To maybe sort of laying a carpet. You want to you want it to lay flat. Join up together. And we're going to hit that with some scissors in a minute and maybe tidy that up. So, again, sections I'm just laying out at the moment, you're seeing this all in real time. There's no fancy editing involved maybe that fit in there like the world. Well, you know, this is a natural product. It does it does come in in some slightly different colours and slightly different finishes. So you need to try and just choose from your selection, from your box as to what is fitting, what looks natural and can need that to be a bit more. Random I need to go upwards that way.
Not just to sort of fold up. Maybe just like a like a line of that. Better, possibly. So sweeping round, it's better.
It's got a bit of an angle there. You see, so that's not coming together in my mind's eye. I'm just trying to stay or leave a corner there, a larger expanse up there. This sort of drifting down into one side. And then I think I'm just going to fill that or maybe try and make that come into the corner and get one more and then we get up.
I like that. I think that is probably probably what we're going to want.
Here we go. You can be fairly rough and ready with this product. You know, it's.
It's supposed to look, you know, we're we're we're imitating imitating nature. And nature's never perfect. So I like that. So that's going to come together and bring all that. So I want not to bonds together. So I like that. I like the features what we've created there. You said it. I will out in our mind's eye. By all means, sort of stand up, take a sort of look down at it. You know, just sort of jiggle it around a bit to you.
Happy? There's no rush here. You know, I'm working fairly quickly because I'm making a video game. Yeah, well, I got to do me.
Ok. Well, let's let's get straight on with how we're gonna fix this product now. So we've got our design, how we like it. We know our pieces. So let's just remove some of the other items off our work, bench a few tools and bits and bobs, but you don't need too much else. Now, how are we gonna start fixing this? Got two methods of doing this. We've got something which we call a grip fail, which is a very, very strong adhesive. Or we've got our favorite glue gun. Both will do. I'd take the glue gun is just gonna go off quicker and you know, we're gonna get a good fixing with that. So I'm just worried about some of the gaps here. And then we get off pushes up tight. That's gonna be fine. Yeah. Okay. I'm happy with that. So where would I start with getting my fixings?
I'm gonna probably wants to cut the edges. So we've got a nice square defined, detailed image that is gonna go on the wall. It is, after all, just a it it's a shot that is fitting into our scene.
So let's just take our sections off again. One's going.
The one's going. The one's going into the corner.
Now, one thing that you can do is you can actually cut the corners in advance. So that will just make you push the product into the corners in in a better way.
Again, just move that out of the way. Let's just take this. Just trying this. Just try and create a right angle of this product. Get a straight edge. You want a good long pair of scissors. Very important that you're not. Snip, snip, snip, snip, snip at this.
We've got a good right angle angled.
We have literally got a forest floor working up here on the bench. So there we go. Right. Okay. That's gonna fit in there. Perfect. This one. That's what I want, not to sort of blend in to that.
Priceline's corner.
That's a right angle there. I can see that again, that that is correct in my right angle, so.
Car corners.
No, so I'm going to hit that with a bit of hot glue. That last one that so pour a load of that boiling hot melting glue onto that, then that's gonna nestle in there.
That one's going to nestle in that. So fitting in nice and tight. Worry about all that glue at the moment.
There we go. That's looking good. I'm happy with that. And then that one's just going to nestle on there. So let's get bit more of our adhesive on that.
And this is this one's overhanging a bit here, so get a bit of it a sieve and then just swing it a bed and then reload our cartridge hot glue going in all over the. Now you'll have some links for these. As I said in the description, I'm going to put some links for my other glue gun, which is slightly bigger. Anyway, it's all good. That's fun.
I only got a little frame here. Purrfect. Perfect. So the next thing is we're going to go in with our like and so maybe use some of our Bonzai tools here just so that is gonna to that is just going to set into those bits.
Now, I like to tend to use the hot glue gun for like an simply because it's so delicate. It's stick. This will stick onto any surfaces. With a.
Tools tidy without up in a minute, we don't need to worry about it. What I want you to remember is you need to just get on with it. You need to just start to get your imagination running.
I think I might well drop another another one in there just to widen that up. Give me a better angle, maybe.
Yeah, quite a lot.
And then just get back onto the right.
Ok, so there we go. So all that we're doing now is we're just filling our left edge here cup with our Lycan.
So then that's just going to run into the gaps that we've created.
And that quite nicely.
It's such a natural product. You don't have to do too much to this. Still to look amazingly natural.
Brought enough with me here.
Yeah. Okay. So I like that. So let me let me just get that glued in for you. And then by the powers of technology, come back and show you the frame all cleaned off and all finished up. Finished off putting our lichen into a corner here. We've got everything or just swept off and pretty much the workbench all tidied up. So here we go. There is a moss frame. You can put that on the wall. Does it matter which angle you want to turn? It doesn't matter how you want to design it. Caught on Art's looking product.
So I really want you to go and try and do the designs yourself. If there's anything that you need to create any of this, this all the links are in the description. Good luck with your own project and please let us know how you get on. Send us some pictures and leave some comments. Thank you very much. Bye.