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EVERYBODY,INGS WELCOME BACK TO "THE LATE SHOW."
WITH ME. MY FIRST GUESTS ARE ACCLAIMED
IRISH ACTORS WHO FIRST CO-STARRED IN 2008'S "IN
BRUGES." THEY'VE NOW RETEAMED FOR "THE
BANSHEES OF INISHERIN." >> NOW, IF I'VE DONE SOMETHING
TO YOU, JUST TELL ME WHAT I'VE DONE TO YOU.
AND IF I SAID SOMETHIG TO YOU, MAYBE I SAID SOMETHING WHEN I
WAS DRUNK AND I'VE FORGOTTEN IT. IF I DID SAY SOMETHING WHEN I
WAS DRUNK AND FORGOTTEN IT,s I'D SAY SORRY.
JUST STOP RUNNING AWAY FROM ME LIKE SOME FOOL OF A MOODY SCHOOL
CHILD. >> BUT YOU DIDN'T SAY ANYTHING
TO ME. YOU DIDN'T DO ANYTHING TO ME.
>> WELL, THAT'S WHAT I WAS THINKING.
LIKE... >> I JUST DON'T LIKE YOU NO
MORE. >> YOU DO LIKE ME.
>> I DON'T. >> YOU LIKED ME YESTERDAY.
>> Stephen: PLEASE WELCOME COLIN FARRELL AND BRENDAN GLEESON.
♪ ♪ ♪
( CHEERING )
>> IT'S FANTASTIC TO BE HERE. >> Stephen: I WAS SAYING TO
THE AUDIENCE AND SAYING TO LOUIS EARLIER JUST HOW BEAUTIFUL AND
AFFECTING THIS MOVIE IS. IT'S JUST EXTRAORDINARY.
AND I'M NOT THE ONLY ONE WHO THINKS SO.
IT PREMIERED AT THE VENICE FILM FESTIVAL.
IT GOT ONE OF THE LONGEST STANDING OVATION.
IT GOT A 15-MINUTE STANDING OVATION.
WHAT'S THAT LIKE? >> TIRING.
>> Stephen: REALLY? WHAT DO YOU DO FOR 15 MINUTES.
THE SEVENTH MINUTE I THINK IS >> I TRIED TO LEAVE AT ABOUT WHEN
MY EGO FELT GOOD ENOUGH THAT I'D HAD ENOUGH.
I TRIED TO LEAVE, AND THEY SAID YOU CAN'T LEAVE UNTIL EVERYONE
STOPS CLAPPING. >> I WAS MORTIFIED, FRANKLY.
ABOUT-- YOU KNOW, IN AROUND THE SAME TIME IT STARTED TO GET,
THIS WAS AMAZING-- IT IS AMAZING.
WHAT WAS LOVELY IS IT WAS ALL HEART.
THERE WERE SUBTITLES ON THE MOVIE.
SOME OF THE GUYS COULD HAVE DONE WITH SOME SUBTITLES, BUT THIS
WAS GOING INTO ITALIAN AND THEY WERE LAUGHING AND KIND OF
RESPONDING AS IT WAS GOING ON. THE OVATION FELT HEARTFELT.
BUT AFTER A WHILE ENOUGH-- I MEAN, IT'S OKAY.
THEY LET YOU OFF THE HOOK. >> I WAS SIGNING AUTOGRAPHS I
WAS TOLD THAT WAS BREAKING THE ( BLEEP ) RULES.
>> WE LOOKED ACROSS AT MARTIN McDONAGH, AND HE SAID I LOVE
IT. HE COULDN'T GET ENOUGH OF IT.
>> Stephen: THIS IS HIS TIME TO SHINE.
THE DIRECTOR IS ALWAYS GOING, "THIS IS ALL ME, ANYWAY."
>> I DID A PHOTO SHOOT TODAY AND HE WAS DOING MAJOR BLUE STEEL
AND HE SAID THE EXACT SAME THING HIMSELF.
AND HE SAID IT'S THE ONLY TIME I GET TO--
>> POSE. >> Stephen: WELL, IT'S A--
TO YOUR SON THE OTHER DAY, ONE IT'S A-- YOU KNOW, AS I SAID OF
THE THINGS I LOVE ABOUT THE IRISH IS A LOT OF WORK THAT YOU
WRITE OR PERFORM THEY'RE FUNNY SEE THE, THE IRISH PEOPLE AND
THEY'RE SCPAD THEY'RE FUNNY ABOUT BEING SAD.
AND THIS IS A DARKLY FUNNY MOVIE ABOUT HEARTBREAK.
THESE TWO DEAR FRIENDS, AND AS WE SAW-- THIS IS RIGHT AT THE
BEGINNING OF THE MOVIE. WE'RE NOT GIVING ANYTHING AWAY
WITH THE CLIP. RIGHT OFF THE TOP--
>> SPOILER ALERT-- HE'S MEAN TO ME.
YOUR CHARACTER DECIDES YOU >> Stephen: YES, YES. DON'T
WANT TO TALK WITH HIM ANYMORE, YOU DON'T WANT TO BE FRIEND WITH
HIM ANYMORE. >> I--
>> WHY WAS THAT? >> I DON'T HAVE A CHOICE,
REALLY. >> Stephen: YES.
>> I DON'T HAVE A CHOICE. HE'S WRECKING MY HEAD.
THERE'S A MYSTERY THERE FOR >> Stephen: KIND OF. THE
AUDIENCE, AT LEAST, AS TO WHY THIS IS GOING ON.
AND I WAS JUST CURIOUS, YOU GUYS-- ARE YOUEGUYS, AFTER DO
YOU GUYS HANG OUT? >> ABSOLUTELY.
>> I LOVE HIM. HE'S PLY FRIEND.
>> Stephen: DID YOU METHOD ACT THIS ONE.
DID YOU NOT HANG OUT? >> WE HAD A CHAT THE FIRST DAY
I HAVE SEEN BRANDON OF REHEARSAL. PERIODICALLY
THROUGH THE YEARS, AND I HAD A VERY DEEP LOVE FOR HIM, AND I
KNEW THESE CHARACTERS HAVING READ THE SCRIPT, IMPRESSIVE, AND
I KNEW WE WERE GOING TO BE AT LOGGERHEADS, AND WITH RESPECT TO
WORK, HE REALLY DOES GO DEEP HOW DEEP HE GOES INTO THE AND ASKS
THE QUESTIONS. AND I GO SOMEWHERE MYSELF.
I TALK. >> GEEZ, I WONDER IF HE WILL
WANT TO KEEP A DISTANCE. AND HE WAS ALL OVER ME THE FIRST
DAY. >> IT WAS FUNNY.
THE TWO OF US WE WENT IN AND I SAID, "LISTEN, DO YOU NEED TO
KIND OF KEEP THIS GOING-- TO GO WHEREVER YOU NEED TO GO?"
AND THERE WAS A LITTLE PAUSE, AND-- BECAUSE HE LOOKED OVER AT
ME TO SEE IF I NEEDED TO DO IT. >> I DIDN'T KNOW IF HE WAS
ASKING FOR ME OR ASKING FOR HIMSELF.
>> I WAS REALLY ASKING FOR MYSELF.
AND SIMULTANEOUS THE TWO OF US JUST SAID, NO.
WE DON'T NEED TO DO THAT, DO WE? >> GIVE US A HUG.
GLAD WE GOT THAT OUT OF THE WAY. >> Stephen: A LITTLE LESS FUN.
( APPLAUSE )
HE WAS GOING TO THE THING IF YOU OFFER THE BREAKUP, THE PERSON
>> IT WAS SUCH A RELIEF, WON'T TAKE IT. THOUGH,
BECAUSE WE HAVE A SIMILARLY THING ON "IN BRUGS" BECAUSE HE
HAD A BURDEN TO CARRY. AND WE WERE LOOKING FOR THINGS
TO DO THAT WAS FUNNY. AND THERE WAS A DARKNESS THAT
HAD TO HAPPEN FOR HIM AND IT DID.
IT WAS AN ODD KIND OF MIX. IT NEEDED TO BE GUARDED.
YOU KNOW WHAT I MEAN? WE WERE SO LOOKING FORWARD TO
GETTING BACK TOGETHER AGAIN. YOU READ THE SCRIPT AND IT'S
ABSOLUTELY SINGING AND YOU SAY, YEAH, BUT--
>> STRANGELY, WE WEREN'T-- WE WEREN'T-- WE DIDN'T DO TOO MUCH
THERE ARE A LOT OF YOU WITH IN THIS FILM. THE
PRIEST, THERE WAS A LOT OF STUFF WE WERE NOT TOGETHER.
WHEN WE ARE IT'S VERY CONSEQUENTIAL.
BUT "BRUGES" FELT LIKE A TWO-HANDER.
IT WAS ABOUT TWO LADS FALLING IN LOVE IN "BRUGES AND IT'S THE
DISSOLUTION OF LOVE, WHICH IS CRUSHING FOR MY CHARACTER, AND
ULTIMATELY CRUSHING FOR YOURS, EVEN THOUGH YOU THREW--
>> ABSOLUTELY. AND IT'S TYPICAL OF MARTIN--
>> NO ONE GETS LET OFF. >> HE LEAVES SPACE WITHIN THE
THING FOR PEOPLE BECAUSE HE KNEW, I THINK, LIKE EVERYBODY IN
THE CAST, IT'S A SENSATIONAL CAST, AND HE HAD WORKED WITH
EVERYBODY BEFORE,. >> Stephen: KERRY CONDON.
>> KERRY IS BRILLIANT. >> SHE IS AMAZING.
>> ISN'T SHE? >> YEAH, AMAZING.
AND THERE REALLY IS EYE FOUND IT HARD NOT TO GET EMOTIONAL AT
PARTICULAR POINTS IN THE STORY WITH HER.
AND JUST WATCHING IT, NEVER MIND-- IT WAS JUST FANTASTIC.
POINT, HE HAD WORKED WITH ALL BUT MARTIN TENDS, AT THIS THESE
PEOPLE AND KNEW WHAT THEY WOULD BRING AND HE LEAVES SPACE FOR IT
IN A WAY THAT'S QUITE REMARKABLE.
>> Stephen: WE HAVE TO TAKE A QUICK BREAK.
WHEN WE COME BACK I WILL ASK COLIN AND BRENDAN ABOUT A
SPECIAL COSTAR OF THEIRS. STICK AROUND.