At each stage of a country’s history, buildings enable progression.
In time, those structures begin to influence what comes next – standing as markers of
a society’s path through the ages, while shaping the direction of its future.
Each representing a different part of the country’s culture and evolution through
history – from iconic mausoleums to the architecture of colonialism and new 21st century
challenges – for better or worse, these are the buildings that made India.
When Mughal emperor Shah Jahan’s favourite wife passed away in 1631, he commissioned
the Taj Mahal as her mausoleum.
Construction on the main building began in 1632.
Demanding the skill of over 20,000 masons, stonecutters and artisans from across the
empire over an 11-year period, the completed structure sits among 42 acres of gardens.
Designed with perfect symmetry, the Taj Mahal’s domes, minaret towers and white marble exterior
make it an iconic symbol of India and one of the world’s most recognisable buildings
to this day – attracting over 8 million visitors each year.
With its vast railway network expanding, the grand Victoria Terminus was constructed on
the site of India’s first rail terminal and opened 1888.
Standing at the heart of what was then called Bombay, the terminal marked Queen Victoria’s
Golden Jubilee and came to exemplify the long and complex history between the British Empire
and the Indian subcontinent – where lavish buildings often rose alongside some of the
Empire’s poorest subjects.
When Bombay became Mumbai in 1995, the terminal was renamed a year later in honour of a former
Indian Emperor, removing its association with the country’s colonial past.
Today, the building stands as a landmark on India’s 68,000-kilometre railway network
– which conducts over 8 billion passenger journeys each year – and acts as the headquarters
for India's Central Railway.
Current circumstances aside, on average some three million passengers pass through the
terminal every 24 hours.
In 1911, the decision was made to move India’s capital away from what was then called Calcutta.
An area of 16 square kilometres on the outskirts of Delhi was acquired by British authorities
to house the governing district of what would go to become New Delhi – and a lavish new
residence for the Viceroy of India was planned at its core.
With more than 300 families forcibly removed from the area to accommodate the new district,
the project was seen as the latest British display of indifference towards the country’s
native citizens.
With nationalist sentiments growing, the building’s original European design was adapted to incorporate
Indo-Saracenic motifs.
Completed in 1929, the new Viceroy House became one of the largest residences for a head of
state anywhere in the world with more than 19,000 square metres of floor space in the
main building alone.
For comparison, the floor area of the White House is just over 5,000 square metres.
When India gained independence in 1947, many former colonial buildings were repurposed
– and with the first democratically elected president taking residence in 1950, the building
was renamed for the new republic.
Once representing British oppression for many, the Rashtrapati Bhavan been reclaimed by the
Indian people and now stands as a symbol of the world’s largest democracy.
As the birthplace of four of the world’s major religions, faith and beliefs have shaped
the Indian subcontinent for centuries.
The Partition of India in 1947 and the subsequent resettling of over 14 million people left
the country with an overwhelming Hindu population.
However, sizeable communities of Muslims, Christians, Buddhists and Sikh’s lived throughout
the country and in an effort to prevent religious conflict, the country officially became a
secular state in 1976.
Respecting India’s diverse spiritual fabric, New Delhi’s Lotus Temple was constructed
in 1986 celebrating the Baháʼí Faith - a belief system that emphasises unity and allows
followers of all religions to practice, worship and reflect within their temples.
Consisting of 27 marble “petals” clustered to form the shape of a lotus flower, the temple’s
nine entrances lead to a central prayer hall that is devoid of any paintings, statues or iconography.
Having been visited by over 100 million people, the Lotus Temple is widely regarded as the
defining modern architectural landmark of India – a key building in the country’s
new chapter of independence.
In the 21st century, India’s rapid industrialisation has lifted more than 271 million people out
of poverty.
However, it’s also created an ultra-rich billionaire class while more than 73 million
people remain below the poverty line.
Few buildings demonstrate the country’s inequality more clearly than Antilia - a 27-storey,
USD $2BN home that is the most expensive private residence in the world.
Competed in 2010, the home features three helipads, a 168-car garage, an 80-seat theatre,
a ballroom, terrace gardens, a spa and a private temple – all run by some 600 staff.
Deeply controversial from day one, Antilia required the demolition of an orphanage which
had stood on the site since 1895 and quickly came to symbolise what many saw as a lack
of empathy from India’s wealthy to the poor.
Despite being widely criticised by Indian media and the Indian government’s ongoing
efforts to address the divide, private projects like Antilia are a stark reminder of the inequality
that plagues the world’s second-largest country.
Each of these buildings speaks to a different aspect of this country’s culture, rich history
and development through the ages.
Each era built buildings to support its progression, and those buildings have gone on to form India.
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