what's going on everybody today we're talking about three of the cameras I use
most often for YouTube videos one this Canon 80D it's a great camera but with
these two out I wouldn't necessarily recommend people to go buy that now
unless you are looking for a mirrored SLR camera so the only reason why I'm
shooting on it now is because I have one already so it works and then here's a
canon M50 which has a very similar sensor to the 80D but it's smaller and
cheaper so for a lot of people this is what I would recommend and then here's a
Canon EOS R which is nice and full frame its mirrorless so it's fairly compact
for what it's capable of doing and I really do love this camera a whole lot
but the question comes down to how much better is this than this and is it worth
the price difference from $500 to like 23 ish now the EOS are always had a
clear advantage over the M50 because of that bigger sensor amongst other things
but my question is now with this speed booster that came out from built rocks
to put the speed booster on this M50 is it gonna be pretty similar to this EOS R
and plus it would save you a whole bunch of money now if you're not
familiar with a speed booster think of it as a magnifying glass that kind of
tricks your lens into thinking the sensor is bigger that's gonna affect
your image in two ways one it's gonna be a wider image and since the light kind
of gets magnified it's also gonna give you about an extra stop of light so when
you slap on that speed booster and you want to match that frame you're either
gonna need a zoom in that lens or move the camera in both of which are gonna
give you a shallower depth of field gonna look a lot closer to a full frame
camera although the EOS R still does have shallower depth of field just by a
little bit so one of that manages the EOS R is that it is whether steel
luckily I live in Los Angeles so I never have to worry about that but you know if
you live in a place where a trains once in a while having the weather sealed
camera
now while we're here let's take a quick look at the 120 frames per
second in 720p which both of these cameras can do neither of them look
fantastic but definitely usable and fun magnifying him both cameras can see all
the drops from the splash so that's pretty cool I'd have to say the EOS R
has a very slight advantage in sharpness here anyways I was one of the most
uncomfortable things I've ever had to do for YouTube so you guys told the o mio
like for that and also you have to sit through my sponsorship read it as usual
on this channel if there's a sponsor then there's a giveaway so if you want a
Canon M50 with Viltrox speed booster stick around
both these cameras are set to 4k right now can you take a little guess out
which one is which now in 4k keep in mind that both these cameras do crop
into the sensor so you're gonna need to slap on some wider lenses for those but
the eos r does have superior 4k because it maintains that dual pixel autofocus
while the m 50 loses it but in terms of image quality you guys decide wow tell
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watching these videos then you probably spend hundreds of dollars on a lens that
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more useful right just kidding we all want that useless
lens anyways if you guys figured out which camera is which and if you have
not this is the EOS R and this is the canon M50 now
looking at the footage side by side it's surprisingly comparable although the EOS R
definitely has a bit more clarity but I'm gonna mention it again because
it's important the EOS R has great autofocus in 4k and some really powerful
codec in case you wanted to do some heavy color grading it's an option on
the EOS R and of course C log which is canons log format that was specifically
designed to work with 8-bit codecs and that's really great because you have an
opportunity to really utilize all that dynamic range even with the built-in
codec also on both these cameras in 4k you have the option to shoot 24 frames
per second but on the eos are you also have 30 so peering out with a powerful
codec awesome autofocus and C log it really is ready for professional use
yeah the 4k crop kind of sucks but pair with the right lenses and it's gonna
look great now most of the time I'm just shooting in HD so I'm utilizing the EOS R's
full frame and then with the m50 I'm using the speed booster to kind of
emulate that full frame feel it still a little bit tighter of a shot than the
full frame camera but it gets much closer these are both 50 millimeter
lenses right now and the m50 is still a little bit tighter but they're pretty
comparable at this point and of course when introducing the speed booster onto
a Canon M 50 there's gonna be some concerns does everything translate okay
for example how's the autofocus and the answer is surprisingly good with the
Canon M 50 and speed booster we didn't notice a significant drop in speed for
the dual pixel autofocus I was also a bit concerned about noticeable vignette
a'course oft nasaan the edges but from normal usage I didn't notice anything
significant now the speed booster should give you an extra stop of light so
technically you should be able to drop your ISO in about half however the EOS
are still looks cleaner even when it's ISO is double the Canon M 50 ok so now
let's get to the test that I consider to be the most important test of this video
which is which camera has the best HD I definitely love 4k sometimes but I feel
like it can be a little bit overrated because there's a lot of people out
there that think that to get a sharp image you need a half 4k which is
definitely not true if you guys saw my video last week about which cameras were
used to film the oscar-nominated films you'll realize a majority of them were
filmed on either the Arri Alexa Mini XT or SXT and
none of those cameras are 4k the sensors on those cameras just don't have that
many pixels so oftentimes their shot at 2.8 K or 3.2 K and the reason is because
they don't want the most pixels they want the best cleanest pixels and
obviously they know what they're doing because they want a majority of the
Oscars every year so the takeaway here is that not all HD is created equal even
though in the menu they may look like the same exact things they can be
completely different so let's bring in the EOS R and the Canon M50 and let's
take a look at the HD on both these cameras now we're gonna try to control
this test as much as possible so we're gonna be using the same exact lens on
all three cameras in the same position same lighting all on the same standard
picture profile if you basically pull all three of these cameras out of the
box and hit that record button this is what it would look like on those three
cameras all of these are shooting 1080p at 24 frames per second IPB codec
now let's crop in real quick and you'll notice pretty quickly that the 80D is
definitely the softest which is why I'm probably gonna retire this 80D pretty
soon switch it out with something else now let's hand it off to the m50 real
quick all right thanks man you're looking good today by the way are you
just gonna ignore me now this is the Canon M 50 and you may notice that
already it's looking a bit sharper which I was pretty surprised about the
downside of it is that it does look a little bit digital now there's a pretty
big difference between getting an actual sharp image like an actual clear image
through the lens onto the sensor and saved into the video opposed to a
digital sharpening digitally sharpening stuff can often look pretty nice because
you are just kind of creating a little bit more contrast around edges on
everything but sometimes you can overdo it and then things just start to look a
little bit crazy so this does look sharper than the 80D but a lot of it
does look digital to me so I would personally turn it down a little bit you
could always add a little bit back in post all right so let's kick it off to
the eos are all right thanks the kit from us what did you just call me what
you're lucky that they're right you're completely alright so welcome to the eos
r and we have the same exact lens on here but the reason why it looks the
same and not wider is because it's an ef-s lens meaning that it's designed for
crop censored camera so when I put this ef-s lens on the
are automatically detects it and automatically crops in so it looks just
like the other cameras that's actually kind of a cool feature because then you
can slap on full-frame lenses or ef-s
or crop lenses like the Sigma art lenses
and again we are still in IP b codec technically speaking if you look at the
settings it should all look pretty much the same but notice that the eos r just
looks so much sharper and that's something i noticed from when i first
got this camera is that everything just looks naturally sharp and to me all the
sharpness looks organic it doesn't look like super digitally sharpened so i've
been pretty happy with the way this EOS R looks this might need to become my new
camera that i leave on my desk I am pretty curious how different this is
gonna look to you guys after I render it out and uploaded through YouTube's
compression but I can tell you right now that when I look at this footage side by
side on my high res display it's very very different and again this is in HD
but you also have the option to kick it up to 4k and here's how different the to
look in HD to 4k so yeah it does look a little bit sharper over here in the 4k
world but it's a little bit tough to tell unless you're on like a high
resolution display if we punch in we can see a little bit of a difference but
overall both HD and 4k look very comparable when you're just looking at
it on a smaller display it's kind of hard to tell the difference honestly 4k
can be a tad bit sharper but I don't think it's absolutely necessary I'm very
happy with how good the HD out of that EOS R is so to sum it up the EOS R is a
noticeably better camera on most fronts the biggest factor to me is the fact
that it looks so much better in HD and doesn't have that digital sharpening and
it's also just built more for professional use like the EOS R has like a
headphone jack so you can monitor audio also there's this cool thing how the
sensor covers itself when you're doing a lens swap also the m50 if you plug in an
HDMI monitor it shuts off the rear monitor back here you can only use one
or the other this one you can continue to use this screen while you're feeding
to an HDMI monitor you could also record 10-bit if you're recording externally
you got more dials you've got more menu options it's more robust it's just
overall a professional-grade camera but with that being said I still think the
Canon M50 did so well and so close to the eos aren't in so many cases
especially once you start slapping on some serious lenses in that speed
booster this became really surprisingly good so yeah I would say if you're a
professional or you're planning on taking into some serious weather just
want the best possible image more options you want more dynamic range you
plan on doing low-light then I would say probably go for this
cos art it's a solid camera but if you're just kind of getting into
shooting video then this m50 is surprisingly good after playing with
this ville truck speed booster I'll link this below I'm impressed with this thing
I think it really narrows the gap a little bit between these two cameras
making this a little bit more of a serious option and the fill truck speed
booster is not crazy expensive so if you already have anM50 or if you're planning on
getting in the M50 I definitely recommend getting it in addition to
getting the speed booster you're now gonna be using EF lenses and you have a
huge huge selection also don't forget that once you put this speed booster on here
you're gonna have to treat this camera more like a full frame camera so that
means full frame lenses and I know a ton of you guys have this Sigma 18-35 art
lens but don't forget that this is not a full frame lens so you can kind of see
that the sides here get cut off but once you zoom in past about like 28
millimeter then you get that full field of views I have also noticed that on
this lens it does seem to glitch a little bit right when i zoom in to a
certain spot see how it gets brighter I don't know exactly why it does that and
that's really the only glitchy thing I saw but that's probably because this art
lens isn't designed to work with this because it's crop lens but I have yet to
come across any issues with these full-frame lenses so I think we're
probably good alright so now let's talk give away the randomized winner for the
Panasonic G7 was Ryan so congrats to Ryan hope you use it to film some epic
stuff and now we're giving away a canon M50 with this Viltrox speed
booster all you got to do to enter to win is uh I haven't even thought this
part through how about you do like 10 jumping jacks and leave a comment or
something best of luck so let's close this off by reading a few
comments from my last video which is all about lighting setups you could do with
only one light the light foam video as always get it get it gun light light cuz
the video was about lights haha lighting is so important good and light
you guys have your puns are you gonna go to nab this year if so I hope to see you
there probably not so unless you have an open
bar while this video is lit for 10 Illuminati confirmed see what
he's talking about there's kind of a little triangle underneath the eye I
guess so yeah you got us I just want one of those heart likes from potato Jeff
done I make dreams come true I still miss the Looney Tunes intro well just
for you yo huge thanks for the G7 really can't wait to start shooting on it
do you guys once I got my channel just Ryan Sondak alright peace out