JUDY WOODRUFF: And finally tonight: A new memorial and museum in Montgomery, Alabama,
aimed to shine new light on one of the darkest periods in American history, one of racial
terror and lynching.
Jeffrey Brown has this look.
And a warning: Viewers may find some images in this piece disturbing.
BRYAN STEVENSON, Founder, Equal Justice Initiative: It speaks to a difficult past, a difficult
history.
JEFFREY BROWN: It's a haunting feeling, to descend beneath a forest of steel columns,
symbols of a haunted American past, the systematic lynching of thousands of African-Americans.
As we walk, they rise.
So it becomes what?
BRYAN STEVENSON: Yes.
Well, it becomes more sobering to now know that these figures are being raised up above
you, this violence is being raised above you.
But that was the menace, and the threat, and the terror that lynching was designed to create.
JEFFREY BROWN: The National Memorial for Peace and Justice, a project led by civil rights
attorney Bryan Stevenson, sits on six acres on a grassy hill overlooking downtown Montgomery,
Alabama.
Construction continued during our visit.
This is a city resonant with the history of racial strife, the first White House of the
Confederacy, statues and memorials to Confederate leaders, the church where Martin Luther King
Jr. preached, the bus stop where Rosa Parks became a symbol of resistance.
It's also home to Stevenson's Equal Justice Initiative, a legal advocacy organization
which documented more than 4,400 lynchings between 1877 and 1950, putting names and stories
to mostly forgotten victims.
BRYAN STEVENSON: Most of us have no understanding about the legacy of slavery.
We have no understanding about the era of lynching.
Black people were routinely pulled out of their homes, and hanged, and burned, and drowned,
and mutilated, and tortured, sometimes on the public square with thousands of people
cheering on that torture.
JEFFREY BROWN: At the memorial, more than 800 rectangular steel monuments, suspended
from the ceiling, rising in height, rusted and stained, some as if bleeding.
Each represents a county where lynchings occurred, with victims' names and dates of death, some
with just a few, others with dozens, and many more unknown.
BRYAN STEVENSON: It's only when we find a way to talk about these things, when we tell
the truth about these things that we can create new relationships.
That's what truth and reconciliation is about.
It's just that we can't skip any steps.
Truth and reconciliation is sequential.
You have got to tell the truth first, and then you get to reconciliation.
JEFFREY BROWN: I mean, this is a kind of, I don't know if obsession is the right word,
but this missing link in our history from slavery to, let's say, the civil rights movement.
BRYAN STEVENSON: Yes, it is a compulsion.
I want to be free.
I want all of us to be free.
And I don't think any of us are free, black or white.
We are constrained by the smog created by this history.
And to deal with that, we're going to have to clean the air.
We're going to have to talk about some things we haven't talked about before.
JEFFREY BROWN: One of the names here, Elmore Bolling, killed in 1947 in Lowndes County,
Alabama, less than 30 miles from Montgomery.
JOSEPHINE BOLLING MCCALL, Daughter of Lynching Victim: He was killed simply because he was
too prosperous to be a Negro farmer.
JEFFREY BROWN: Josephine Bolling McCall was just 5 when it happened.
One white man was arrested at the time, but never prosecuted.
Her father had started a business employing other African-Americans, and Josephine believes
he was murdered for violating the racist social contract of the time.
JOSEPHINE BOLLING MCCALL: It was maintaining status quo.
And that is, the black man was never supposed to achieve the level and level of success
that white men had.
We were never to aspire.
It even killed your aspirations, when you think about when someone is murdered like
that.
JEFFREY BROWN: She remembers not just the terror from her father's killing -- their
family fled to Montgomery shortly after his death -- but the pain that came from justice
denied.
JOSEPHINE BOLLING MCCALL: There's an emptiness that one doesn't get over easily, especially
when you are wondering why.
Why was he so brutally killed?
And then once you find out that it's really for naught, then it really, really hurts.
JEFFREY BROWN: Along with the memorial, Stevenson's organization created the Legacy Museum downtown
that traces African-American history through four eras.
It begins with enslavement, and recognizes the troubled past of this very site once used
to warehouse slaves.
In the period of lynching and racial terror during Reconstruction, postcards in which
white spectators pose by hanging bodies, and large jars containing the actual soil from
the ground where lynchings occurred.
In the 20th century, into the civil rights era, a collection of laws across the country,
some banning activities as trivial as playing cards with a black person.
Finally, our own time, a period of mass incarceration.
Stevenson has spent decades defending wrongfully convicted prisoners, some of whose stories
can be heard here.
BRYAN STEVENSON: I think slavery didn't end.
It evolved.
And for the last 160 years, 170 years, we have been dealing the legacy of slavery.
And you can see that manifest in lynching and in segregation and presumptions of dangerousness
and guilt that challenges us today.
I see young kids who are being born into a world where they are still weighed down with
that burden.
And so I want to get us to the point where we get past that.
That's how we're going to get past these police shootings of unarmed black men and women.
That's how we're going to get past the wrongful convictions of people of color.
We're not going to get there if we don't deal with this legacy.
JEFFREY BROWN: You are, of course, forcing people in some way to look at ugly things,
right?
BRYAN STEVENSON: Yes.
I mean, you can't live in a community where most people in the community came out and
cheered while someone was burned alive, or someone was tortured, or someone was hanged,
and expect to be a healthy community by never talking about it.
It just doesn't work that way.
That stuff festers.
It's too traumatizing, it's too painful, it's too terrifying to just evaporate.
It's in the air, and communities of color still feel that pain, that menace, that anguish.
And they're being told they can't talk about it either.
JEFFREY BROWN: Stevenson modeled his new project on those in other countries, such as Germany
and South Africa, which have publicly faced their pasts.
Where are we in remembering?
BRYAN STEVENSON: We are nowhere.
I mean, we're the opposite.
We're actually trying to romanticize these periods that are actually periods of great
trauma and shame.
And that's why I think these projects are so important.
We should create a new kind of iconography that we can all be proud of.
I don't want segregated iconography, segregated memorials.
I want an honest accounting of our history, a reckoning with our history.
And then I want to see how we want to deal with that.
JEFFREY BROWN: To that end, Stevenson is creating replicas of each of these markers, and inviting
counties to take theirs home for public display, in memory of the victims.
For the "PBS NewsHour," I'm Jeffrey Brown in Montgomery, Alabama.