Camera shakes. are a really easy way.
To add dynamism to your edit.
And in this video, I'm going to show you
three different types of shakes.
There's the impact.
Shake that can be used just to.
Amplify
a certain
area of the screen, for example.
For a sports. Sequence.
There's also the handheld
camera movement.
So if you have.
A tripod shot
that's completely still and.
You want to add some gentle.
Wiggle, that's another type of shake.
And there's also shakes for transitions.
Known after.
Effects, it's easier to.
Create camera
shakes because of the wiggle effect.
In Premiere Pro, it requires
a little bit. Different approach.
And we're going to be using Premiere Pro.
All right.
Without further ado.
Let's go in and show.
You first how to do.
The Impact. Shake Saturday.
So here in my timeline, I have this.
Basketball player.
And every time the ball bounces,
I want to add an impact shake.
You'll notice that I added a marker at.
Each.
Ball balance
and to create a marker on the clip.
Just select the.
Clip and press em
and you'll have a marker at that point.
So to create the shake,
we need to first create.
An adjustment layer.
So go to the product.
Panel, control. Click.
And here I'm going to go.
To new item.
Adjustment layer and then.
Drag and drop the adjustment layer.
On top. Of this clip.
And now we need to cut down
the adjustment layer to the length
that we want the shake to be.
And usually it's pretty fast.
In this case.
I'm just going to do ten frames
so I'm going to move.
The arrow key to the left five.
Times. One, two.
Three, four, five.
Press C, cut, delete the access.
And then I'll go back to the center
and do 12. Three, four or five.
So that way it's. Exactly ten frames.
Cut and delete that access.
And now we need to. Apply.
The transform effect.
So go to.
Effects and search for transform.
And underneath the. Store, it will drag.
And drop transform on the clip.
Now, the reason
why we're not using
the motion controls on.
Top is because just.
Using the motion controls.
If I try to scale this up.
Nothing happens to the image beneath.
Same with position.
Nothing happens.
This is why we have to use transform.
Notice when I scale this up.
It directly.
Impacts. The clip below.
So that's why we use.
The transform effect.
And let's.
Activate.
Keyframes on position,
scale and rotation.
That's the starting point.
Then we'll go to the very end
and click on. Create.
Keyframe here on these three points.
And now we have our end keyframe
and we can lasso and select them
and just bring them over.
So it's directly. At the end.
Now we can go. To the middle.
And this is where we want the impact.
To be the biggest, right?
So I'm going to. Scale this in first.
Let's do about 130 and it scales.
Then we can also.
Adjust. The position so it's a.
Little bit higher.
And we can also play around
with the rotation let's say.
-3. And to preview.
How it looks.
I recommend going down to the timeline,
going just. Before the.
Adjustment layer and pressing
I for in and going
just after and pressing oh.
Four out.
And turning on.
Loop playback.
If you don't see this
loop playback button, go here to the.
Button editor
and drag it down into your menu.
So now when I hit play.
Or the spacebar.
It's just going to loop.
So now we can add a little bit
more shake between.
The first two.
Points in the last two points.
So here, for example, I can go in
and I can play around with the position
a little. Bit
move it over.
Same here.
Let's move this down to the right.
And same here.
Skip this down a bit.
Same here.
And adding these position keyframes,
all it's doing
is adding more of a wobble.
So when you play it back, you'll see
it looks.
A bit more. Shaky.
So now we can add a directional blur.
So it. Looks more. Realistic.
So go to effects.
And search directional
blur underneath, blurring, sharpen,
drag and drop this on the adjustment
layer.
Same as before,
we're going to go to the beginning and.
Click the stopwatch to set a start.
Keyframe and then click. Add.
Keyframe to create our end
point here and move. It over.
And in the center,
let's increase the blur length
so you can add as much as you want.
Just a subtle amount.
I think around 40 is fine,
and then you can adjust. The. Direction.
Just by.
Clicking and dragging to create
different types of movement.
And so this is. How it looks
So now if you want to
duplicate this at every.
Marker that I created in the beginning,
we can go to the center
point here to meet the marker.
And now on the adjustment layer,
we can press em to create a marker
at the center point.
So now.
If I duplicate it.
I can line it up with the next marker.
So I can press option or alt.
On a PC, click.
The adjustment layer. Drag it.
And drop it to lineup.
Exactly at this moment.
And I'll do the same for the others.
So now we can click above the timeline,
control click and clear the in and out.
And now at each point, we have a. Shake.
If you want to.
Save this as a preset.
You can go
to any of these adjustment layers.
You can select.
The transform
and the directional blur
by holding control on a PC
or command on a Mac.
And then you can control.
Click or right. Click and.
Save as preset such as.
Cam, Shake and press.
OK, and this preset will now
live in your.
Presets folders right here
that you can use in future projects.
And we'll welcome. Back.
I'm Kelsey.
If you haven't subscribed yet,
be sure to hit that subscribe button.
And if this.
Video is helping you out so far,
be sure to give it. A big thumbs up.
Also on my store, a premier gal dot.
Com slash store.
I put together. A camera shake.
Preset pack
so you can see that there's some subtle.
Camera. Presets faster. Ones.
Super shaky.
And some impact shakes.
And all you have. To do is go to your.
Effects panel,
right click on the presets. Folder.
And import the. Preset.
And all ten of them will appear here
nicely organized into short impacts
and handheld.
And the camera shakes work
with both Mac and PC on Premiere Pro.
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And now let's return to the tutorial.
All right.
So now I'm going to show you
how to do the handheld shake effect.
So here inside of my timeline, I have.
This tripod shot. It's completely. Still.
And I've already applied an adjustment
layer on top throughout the entire clip.
And I've also. Already applied.
The transform.
Effect, just like we did before.
First, what I'm going to do.
Is scale up the clip a bit
because we need to have some wiggle room
to be able to move.
The position back and forth.
So here I'm going.
To scale this up.
To like 110 and it will depend on the.
Shot.
I'm not going to activate keyframes.
On the scale because.
I'm just going to be keyframe
in the position.
So just click the stopwatch.
Next position
and then we can do the same at the end.
We can set an end keyframe as well.
So between here, this is.
Where we can just.
Move the playhead forward a little.
Bit and then subtly move the position
up and down, then move.
Forward a little bit again.
And adjust.
The.
Position a little bit more
so now you can
see between these two points.
We have a little bit of a shake.
So what we need to do now is.
Just repeat this throughout
and after you get the first set made,
you can actually.
Lasso and select them
and you can press command C or.
Control C to copy.
And then move. Forward.
A bit and press command.
V to paste. It.
And then again, we can go and just. Copy.
A few of them here and paste them
all right.
So I finished all the keyframes.
And to top it off, I'm
going to click and last one. Select.
All of them and.
Control click.
And select continuous.
Bezier.
So that way it's more smooth.
So you can see that it.
Changed from just a simple dot.
Into sort of a.
Time watch like an hourglass.
And that's exactly.
What we want. All right.
So this is how.
The handheld movement looks
as the final. Result.
And if you don't want it to be as fast
as I've done.
You can actually. Scroll.
In here and see how much space.
I put. Between the keyframes.
You can add more when you make yours.
So rather than moving.
The playhead just a.
Little bit
and creating the keyframe,
you can move it to create more of a gap
and then make your.
First.
Keyframe and then move forward
a longer duration.
So it's. Really up to you to decide how.
You want it to be.
What speed. You wanted that when they're.
Closer together, it's
going to be a faster. Movement.
So the last type.
Of transition
is the shake transition between.
Two clips here in my. Timeline I have.
These two shots of these.
Girls playing soccer,
and I want to add a shake transition
between them.
So all I need to do is move my.
Playhead directly.
At the cut point here, and I.
Use a. Pack from.
Use that I wanted all. Bundle.
If you want to check it out,
you can click. Right up here.
Inside of. That bundle, there's seamless.
Transitions so.
I'm going to go up to window.
I've already installed. The juice pack.
Manager extension, and here you.
Can see that
I have all these products as part.
Of the bundle.
But I like to use the.
Seamless transitions and inside.
Of that are the shake.
Transitions
so you can just hover over them
to preview them.
There's a lot to choose from.
I'll just choose the.
Second one here and to apply. It at this.
Cut point, just. Double click.
And it automatically imports.
That shake.
And it includes a sound effect,
which is why I love this pack.
It's very, very useful.
And then I'm just going to hit R
to render it out.
Just take a few seconds. And.
There's the result.
So I didn't have to do anything.
Of course, it's not my own product.
It's by a juice, but I.
Highly recommend it.
Because it.
Also includes
many other different types
of transitions, just not the.
Shakes so that's all for.
This camera. Shake tutorial.
If this video helped you out,
be sure to give it a thumbs up.
And if you're interested
in checking out my own camera.
Shake preset pack. On my store.
You can click right over here.
And you can. Click over here.
To watch more videos on this channel.
As always,
keep creating better video with Gal.
See you next time bye!