looking at inception by Hans Zimmer and
the track is called time
Inception
alright so we're going to doing the
first to iteration so as you probably
noticed this music
it starts off with a very simple colonel
and then it is repeated an elaborate
each time it's because they're decorated
more full of the bigger sound a lot more
presence and I place five iterations the
first four grow in sound inside of sound
and scope and the last one is the kind
of a tail a quite able to all that we're
gonna like the first two today if you
want to finish up all the iterations
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i'll start with the left hand
alright so what happens in the beginning
it's really straightforward so we have
four chords to make up the main theme
four chords therapy twice with an
alteration of the second so here's the
first four bars
the one chord for bar and the left hand
we have one on a for the first part ii
second
third bar we are registered for the
right hand we have 135 invited second
version behind a minor 135 again
next to get 25 again G major engagement
off so everything is 135 to service you
have
as it is the first four bars the next
four bars are pretty much the same
except the second chord changes so we
start out the same way the first quarter
instead of playing this for the second
coordinate don't play that play this
instead
oh this is where the second cord falls 5
on seeing the left and one for five in
the right direction and we have board
Oh like Gordon been business as usual
and that's it for the first eight bars
that is really the theme of the whole
piece distilled right that's what we
start off with that the colonel
alright let's move into the next
iteration we have this
as you can see that the skeleton of
these cool it's still there but we have
some extra stuff added him so we're not
the bad thing i can tell you is that the
right hand is identical to what we had
here who just an occupied people did the
death in a bow and then your right hand
is already finished it for bar and then
let's we have
starting here now if you can't reach
this doesn't really matter you can roll
it actually just pivot on the second
finger and never cross who search for
both handed
now what's important here is generally
speaking we rolling when you play with
the right hand
generally speaking you're supposed to
site at the top right so the last one of
the role and that sea lion to the
right-hand corner that's usually what
happens i would suggest doing the
opposite
aligning the right hand with the first
note of the role it will just make it
easier to pedal right but you might end
up if you try to line this you might get
just lose all of these notes because I
had a late just to avoid any issues of
cuddling a trick would be an in this
case in this scenario to a pedal
starting from a and to coincide with a
line right hand the left hand on the a
and then rolled thereafter like this
and then just be that there we go
you and so that's all the first bar we
get
moving on to the next bar oh just this
nothing in between justice and again you
can hear o third by nine again you can
move going to play solid for the sake of
simplicity here
we had 0 main thing really if you look
back first of these was here
Oh third bars here to one spot lower
position of both hands pretty much
identical the right-hand you already
know in the left-handed right you won
2-1 underneath 21 e and on the final bar
is
it isn't especially difficult to stretch
our new 3g you can do it got you one
left right hand straightforward and
there you have it folks that's it
enjoying the show for it
all right now the next four bars again
start exactly the same way right you
have over here
but again like we had in the first
iteration the second chord changes so
instead of what we have before yeah I
guess yeah all of that it's going to be
this OH major said your notice that in
the right-hand i added in
so the first iteration we had this i
think right
I thought you for that chord changes on
the second beat here's the same thing
but it's with an added and because of
this he i'm actually change the
fingerings to get one two three and five
on that court and so on these four bars
one more time we have this the service
off same as before
now instead of going to e minor we go to
c major seven on
hold for the full bar and then the rest
of this is ezra Oh
do you have a guy that's it was the
first generation that's that we get this
section
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next one