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there's one is an analogue sense
it's got beefy fat sounds that you can't
get on a lot of other instruments in the
hardware exactly like one voice of the
Prophet six even though it's the same
circuitry it still comes across a little
differently we can go anywhere from the
more aggressive sound to the softer
warmer fatter analog okay if it's true
analog there's a variability in there
that just adds a dimension we don't get
usually from software or digital so it
was really wanted to work with pioneer
DJ and get advantage of their design
process for this product if you're a
musician you want to interact with your
instrument the most important knobs are
right there for your filter cutoff
residence envelope controls off where
you can just do things very quickly and
if you want to get deeper and then it's
easy to use when you actually program it
and making a sound
well synthesis covers a wide range of
technologies synthesis as you're talking
about it specifically analog synthesis
is what is called subtractive synthesis
you start with a harmonically rich
waveform of your oscillators like I saw
to you for square wave and then you
filter it that's the subtractive part
you take out harmonics you take out
content from those
and then you shape the sound with what
we call envelope generators so you get a
fast attack with percussive sound you
get a handle or a string like sound just
by taking the over
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the s1 is very flexible so it's not like
it's targeted for anyone types out every
parameter in the s-1 can be controlled
over MIDI so you can effectively change
anything in respond so we try to have a
balance where it's easy to get deep when
you're in the studio but it's very quick
and easy to use live it's very important
to get the ergonomics right for live
performance
so the found is one thing that's
obviously the main thing but the
interaction of the musician's with the
instrument is equally important and we
think the a s1 is small easy to carry
but very quick and easy to get around
change the sounds drastically other
people we musicians who have been
playing with it already or just tell us
how much they like it how much it just
cuts through and I think it'll be a
classic novel scent and once people play
it to hear that sound don't mind lots of
ways to use it
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