this one's been a popular request for me especially lately and I have a feeling I'm
about to figure out why I have never heard Ginger yes not the first time I will have been accused of
living under a rock thank you so much for these suggestions and I absolutely love these live
one take performances cuz you really get a sense for how the vocalist operates I'm excited to dive
in
step
for and meting your Sunrise a [Music] c shivering inside today I be a friend
of [Applause] [Music] mine what a wonderfully velvety textured voice she has [Music]
wow be a friend of mine
swallows suffering with smile I drew a de reality with unconditional
loal so hard they can be pck CU I'm
s she does a really good job of subtly moderating her vocal
[Music] weight even though there's not a lot of rangy jumps or even a lot of
dynamic changes so far she's building in Dynamics and interest interest to this
subdued section of the song This is a mark of a truly tasteful vocalist not just a [Music]
[Music]
singer 1 mil great [Music] with all death SP
more
for one mil break life we allo
R I'd heard she was a screamer I'd heard that much but I was not prepared for that deepness
and the width of the texture having done some Spirit Box recently on the channel and working
with Lauren babic who's a fantastic harsh vocalist you see across all three of these
singers how being a female is has nothing to do with whether you can create these
terrifying low full-bodied screams we'll unpack her technique here in just a little
bit but I want want to hear more if you'd like help with the foundations and freedom mindset
necessary to do what she's doing with your own voice click the link below and join the free
course in the video description or the pinned [Music] comment no prises I ever give don't
rely on me and I won't dis see the beginning or the end you [Music] can't wave my wave my
you hear how she's changing her placement around first of all this section of clean singing has a
brighter slightly more aggressive weighty feel to it which makes sense it's later in the song she's
just come off of this incredible screaming but it's not just that this whole section has been
brought up a notch it's that when you listen to things like what she just did there listen
again wave wave is very forward wave my wave my and then listen to what happens in the word
[Music] afterward she's being very Dynamic with where she experiences
the vibrations her voice voice makes wave
[Music] my it's not a static resonance or static placement she's not always singing like she sang
My My wave my no it's wave my placing it back placing It Forward listen for more of that as
she continues to sing this is part of what makes her voice her singing voice so rich and she's
doing it while she's screaming too we'll cover that in a minute when I wave my Fe and shake my
[Music]
tail I like that entrance from fry there I grew and normality
with unblameable more relity H and N are there for me but but I'm
skish virgin inance
one with all the rack
SP forun [Music] it sounds like there might be a bit of subtle layering in there or now
that I think about it it's probably just a subtle doubling effect not an actual double
of her voice that's bringing in that extra texture on some of those screams
let's unpack her technique a bit look at her mouth as she's doing what she's
doing virin Nance
one okay going [Music] back she's got a highly developed and honed false cord engagement going on
here which you absolutely cannot velop overnight but you can start to feel out the sensations that
will help you develop this and it starts by sighing these are exaggerated and messed with
[Music]
sigh okay now how did I go from sighing in a normal voice to sighing with that
deep growl sound I did so by making my sigh more
desperate it's not just it's exasperated or withdrawn let your voice crack and go back and
forth in and out of H primary chord engagement and this exasperated sound and then when you
feel the sensation of that rumbler uh sound come into play add support to it poop muscle
support no no again this takes time to hone but it's so fun to experience then and here's why
I told you to watch her mouth most of the pitch differences that you are perceiving are not due
to her changing anything with the source which is the sigh it is the shape of her mouth sometimes
it's wide sometimes it's bright she's doing the same thing with her singing right and that places
it in different places creating uh this this brighter or darker Fuller sounding singing voice
it's the same thing with her screams oh oh oh very very drawn low mouth even if I and then ah ah ah
ah huh and then the very last thing that I'll touch on here with her
technique is she removes the Sigh from the engagement once she gets the low rumbly
sound she simply creates a hard onset goes directly into it but you have to feel it out
initially with the Sigh and here's why it doesn't matter whether you're male
or female this has nothing to do with your primary cords your primary chords are what
define the the voice that you have this is just false chord and a little bit of
upper constrictions inside the throat so your primary cords are disengaged if you're doing
it right that's why males and females can sound equally deep and textured with this
technique with all the r
attack the lies the lies did you notice how the pitch of the screen
changed it's more tamber change and not not a note per se it's all in the
mouth Li vir of the one
mil
[Music]
all takes a lot of practice and a lot of introspection in terms of how things are
feeling to dial in the level of texture that she [Music] has Neptune [Applause]
[Music]
childid some good stank as Lauren babic would
say side that's a beautiful slide there
[Music] kind of cool whispery background vocals back there
I [Music] think cherish his life to The Under [Music] World made me flashing and
to I really like how the how the vocal effects bring out that rich texture in
her singing voice as well they do a really good job not overdoing
it
swiming life against the
S don't catch and SE
[Music] the I got to hear that section again that's a new side to her singing
that I have haven't heard R life against the [Music] S and see
the okay two things you hear the sizzly yeah not clean but yeah slightly gritty
there's this there's this sheen on top of [Music] it the same compression and
support that I talked about her applying to her low growl she's applying here to
her higher singing notes not just a note but she's adding support and holding back
air with the same area of her throat that she gets her sigh from her scream from if you learn
the balance between primary chord engagement and false chord engagement you are able to blend the
two like she's doing here and that's where you get sing screaming again it's a balancing act that
takes a lot of practice but just knowing how some of this stuff works is a huge first step [Music]
forers
of
[Applause]
of
a master of technique and finesse what an incredible live performance I really
enjoyed it thank you again for all your suggestions keep them coming and again
if you would like to learn how to build the foundations into your voice click that link
below and join the free course in the comments or the video description we'll see you for more