hey what the flickr as i'm back and i'm back with any great interview four you
it's with director vin vendors who directed films such as the one of us to
social club
are also paris texas as well as the very very good on wings of desire but i've
seen recently got an oscar nomination for best documentary
for his film kina which is a documentary about uh... german choreographer
pena bausch
who created new sort of style of modern dance which is known as dance theater
now what's really interesting about this movie is that peanut is the second best
three-d_ movie i've ever seen
after avatar now using when you think of documentaries you take all that steel
better for animation or for action movies
but i think you get a chance to watch p now which i i really recommend you do
you'll see that it please to all of the strengths of three-d_ le people having
to throw things at the screen or zoom out e because
when you think about it
dance is all about
movement three space
and we can show that in longer unbroken takes in the real world which is already
in three d
in really shows the potential of three d
and then it has a lot of really interesting stuff to say about
what he sees as the future and potential of three d
which at least word at least price to me
so anyway uh... please take a look at my interview with inventors
do you think the
emotional impacts of
redeemed its
or what did she would or could take
what it could be a continual where it could be
three-d_
it's two different things it is
is an attraction an additional attraction
to film making
origin the only thing i want to experience so no wait to immerse in
dot lights and into the world of somebody else
and as such in
owning a sense of interested i think
as a whole different three-d_ out there that is
their natural and that is not effect driven at all
set is anyway
the continuation of
your life
hissy with you to our eyes and you
your brain constitutes space all the time when you turn around and when you
walk out of them
hotel here you you are right
freidy universe
i want to make this film about the world of pena bosch
in such a way that
after a couple of minutes you forget that you would see if we meet three-d_
i didn't want the technology to be the attraction dot the incredible art and
the beauty of
pena box world
when talking about some passed away
this was the year
the sound design turned against him
screening
their footsteps lower your costs and bring aspect is
commercial
oddities
very physical and sometimes advances due to the extreme limits
subgroup of dollars
i mean even as a
in the audience to completely wasted tutsi windswept and it's extremely
physical m
as we take you into such a good news
place that you've really on the stage with cement that almost phelan types and
of course you have to hit breeds and cute
you have to hear the moment you have to hear the
humanity of it
very often dances streak in it
the static experience in
in the case of convulsive ceo persistence
it's about life it's not about expressed status
and and i was reading and he's program
seen opinions were for the first time continue having a very strong emotional
reaction to it that you really want to invite you to endure the human condition
by watching work
penis that out
old different practice
than density
she said i'm not interested
you know
against move
i'm planning to sit in
what moves them
committees executive difference out of a sudden dance
deals with something it's really about
who we are and how we move
at home
we face life in love and loss and fear and joy
it's about all of that in this
pena's art has put
password upset which is really revolutionize that and you have to
seem to believe that that
nobody understands them
and that yet but i'd be understands that even before you print this
your baymont
lag behind because you might have conceptions of dance of different
thank you mike
single thinks about dance and then you see pena's work and you see
conflict and then
i cried like that
baby when i first saw my first piece of peanut you could just came out of me
because i can't believe
that something so
natural beautiful
had been
unknown to me into that
you know in interviews with that
three e there's there are very very well made for each other
and two hundred critical of three-d_ a separate my mind is too great for you
when this happens hartmann peter
and uh... i was when will you go there
always sitting in for your only certain ones origin or that's the way that that
that
hasn't
not homeownership animated three-d_ not at all
movies that haven't finicky into space and
that can he he wasn't
and that where
this new language
is obsessively
that is interesting
well it was over there
an attraction and affect one faction basically these movies can use it and it
could justice will be made without it
but to tell a story that has the affinity to this new spaces
is fabulous
haven't really seen it and i i i agree with you amending only masterpiece
in this new languages and butter
and the list was like
bluebird waste of time it was almost late
destroying this new language because before that you can control its
potential because
using in strictly as an attraction
it's not enough
the film has to really wanted if needed
dense
i was lucky dancers
they were made for each other treaty
assured that stores that are great
treat all the three day we just have to
inventive
all right reserved seems fair enough audio about com
have never spoken and i would have left to revert to call them
we make the bulk of
peanut before avatar came out it was a rumor
g_m_'s chairman was making this movie
and who's going to put three d_ on the map
and people thought we were crazy when we started making dance film
pictures
but he was not
really part of the cinematic landscapes
and then i'm eternally grateful to cameron
that he has described vision i mean
made it clear to the entire world from now on there is a new
language in cinema
and it may disrespect to lead it makes people respect
i certainly hope cooking project more
another spoken sort of
uh... which china's shoes
uneasy wrote
upon from the prosecutor understand what this view which would have been tried
sixteen
pressure the film at the chinese theater
on saturday
and customers there was a lady
and then they determined to its knees shaking their heads and said
and the widow of gene kelly
huber
of this movie and he would have
immediately use three-d_ if u known it
taxes cut me back
especially with such a physical hook
passing imagine what he did
holly didn't run since these that's insane
in there and and he really did he didn't have the technology
that he
went very very far with
two-dimensional representation
i started to imagine what gene kelly could have done if you have had
james camps camera
k
almost so it's going to be hot where they got started alone
indian
working with me here is that that he has been meeting with their feet on that
that's causing traditionally go down do you think they're going to fix it
care about to fix it and i hope the movies
sca susan speer talked about coming out now
willed
open up the range of movies etc
the language to arafat
storytelling
i think
myself and community convinced that
three-d_ is the future of the computer and that it will lose
ventura to a whole new enough
the presence of a camera
the president of person from a camera
is a whole different thing in three d
your body in front of the camera
your you nicest person
you have a volume you would say i can almost touch it
i am interested in your story and a whole different way
on a shoestring three-d_
i think the documentary hasn't long way to do it with three-d_ and eventually
storytelling
will also not even include action and blockbuster movies but also
intimate stories and family stories tat
we just have to crack the code hospitality pretty