Hey everyone, Shawn Clement here solo at your service today. And, for so many of you,
you're wondering, Hey, do I release the body? Do I release the hands? What in the world does that
mean anyway? But I can tell you one thing. I want to stop this flipping down here because my wrists
look terrible and I'm hitting all these super high shots and hitting the ground before the ball. And
I'm losing distance. I should be hitting a lot farther for my, my irons, and driver.
I'm going to answer those very easily for you right here in this session. Stay tuned
but before we begin, of course,
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An easy task for you. This is our latest task at wisdom and golf. over the course of this, winter
is a pandemic-born task. Now imagine to get more club speed, you get the ticket paintbrush and you,
you put, you know, dip it in water. Don't want to make a mess and you want to take the water
and you want to separate it from the pink brush. So you're going to give it a nice sling and the
violent change of direction here at the bottom pulls the water out of the paintbrush. So now
take that duct tape to a golf club and make sure that the paintbrush is very, very light.
Okay But this image should be enough for you. I want to take the water out of this pink brush
and I want to spray it into the wall. So let's look at what would need to happen if that were
to occur. And you'll realize as you do that, as you focus on that, here it is in slow motion.
Taking the paint from the paintbrush. I'm waiting, I'm waiting, I'm waiting.
There
Starts here. And the majority of the water comes out right there towards my net.
So,
And then you'll look at your swing after that, and then you'll go, wow, look at that lag. Wow. Look
at that beautiful clearance of my hips because my brain needs to bring the water over here.
For most of you, the ball is your target. So that's like taking the water out of this
paintbrush and throwing it at the water or pardon me, throwing it at the golf ball.
So here I am throwing the water at the golf ball and you see that beautiful chicken weight
because my body had to stop here facing my target. And I had to let go of my lag plenty early. And
as soon as my paintbrush catches up with my hands, we have the old flip-ola. There it is. So when the
club passes the hands and I'm trying to lift the ball, or I'm trying to spray the water at my ball,
you get chicken wing, you get flipped and you get the stuff that you don't want.
So how do we do it? Well, when I spray my water at my target, all I need to do is figure out how
to put the ball in the way, right? So here we go. If I do it from here, it feels like
I'm going to miss the ball entirely. Here we go. My attention is right there on that net.
There's a nice target in the middle of it. And I'm going to spray the water right there. Here we go.
Spray the water there. And yes, I missed the ball. So I bring the brush down to
the grass and I'll go, okay. If I spray the paint in the direction of the target, well,
it feels now that the ball will get brushed on the way by here we go. I'm delivering my water. There.
There it is. So I was delivering my water that way. And the brush,
actually the frame of the brush, you heard the sound hit the ball. So the ball was in the way
of my spray, painting the water. There that's the difference. So
when I'm going in that direction, while the brain's got to go get the ground, use the
ground to get my body out of the way. Notice my hands come through first. Then the shaft,
then the beginning of the heel or the pink brush, then the toe of the club.
And there's the release. So my body is completely out of the way to release the body and the weight
of the club now, which I'm projecting toward the target has to now release me. So a good way to
feel that. And it's done in every sport. And you've seen me do this in a lot of my videos.
Just watch Pete Sampras deliver in slow motion, go, Pete Sampras, pronation serve
slow motion and you'll see him come. It looks like he's going to split the ball in half.
And then there's this beautiful release of the anatomy. See how my hand turns
over. So if you had a sword in your hands and you're going to slash through a bamboo shoot,
notice the brain's got to go get the ground, use the ground to get the body out of the way.
Here comes the elbow hand shaft tip of shaft release. There's the release of the anatomy.
So when I slash notice how the weight of the sword releases me, look it in your direction.
See that? it's inevitable, it's like in baseball. When you're hitting a shot over the pitcher's head
into center field, there's a full release of the bat. The trail hand has to clear over the
lead hand and the lead hand must yield out of the way. Otherwise, it's a checked swing
and a broken wrist or two. So we don't want to hold on to this. We want to release it.
We want to release it. We want to let it release us. So now I have a ball. I have a target.
I want to release my water toward the target. Is the ball in the way No? No.
Hey, that's pretty good. So it feels like the sole of the club's gonna,
you know, drag through a little bit of grass here. When I release my paint over there,
what, what's it going to feel like when I whipped the paint out there
Oh yeah. Yeah. It feels about like release the paint. You want to come and have a look,
just see guys, see how much fun this is. So I'm hitting a 7-iron draw.
There is 189 yards total. Here we go. All right. My seven. All right. So you can see
nice club speed there with that seven iron. Okay. Coming from the inside, down and through. That's
when you can tell if I release at the ball, when my students release at the ball, it's like nine,
10, 11 degrees up because they went into the ground and they're trying to lift the ball.
But when I'm throwing toward the target, I always have a downward angle of attack.
And there's the draw. So my carry was 188 yards, my total 189 yards. I got some good spin on that.
So let's look at the replay here.
See how pretty that is. And here it right over the flag flags at 180 yards, right there, that is
bliss on a stick people. That's what I want for all of you guys out there is this kind of ball
striking. So to resume, I need to go that way. You want to snap a punch that way. The brain's got
to go get the ground, use the ground to get you out of the way. And that punch needs to release.
This is not a complete punch. If you want to do uppercut, that's different, but still,
the uppercut has a little release to it. The jab has a major release to it, and that's exactly what
we're doing here. So when I'm swinging towards you, this is held on ball slides off the face-off.
It goes to the right. This is thrown at my ball. Notice the chicken wing my body quits here.
It stops turning why my target, but if I, I want the target to be towards you, and I'm going to
throw this club towards you. Here, it comes, throw, see what happens to Collect the ball here
faces slightly open release the ball of square to slightly closed depending on the draw or fade.
And then the continuation of that right release is there. Notice how my hand is under
and I'm letting the club release in your direction. So you have a task
you deliver in the direction of your target, and you allow the weight of the instrument
to release you. If you want more information on this, go to our premium channel. It's only
$9.99 or $9.95 a month, 10 bucks a month. And you're going to see my release videos. There's
the lead hand release. So you get a full idea of how that works individually.
The trail hand releases the release, fine-tuning. And then we got snap release Polish, an amazing
video. That really hits the feel of this thing home. Then when you throw the club in the
direction of the target, the next videos you want to see are throwing the club. If you throw the
club in that direction and don't let go, well, the weight of the club has to release your anatomy,
but you need to know what that feels like, what it looks like, and understand it. So you can allow it
to let it happen. Right then after we do that, we do turbocharge that release. So you know how
the legs react to the G-Force of that release. And then all of a sudden, boom, magically,
a golf swing appears. And then you can fine-tune that with the premotor cortex series.
Something I could never put on YouTube because nobody's searching for that stuff.
But it's highly important stuff to prepare your central nervous system, to get you ready for a
specific task. You give it the wrong task, you get the wrong result. So you need to understand how
that command comes from in here, into here. It's amazing how this works, wherever your focus is
your energy flows in that direction. So you need to be very highly educated as to where
you're going to put your focus. And then you want a confirmation that you actually stayed with it.
So that works in co target confirmation series. So get on our premium wisdom in golf, premium.com,
and then you won't believe what we have in there. I mean, there are over 400 videos,
always two angles to the camera. It's my life's work. You'll see Mu and Sav there with me with
certain of my videos. And that's the most important part though, are you understand
how this machine works from here out, and then you'll stop wasting your time with
Pinocchio positioning. All right, this is what I want for you all the best. See you next week.