hey Chris liepe here you asked for it you got it techno train electric callboy with
every one of these songs that I've gotten into there are new twists
and new nuggets of vocal nerdiness to be uncovered so let's get into
[Music]
it Li take a ride on the tech train ride no take your seat open up for the
pounding Bas deep inside yeah shaky shaky sweaty sweaty you
make my spaghetti ready heat up the sauce it's a one you [Music] better
[Music] again the my turn Okay the the number of
different types of vocal engagements in that short section alone is they're
amazing take no train ride ride I love how he's on the verge of fry right there there's this
highly compressed audio signal that's going on and he's milking that by being able to be
H right right more Dynamic while still having the vocal like pegged right here and exploiting
that vocal fry SE open the pounding de inside sh sh and right there shake it shake it sweaty
sweaty there's this different it's subtle but we've got the he goes from right right right
right to compressing more he's not distorted there necessarily but it's it's right there
listen deep inside yeah deep inside not deep inside yeah deep inside yeah deep in on the
verge Shake Shakey sweaty sweaty you make my shake it shake it sweaty sweaty spaghetti
ready heat up the sauce it's din one I want die CU we ring again the what nature is and it's
getting right in the middle there layered in I love when they do that make my spaghetti ready
heat up the sauce it's a dinner for one you better you better W now one thing I'm
noticing more and more as I listen to these guys is he's got this wonderful High Sheen
over his scream you can direct the engagement higher and combine it with this sort of sound
to get a a sheener sound and that's what I hear him doing not or even but if I go here how much
tighter that is and I've talked a lot about the screaming techniques they use in other
electric cboy videos so be sure to check out the playlist I've linked to at the end of the [Music]
video but I just have to say again notice how many times he dips back down into his
regular voice if you'd like help working on the mindsets and techniques necessary to go
places with your voice like they're going with their voices join my free
course Linked In the video description or pinned comment and I'll help you get
there I
my there is a whole new to explore it's the sound of a
ril in the we're ring all and through the valy and
all listen to the way he enters that hook there is a whole world there is a whole new
world we've got this really light engagement it's head voice up there but he's connecting
it to the rest of his voice so well this is not there is a whole new world it's
also not there is a whole new world where he's really he's like strained or pushing
he's so free in his engagement there is a whole new world that youl it's the sound
of sneaky head voice insertion there as well and then there on that L Note he's he's a a
very much more mixed or high chest voice and that varies from the way he approached
the first time around on that hook ra the we're riding on and out to the B of all you
got is what all you got is what I want destination love pleasure up above you
pleasure up above pleasure compressed release release into fry got licky licky sck sck yeah
you make my lollipop candy time go get your dinner for one you better go your
face a b of the car the is
[Music] over there something again
here over
[Applause] okay the more I listen to these guys the more I'm recognizing the Nuance in
Kevin's approach to screaming combining a more more broad engagement with a more
High type of Engagement is the secret to his range of course he's also got the L
in there super fun to go through and sort of internalize the sensation in
your own voice as you're listening to him jump around to different types of
engagements there is a home you need to explore
it's the sound of the ra that you in the FL we're riding all to the
B listen to the way that Nico releases out of that last note [Music]
listen right
there uh it's so important to remember as vocalists yet often overlooked how one gets out of
or exits certain notes really adds to the vibe we focus so much on how we get into notes how we hit
notes how we start phrases Nico's very conscious of how he ends things and that's part of what
gives him the flare that he has in his Melodies got one there is a whole new world that you need
to explore it's the sound of the rain those background vocals uh behind whole new [Music]
world there's harmonies and I really feel like there's
this whole new world going back going on back
there it's very faint I hear it maybe I just want to hear
it Whole New World I I really feel like I hear hear
that
[Music] [Applause] [Music] exp wonderful comp like wind compression up there it's
a combination of this and then adding that holding back of
air it gives you that nice edgy high sound that
cont beautifully with his lighter sound that he also
[Music] has the valy of all you got is all you got is I want your attention please the 69 EC
service technal train on platform andv to climac city is arriving ahead of schedule we're sorry for
any lost dyment going to take it right now [Music] over that's some incredible airflow management to
be able to be staccato like that with that level of intensity oh any last dond right over but I
to over and then he jumps up in range over there you [Music] go one of my favorite riffs [Music]
yet we're riding on the T D we're riding out of time there's a perfect
example of switching between two different types of engagements
we're riding on the techn train we're riding on the techn train and
it's we're riding the we're riding out of there's some doubling going on in there bolstering both
sets both tambers there which is important for everybody who's doing this with their
own voices to realize that when we are on a single mic with with no effects or anything
it's it's going to it just the fact is it does sound different less full less textured even if
your Technique is good compared to what you hear on this fully produced track with all the layers
and effects that doesn't mean we don't have work to do I certainly have a lot of work to do when it
comes to dialing in these sounds and Sensations in different ways but it does mean we might be
closer than we think that's why it's so important to put yourself in environments where you can
record play with technology play with different ways of manipulating your voice in a recording
environment because that's what these guys are doing too that's how they're finding their ideal
sounds there is a whole new that you need to explore it's the sound of the ra you we're
rning to the valley of all you got is what all you got is what there is a whole new world that
you need to explore it's the sound of a rail that you love in the door we're out now the
valley of love all you got is what all you got is what I want yeah be sure you've watched all
my electric callboy vocal analysis videos you can find them in this playlist and make sure
you've joined my free course so you can start dialing in some of this stuff in your own voice