SARAH: Based on what we've got here,
what do you think we're in for?
BRANDAN: Some sort of eventing.
SARAH: OK.
What about it makes you think that eventing
is going to happen?
BRANDAN: It just looks like an event.
I don't really know what that would entail.
SARAH: And what is eventing?
BRANDAN: When the horses jump over the bars
and they do stops.
And I don't know, there might be some lassoing involved.
I'm not entirely sure.
SARAH: You think she's going to jump over some of these.
BRANDAN: I do.
Yes.
SARAH: OK.
BRANDAN: Maybe not these white things here.
But I have a feeling there might be some hidden poles
beyond the screen.
SARAH: All right.
Let's get started.
Let's see what we got.
BRANDAN: All right, she's trotting along.
Really don't know what she's-- oh, there was no hidden poles.
So here we go.
She's turning.
Nice trot by the horse.
SARAH: How do you judge the quality?
BRANDAN: She's riding that horse very nicely.
[LAUGHTER]
And she's going past the 'e.'
I don't know what's going on.
Why are they just trotting along?
SARAH: You tell me.
BRANDAN: Past the 'h.'
Now they're turning.
Horse has got its head down.
She's very perked up.
Now past the 'm.'
They're just going in circles.
Past the 'b.'
I really don't know what's going on here.
Another turn.
Do they measure the turn radius or something?
Like, how nicely they turn?
SARAH: How nicely do you think she's turning?
BRANDAN: I mean, she looks to be a professional of sorts,
so she's probably turning pretty nice.
And the horse seems to be playing along.
And that was a sharp turn right there, from the 'm' to the 'c.'
SARAH: What indicates the professional status to you?
BRANDAN: She just looks like a professional rider.
I don't know.
Looks like she's at some sort of sponsored event.
SARAH: OK.
BRANDAN: So there's some signs around and stuff.
Oh, and now she's going out into the middle.
They're done doing circles.
Is that a fake tail like from the last round?
SARAH: From the fake tail bag fame?
BRANDAN: Is that?
SARAH: That is not a fake tail.
That's is a real tail.
BRANDAN: Wow.
That's a nice tail.
I thought they were done going in circles,
but it appears as though I'm wrong.
SARAH: OK.
BRANDAN: They're still going in circles.
SARAH: All right.
BRANDAN: She's going to the corner.
She's going way into the corner.
Takes another nice turn.
They're going slow now.
Oh, picking it up a little bit.
Oh.
They're really picking it up.
SARAH: How would you describe what's happening now?
BRANDAN: It went from a trot to a light gallop, I would say.
SARAH: And how would you describe the quality?
BRANDAN: The quality of her galloping?
SARAH: Mm hm.
BRANDAN: Very adequate.
Adequate galloping.
SARAH: Getting the job done.
BRANDAN: Getting the job done.
SARAH: OK.
BRANDAN: The horse looks like he's having a great time.
SARAH: What about the horse indicates
that he's having a great time?
BRANDAN: He just looks like he's having a good time, you know?
Just kind of, like, trotting around.
Looks like he trusts that owner or rider.
I don't know if she's the owner.
SARAH: What indicates the trust?
BRANDAN: I don't know.
I mean, he just seems to be doing what she wants.
You know?
I mean, they're clearly doing what
they're supposed to be doing.
I just don't know what it is.
And they're still going in circles.
And the horse, he always has his head down.
SARAH: Do you think he can see?
BRANDAN: I would hope so.
Why wouldn't he be able to see?
SARAH: Well, you said he has his head down.
I didn't know.
BRANDAN: Oh.
SARAH: The way that you put your head down,
it would be a little hard for you to see what is happening.
BRANDAN: Well, I'm not a horse.
SARAH: That's fair.
This much you've learned.
[LAUGHTER]
BRANDAN: That you know of.
SARAH: All right, what do we got?
BRANDAN: They're still doing pretty much the same thing.
I don't know what I'm looking for here, so it's hard.
They're-- oh, we've gone from a light gallop to a very stirring
gallop.
And now we're stopping again.
SARAH: And how would you describe this?
BRANDAN: More galloping.
The music in the background would
make you think that she's, like, escaping from, like,
an old Western bank robbery.
But she's not.
SARAH: That you know of.
BRANDAN: That I know of, yeah.
She's doing a very bad job at escaping,
if that's what she's doing.
Because that's not a very big fence.
They could easily escape that.
Oh, they're stopping.
They stopped entirely.
SARAH: OK.
BRANDAN: And that's it.
SARAH: And how would you judge the quality
of what you've seen?
BRANDAN: Like of how they did?
SARAH: Yeah.
Not of the quality of the video.
BRANDAN: I don't know.
I mean, I don't know what to compare it against.
I mean, it was a lot better than I could do.
I'll tell you that.
SARAH: All right.
What was your favorite part?
BRANDAN: When they moved into the very stirring gallop.
Then they were going a little bit faster than
at the beginning.
SARAH: And what was your least favorite part?
BRANDAN: The fact that they just kept kind
of going to the same spots.
They kept going into the corners and just, you know,
the horse would kind of get the little 90 degree turn in there
and then just keep kind of going.
SARAH: Sure.
BRANDAN: I just don't know what was going on.
SARAH: Yeah.
BRANDAN: You know?
SARAH: I mean, that's kind of it.
That's what they do.
BRANDAN: That's it?
They just go into the corners and turn?
I don't get it.
Why do they do that?
SARAH: The first one was a tall, blonde woman.
BRANDAN: Mm hm.
SARAH: Who do you think it might be?
Any guesses?
BRANDAN: Tall, blonde woman?
Would that be Viviane?
SARAH: It would be.
BRANDAN: Whoa, yes.
SARAH: IT guy.
[LAUGHTER]
SARAH: IT guy knows everybody in the business.