OVER.
OVER. >>
OVER. >> TRACY, FROM THE MOVIES,
LET'S HEAD TO THE THEATER.
>> WE ARE LEARN LAG LITTLE BIT
MORE ABOUT EVERYBODY'S FAVORITE
ORPHAN CAST OF ANNIE.
HURRAY, IT'S IN THE STUDIO.
FIRST, WE'RE GOING TO LEARN
ABOUT THE SHOW AT CLACKAMAS REP
TORREY THEATER THAT CLEARLY HAS
VERY CLEAN FLOORS IF THE GIRLS
WORK ON THEM MOST OF THE TIME.
JOINING US, THE ARTISTIC
DIRECTOR, CINDY.
DIRECTOR, CINDY. IT'S GOT KIDS, DOGS.
IT'S HUGE.
IT'S HUGE. >> IT'S HUGE.
IT'S THE BIGGEST SHOW WE'VE
EVER DPOFNLT WE THOUGHT THIS
WAS FIDDLER BUT IT'S ANNIE.
>> HOW DEAD THIS GO -- DID IT
GO WITH THE DOG?
>> WE HAD EIGHT DOG AUDITIONS.
SOME RAN INTO THE AUDIENCE.
THAT WAS GOING TO BE A PROBLEM
BUT THERE WAS ONE HIGHLY
TRAINED DOG WITH A MOTIVATED
OWNER.
OWNER.
OWNER. THAT'S SANDY.
THAT'S SANDY. >> HOW MANY PRODUCTIONS DO YOU
DO A YEAR?
>> WE'RE A PROFESSIONAL
COMPANY.
COMPANY.
COMPANY. WE DO 14.
WE DO 14.
WE DO 14. WE DID SENSE AND SENSIBILITY,
RIP CORD, AND ANNIE.
>> IT'S ABOUT HOW MANY PEOPLE
CAN BE IN THAT?
>> 250 SEATS.
YOU'RE ALWAYS CLOSE TO THE
STAGE.
STAGE.
STAGE. >>
STAGE. >> IT SORT OF FEELS LIKE YOU'RE
A PART OF THIS.
TICKETS STILL AVAILABLE?
>> TICKETS ARE STILL AVAILABLE.
DON'T WAIT IF YOU WANT TO SEE A
MATINEE.
MATINEE.
MATINEE. >> YOU GUYS OPEN --
>> SATURDAY THE 4th AND SUNDAYS
AT 2:30.
AT 2:30.
AT 2:30. >> IT'S WONDERFUL.
IF YOU'VE NEVER SEEN ANY OF
THEIR PRODUCTION, GO SEE THIS
ONE.
ONE.
ONE. YOU'RE IN FOR A TREAT.
WE CAN PROVE THAT.
>> COME ON.
EMBARRASSING.
EMBARRASSING. WE INVITED YOU TO BE ON THE
SHOW.
SHOW.
SHOW. THEY'RE CLEANING THE STUDIO.
>> LET'S SEE.
AUBREY, RAISE YOUR HAND.
JULIA.
JULIA.
JULIA. ALISA.
ALISA.
ALISA. WE
ALISA. WE HAVE CORA ON THE END.
THIS IS A BIG RUN.
YOU'RE DOING IT FOR WHAT, FOUR
WEEKENDS.
WEEKENDS.
WEEKENDS. >> FOUR WEEKENDS.
>> IS THIS THE BIGGEST YOU'VE
HAD IN YOUR CAREER.
>> IN MY CAREER, YES.
>> WHAT DO YOU LOVE ABOUT THIS
SHOW THE MOST OTHER THAN YOU'RE
THE STAR.
THE STAR.
THE STAR. >> WHAT I LOVE WHETHER THIS
SHOW THE MOST IS THAT AN NI IS
SO MOSS -- ANNIE IS SO POSITIVE
AND SHE LOVES LIFE SO MUCH.
>> THIS IS ABOUT AS BIG OF A
LEAD ROLE AS YOU CAN HAVE ON
STAGE, RIGHT?
STAGE, RIGHT? NERVES, HOW DO YOU GET THROUGH
IT?
IT?
IT? >>
IT? >> IT
IT? >> IT HELPS THAT I'VE MEMORIZED
MY LINES COMPLETELY AND I DON'T
KNOW.
KNOW.
KNOW. I
KNOW. I JUST LOVE PERFORMING SO MUCH
THAT IT TAKES ALL THE NERVES
AWAY.
AWAY.
AWAY. >>
AWAY. >> YOU WILL PERFORM HARD-KNOCK
LIFE FOR US.
COME TO YOUR TELEVISION.
THESE GIRLS PRACTICED WHILE WE
WERE IN THE COMMERCIAL BREAK.
THEY WILL KNOCK YOUR SOCKS
AWAY.
AWAY.
AWAY. TAKE IT AWAY.
IT'S A HARD-KNOCK LIFE.
♪, ♪
♪, ♪
♪, ♪ IT'S
♪, ♪ IT'S THE HARD-KNOCK LIFE FOR US
IT'S THE HARD-KNOCK LIFE FOR US
'STEADA TREATED WE GET TRICKED
'STEADA KISSES WE GET KICKED
IT'S THE HARD-KNOCK LIFE GOT NO
FOLKS TO SPEAK OF, SO IT'S THE
HARD-KNOCK ROW WE HOE COTTON
BLANKETS 'STEADA OF WOOL EMPTY
BELLIES 'STEADA OF FULL IT'S
THE HARD-KNOCK LIFE DON'T IF
FEEL LIKE THE WIND IS ALWAYS
HOWL'N?
HOWL'N?
HOWL'N? DON'T IT SEEM LIKE THERE'S
NEVER ANY LIGHT!
ONCE A DAY, DON'T YOU WANNA
THROW THE TOWEL IN?
IT'S EASIER THAN PUTTIN' UP A
FIGHT NO ONE'S THERE WHEN YOUR
DREAMS AT NIGHT GET CREEPY NO
ONE CARES IF YOU GROW, OF IF
YOU SHRINK NO ONE DRIES WHEN
YOUR EYES GET WET AN' WEEPY
FROM ALL THE CRYIN' YOU WOULD
THINK THIS PLACE'S A SINK OH
EMPTY BELLY LIFE ROTTEN SMELLY
LIFE FULL OF SORROW LIFE NO
TOMORROW LIFE SANTA CLAUS WE
NEVER SEE SANTA CLAUS, WHAT'S
THAT?
THAT?
THAT? WHO'S HE?
WHO'S HE?
WHO'S HE? NO ONE CARES FOR YOU A SMIDGE
WHEN YOU'RE IN AN ORPHANAGE!
IT'S A HARD KNOCK LIFE.
YOU'LL STAY UP TILL THIS DUMP
SHINES LIKE THE TOP OF THE
CHRYSLER BUILDING YANK THE
WHISKERS FROM HER CHIN JAB HER
WITH A SAFETY PIN MAKE HER
DRINK A MICKEY FINN I LOVE YOU,
MISS HANNIGAN GET TO WORK!
STRIP THEM BEDS I SAID GET TO
WORK!
WORK!
WORK! IT'S THE HARD-KNOCK LIFE FOR US
IT'S THE HARD-KNOCK LIFE FOR US
NO ONE CARES FOR YOU A SMIDGE
WHEN YOU'RE IN AN ORPHANAGE
IT'S THE HARD-KNOCK LIFE IT'S
THE HARD-KNOCK LIFE IT'S THE
HARD-KNOCK LIFE!