Hey how you doing? Phil here at Rileyphotos now look what I've got here yeah this is my trusty
Fuji X10 I love this camera if you don't know how much I love this camera then check out the
review that I'll leave at the end of this video oh this is a belter absolute belter and they are
becoming like hen's teeth to get they don't make it anymore Fuji why do you stop making this look
at it it's beautiful look how absolutely gorgeous like alike it is uh it just looks great doesn't
it and it has this manual lens this fantastic Optics on this I mean look at the size of that
they don't make it anymore if you can find one buy it because they are getting really really
difficult to get a hold of now Fuji of course before they made cameras made film and you know
there was an awful lot going on when you uh taking pictures aren't there the iso effects you know the
image the aperture that and the depth of field that affects the image you shutter speed and
whether it's fast enough that respects the image but of course what don't people don't quite often
take into consideration today is uh the color the color space that they're using but in these they
give you a color simulation that's right they give you the option to simulate the films that
Fuji originally made so you can choose to have what have we got uh standard is the provia uh
it's like a it was a 100 ASA film the pro video it was sort of a general purpose film um sort of for
All Occasions a nice balance between a little bit of color and a little bit of softness but
then food you were renowned for their landscape um slide film uh Crown film called velvia they
had a velvet it was 50 ASA so you needed light or a tripod and it gave these amazingly Vivid
colors and really really super dark blacks it was fabulous for Landscapes and that's on here too
and the last one was astia now astia was what they uh encouraged you to use if you're doing
portraits because it was soft subtle skin tones really soft and delicate so anyway they put all
of those into this camera as well as a load of black and white modes which we won't go into now
um but uh could you tell the difference do you think with pictures that were taken in
those different color modes or is it just all a little bit of a sales Spiel I don't know so
let's take this camera out now let's put it on a tripod let's take the same pictures uh in those
different film simulation modes so we've got the provia the velvia and the astia the standard the
Vivid and the soft let's see if we can tell the difference can you tell the difference what do
you think this is which film which actually the Pro V which is the standard film so let's
go on to the uh velvia which is the color saturated one wow that's uh really Punchy and
that's the astia that's the um the skin tones one and that's actually punchier than I thought
let's try again this is the provia which is the standard The Velvet is going to be Punchy yep
that's what exactly what you'd expect that's what you want for Landscapes and that uh but
as the other skin tones one is actually it's not as flat as as the provia the standard film
is it let's try this again provia velvia yeah there's the color and astia which I would expect
to be softer than both of them but it's not as punchier that's really interesting isn't it
that that's the softest one that's the uh the you know the the most contrasty
and that's interesting let's put them together look wow now we've got the we've got the the pro
via the standard film at the top there we've got the value in the middle and the astute at
the bottom look at look at the difference between the top and the bottom the astute at the bottom
which is the subtle skin tones one well that is actually punchier and more contrasty and more
color saturated than the standard provia 100 at the top that's not what I expected at all is it
not what I expected at all let's go indoors let's let's have a look and we'll start this time with
the last year the skin tones and then the provia oh the standard one is flatter have they got this
the right way around yeah velvia is Punchy but it seems the wrong way around astia let's have a look
yeah that's uh that's got plenty of colors and contrast and the soft one is the provia
um the value is the most uh color saturated we know that astia
yeah that's the soft skin tone so the next one shouldn't be a soft but it is it's softer
so it seems to me that the standard provia is the softest and flattest of all of them well
there was a definite difference wasn't that you could really really tell when you got that Vivid
velvet you're on and it's great really great for Landscapes uh the uh the soft tones they really
did make the skin tones I think look a little bit nicer as well even to this craggy old face so
um yeah good fun and of course this is an old Fuji the new Fuji's well they got way more film
simulation modes there's loads on there now so um I think Paul uh has got the xh1 that's
got a load on uh I'll uh I'll get him over and we'll take some extra pictures with the with the
new I think there's about seven or eight now filming simulation modes we'll try that out
um in the meantime I told you how good this was it is absolutely fabulous I've got a review of this
camera if you haven't seen it honestly you really should take a look because you know if you can
pick one of these up and there are still people online on the comments still telling me that
occasionally they find one in a shop or uh on eBay or something for an absolute steal so if you want
to see just how good this little camera is have a look at this video here I hope you'll like it