>> Stephen: HEY, EVERYBODY, WE'RE BACK HERE WITH OLIVIA
WILDE, DIRECTOR OF "DON'T WORRY DARLING."
OLIVIA WILDE, CHRIS PINE IS PARTICULARLY SEDUCTIVELY SPOOKY.
>> HE IS. >> Stephen: IT'S A SORT OF
PORTRAYALAVE CULT LEADER THAT IS ONE AND THE SAME TIME
RECOGNIZABLE AND ATTRACTIVE IN WAYS I DON'T EXPECT.
I HOPE YOU'LL TAKE THIS THE RIGHT WAY.
MIDCENTURY MALE, I WOULD MOVE BEING SOMETHING OF A TO VICTORY IN
A MINUTE. >> THAT'S EXACTLY WHAT I WANT
YOU TO FEEL. >> Stephen: MORALLY, I
WOULDN'T WANT TO LIVE THERE-- >> THAT'S MY POINT.
>> Stephen: BUT FROM MY OWN APPETITES, I WOULD MOVE THERE IN
A SECOND. DON'T JUDGE YOU.
>> I DON'T JUDGE YOU. THIS IS WORSE.
I'M A WOMAN. >> Stephen: WHO COULDN'T WOONT
LIKE A COLD COCKTAIL AND AN A-LINE DRESS.
WHO IS ACTUALLY BRAVE ENOUGH >> MARTINIS FOR BREAKFAST. TO
QUESTION A SYSTEM THAT REALLY WORKS FOR THEM IN A REALLY
AMAZING WAY, A COMFORTABLE WORLD.
WE'RE ALL REALLY GOOD AT BEING COMFORTABLE IN BUBBLES.
THAT'S WHAT WE WERE TRYING TO KIND OF UNPACK.
>> Stephen: FLORENCE PUGH'S CHARACTER-- CHOOSE NAME ESCAPED
ME. >> ALICE.
>> Stephen: ALICE GOES DOWN THE RABBIT HOLE, SHALL WE SAY.
AND SHE QUESTIONS IT. >> SHE DOES.
>> Stephen: A BEAUTIFUL PERFORMANCE.
>> SHE IS SENSATIONAL IN THIS FILM.
SHE IS BRAVE ENOUGH TO LISTEN TO THE BRAVE PEOPLE WHO CAME BEFORE
HER, WHO EVERYBODY ELSE IGNORED AND TRUST HER INSTINCTS.
AND SHE IS THE ONE BRAVE ENOUGH TO DISMANTLE THE SYSTEM.
AND FLORENCE PUGH IS AS GOOD SHE IS A SUPER HERO. AT
DRAMATIC WORK AS SHE IS AT ACTION.
THERE ARE REAL ACTION SEQUENCESS IN THE FILM.
SHE HAS A RUN WHICH I REFER TO AS HER "TOM CRUISE RUN."
IT'S THE MOST IMPRESSIVE RUN I'VE EVER SEEN.
>> Stephen: SPEAKING OF FLORENCE PUGH, AMAZING
PERFORMANCE, LET'S GET TO ANOTHER QUESTION YOU SHOULDN'T
PEOPLE SAY YOU ARE FEUDING HAVE TO ANSWER. WITH
IS THERE ANYTHING UP TO THE FLORENCE PUGH. SAY
>> THE ONLY THING I WANT TO THAT'S? SAY
TO THAT, ANOTHER WEIRD RUMOR SPIT-GATE --
>> Stephen: DID HARRY STYLES SPIT ON CHRIS PINE?
WHY OR WHY NOT? SUPPORT YOUR ANSWER.
>> HE DID NOT. BUT I THINK IT'S A PERFECT
EXAMPLE OF PEOPLE WILL LOOK FOR DRAMA ANYWHERE THEY CAN.
HARRY DID NOT SPIT ON CHRIS, IN FACT.
BUT THAT -- >> Stephen: TIME WILL TELL.
>> NO, HE REALLY DIDN'T! >> Stephen: WELL... WE SHALL
SEE. >> WE'VE SEEN IT.
WE'VE SEEN IT. >> Stephen: SCIENCE ISN'T IN
YET GEE, THAT'S EXACTLY WHAT I MEAN.
THAT SHOWS EVIDENCE OF SOMEONE PEOPLE CAN LOOK AT A VIDEO NOT
SPITTING ON SOMEONE ELSE AND THEY WILL STILL SEE WHAT THEY
WILL SEE. THAT IS CLICKBAIT.
>> Stephen: I HAVE NOTHING BUT RESPECT FOR FLORENCE'S TALENT.
SHE'S ON THE SET OF HER MOVIE, "DUNE."
AND I HAVE NOTHING AGAINST HER FOR ANY REASON.
>> Stephen: PEOPLE POINTED OUT THAT HE WAS HAVING AN APERRAL
SPRITZ DURING THE PRESS CONFERENCE AND SHE DIDN'T SHOW
UP FOR IT. >> THEY DID POINT THAT OUT.
I DON'T FEEL LIKE MY LEAL MALE DIRECTOR COLLEAGUES ARE
ANSWERING QUESTIONS ABOUT THEIR CAST --
>> Stephen: I AGREE WITH YOU. HERE'S THE THING.
YOU'RE RIGHT, YOU'RE RIGHT. I THINK YOU'RE EXACTLY RIGHT.
MUCH IN THE SAME WAY THAT I WANT TO GO TO VICTORY, NOT ON MORAL
GROUNDS, BUT ON APPETITE ROUNDS. THESE ARE NOT QUESTIONS TO GIVE
THEY SHOULD BE TALKING ABOUT A DIRECTOR. THE
MOVIE ITSELF. >> THAT'S RIGHT.
>> Stephen: BUT THESE ARE THE QUESTIONS THAT HAVE SORT OF
CONSUMED THIS MOVIE. >> YES.
>> Stephen: AND I AM GIVING IN TO AN APPETITE BY ASKING YOU
THESE QUESTIONS. >> YES, I FULLY UNDERSTAND.
>> Stephen: BUT I WILL ALSO SAY THIS.
WE'RE COMING UP ON THE 100th ANNIVERSARY OF THE HOLLYWOOD
SIGN. IT'S 100 YEARS.
>> OH, YEAH. >> Stephen: MOSTLY MALE
DIRECTOR, ALMOST ENTIRELY MALE DIRECTORS FOR THAT 100 YEARS.
BETTER WORD, IS ESSENTIALLY A HOLLYWOOD, FOR LACK OF A BOX OF
WE ALL HAVE OUR PROBLEMS. BROKEN TOYS. EVEN
IF EVER RUMOR OF YOUR MOVIE WERE TRUE, IT WOULD BE PRETTY LIGHT
HITCHCOCK OR ANY OF THE GREAT FARE COMPARE TO ALFRED DIRECTORS
OUT THERE WE ADMIRE SO MUCH. >> THANK YOU.
>> Stephen: AND I DON'T THINK, I DON'T THINK A MALE DIRECTOR
WOULD BE-- >> NO.
>> Stephen: WOULD BE RUMORED. I WOULDN'T EVEN HAVE THESE
QUESTIONS. >> NO, YOU WOULDN'T.
>> Stephen: THEY WOULDN'T BE SWIRLING AROUND THE FILM.
>> PEOPLE WOULD BE TALKING ABOUT THE MOVIE.
THEY'RE PRAISED FOR BEING TYRANNICAL.
THEY CAN BE INVESTIGATED TIME AND TIME AGAIN AND IT DOESN'T
TAKE OVER THE CONVERSATION THE THEIR TALENT OR THE FILM ITSELF.
THIS IS SOMETHING WE HAVE COME TO EXPECT.
IT IS VERY DIFFERENT STANDARDS CREATED FOR WOMEN AND MEN.
IN THE WORLD AT LARGE. I'M NOT JUST TALKING ABOUT
WHEN PEOPLE SEE THE FILM-- AND HOLLYWOOD. I
REALLY HOPE YOU DO-- THEY WILL FIND WE WERE TRYING TO DO
SOMETHING REALLY AMBITIOUS AND A LOT OF PEOPLE DID A LOT OF HARD
WORK. WE MADE A MOVIE DURING THE
THAT'S LIKE BUILDING A HOUSE PANDEMIC. IN
A HURRICANE. SO WE CAN HANDLE A LITTLE
TWITTER STORM. WE'RE ALL RIGHT.
FRUSTRATING WHEN PEOPLE ARE BUT IT'S VERY-- IT'S VERY SORT
OF SIDELINING US IN A WAY I DON'T SEE THEM DOING TO MEN.
THE FILM IS SOMETHING THAT IS YOU KNOW WHAT? A
PRODUCT OF SO MUCH HARD WORK, AND WE'RE JUST PROUD.
>> Stephen: WE HAVE TO TAKE A BREAK, BUT WE'LL BE RIGHT BACK
WITH MORE OF THE DIRECTOR OF "DON'T WORRY DARLING," OLIVIA
WILDE.