Hey guys, David Glenn of davidglennrecording.com and theproaudiofiles.com. Today we’re gonna
be talking about kicks and samples and why I chose in mixing the song chosen, to use
Slate’s Trigger, Trigger 2, instead of using the very well recorded live kick.
Now this isn’t how I would mix every single song, I’m not using samples on every single
song. Most of the time I’m using samples to blend or, you know, to add something. But
in this case I completely replaced it and I’m gonna tell you why. So we’re gonna
look at the kick but let’s first go ahead and hit play. You guys can hear the drums
the way they sound.
[drum mix with live acoustic kick drum]
Ok, so the reason why I went with Trigger is for the most part the fact that, one, I was
on an extremely tight time crunch for this song. So I pulled in my trusty — one of
the trusty kicks that I have from That Sound — you can check out iwantthatsound.com.
I rave about those all the time. But after i pick this kick, Tighty Natural, what I did
is, you can come up here you can mess with the tuning. You can see I dropped that down
a little bit. But in the curves I’ve got the attack, sustain and release controls and
I absolutely love this. The ability to go in and tighten up this kick. Let’s see if
this is it, 06 and 07, let’s put this back to where it was originally and let’s take
a listen to the kick drum, the sample.
[kick drum sample]
You can hear the extra oomph in there, in the room noise. Ok, so in the mix.
[drum mix with sample replaced kick drum]
Ok, so it’s not that bad to our ear like that. Now watch what happens whenever I come
over here. And I do this a lot when I’m checking my low end. I’ll take a FabFilter
Pro-Q 2 and I’ll take a high cut, low pass, and I’ll put that band all the way down
to say, 140 or so. I usually go a lot lower, but let’s hit 135 and let’s take a listen
to what it’s doing now.
[kick drum sample with low pass filter]
So now we can really feel and hear the low end and how that low end is sustaining. Well
whenever I referenced the Jason Mraz track mixed by Tony Maserati, produced by Joe Chiccarelli,
this is The Woman I Love from his last record, Love Is A Four Letter Word. Take a listen
to what their low end is doing in the kick.
[reference track kick drum low end]
Ok, do you feel how it’s pretty tight before I do the — it’s tight, it’s punchy,
it’s got just the right bit of stuff we’ll call it. The kick that I’m working with
sounds like this again.
[kick drum with high cut]
So it’s a little bit messier and I like that Tony’s was tight, I like that it was
punchy and we’re gonna try to get that same sound by coming in here and simply tightening
up this kick. Sustain and release.
[Slate Trigger 2 + Kick Drum + ASR adjustments]
So the moral of the story. Look at this sustain and this release to help you tighten up your
kick sounds and when you think about it, when you hear this kick kind of be squished a little
bit, when you boost the low end, it’s gonna kick of fluff it out a little bit more and
then when you add the bass guitar and you’re mixing against the bass, the bass is gonna
add some fullness, add some body to the low end — and for me, I prefer to have tighter
kicks. If you go and you go what I taught you with the high cut/low pass filter against
reference tracks I think you’re gonna find that a lot of the tracks you’re gonna reference
are gonna have way tighter gated kicks than you might first think.
So go reference some tracks, use this technique for tracks where you really love your natural
sounds. Go ahead and sample them, create your own Trigger presets with the sounds that you
love and take advantage of the flexibility that these tools give us with being able to
control the envelope, the shaping, the dynamics. So hope that helps you. Thanks again for watching,
david@davidglennrecording.com, mixingacoustic.com, links are below, and of course theproaudiofiles.com.
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catch you on the next one.