Hello.
Hello, guys.
I like it when you come in here.
You make this place sunny.
[laughter]
I know it's been slow the past couple of weeks,
and I think that could be because of the incident that
happened at the Havana Club.
[music playing]
You were over the making faces and [bleep]..
Do you, like, have a problem or something?
[chatter]
Don't anybody come to see you talk--
OK.
All you're always doing is talking.
- No-- - All you always do is talking.
[shouting] - Not tonight, bitch.
Let me [bleep] go.
Let me go.
[music playing]
I think it's time to just put that all behind us
and just move forward, OK?
OK.
So with that said, I do have some news for you both.
Really.
Mmh, we have some meetings set up with manufacturers
in, um, Miami--
Uh-huh.
--with a fragrance company, a perfumer.
Yes.
Bitch, yes.
[laughter]
Wait, I want to get in on that.
Bitch, yes. - Yes.
Yes.
I always thought it would be cool to have our own fragrance.
If you have your own perfume, that means you've made it.
We should call it "Short and Sweet."
Wait, you're going to be there, right?
Yeah, I can go to Miami with you.
What is this face?
You look so nervous or scared or--
do you not want to go?
I am kind of scared.
We've never been to another state besides Atlanta.
You know, we were always with our parents in Texas.
This trip brings up past issues for us.
We grew up sheltered.
So traveling to different places is a big deal for us.
You're going to be doing a lot more.
You're not going to be just limited to Dallas and Atlanta.
You know, there's a whole huge world out there,
and you're going to be a big part of it.
So we have to get used to going to other cities
and states and, hopefully, other countries.
I was thinking, maybe we can invite our girls with us.
Yeah, I think that would be great.
Because we will feel a lot better because, you know,
they're family to us.
I'm totally fine with you bringing your friends with you.
OK.
Now, I know, you know, you'll probably,
like, do dinners and whatever.
You guys have got to be on your best behavior in Miami.
No more knock down, drag out, in your face, "F you,
bitch," and all that stuff.
Right now, we have more at stake for our career
than ever before.
So if the rest of the girls are going to come with us,
they better leave the drama in Atlanta.
See you in Miami.
All right, I'll see you in Miami.
[music playing]
[gasping]
- Bitch, you've got to call-- - I'm so happy.
- We've got to call Minnie. - You've got to call Minnie.
Let's do it, OK?
[music playing]
[panting]
[phone ringing]
Hello.
Bitch, guess what?
What?
So we have some business in Miami,
and you're going with us.
So you better pack up your [bleep],,
a thong, whatever you have, because you're
going to Miami with us, bitch.
Oh my god.
Miami, here I come. - Yes!
Yeah, bitch. [laughter]
[music playing] - Welcome to Miami.
- Yep. - Girl, yeah.
Yeah.
[laughter]
[music playing]
[inaudible], we are here.
[cheering]
I'm so happy that the twins' managers hooked us up
with this beautiful hotel room.
I'm looking forward to chilling by the pool,
having some drinks, and living that Miami lifestyle.
Oh my God.
This room is lit.
Oh my God.
Excuse me.
Bitch.
[squealing]
The living room.
Yeah, all the way back.
This hotel suite is nice.
I mean, the twins' manager really hooked us up.
You could fit, like, three of us in a bath tub.
Oh, where's the other room?
- Upstairs. - What the [bleep]?
There's a upstairs?
I would never come down if I go upstairs.
Oh, that's outside.
There ain't no rooms up there.
So it's just two rooms?
Wait a minute.
It's a slumber party, bitch.
Did y'all know there was only two beds?
Two beds.
Our managers booked the rooms, but we didn't know there
was only going to be two beds.
I'm going to be real.
She's pregnant, so--
She needs to--
If you got to be in the bed, you cool.
I can pick a couch.
So y'all, wherever I sleep at, if y'all come
in there and I'm butt-ass naked; I'm sorry.
I sleep naked.
Oh, Lord.
The only thing is, we won't have our own room, so.
Or bathrooms.
Hey, well, don't bitch at me. 'Cause, you know, I'm not
the one who set this up, so.
- Oh, we ain't bitchin'. - No, we're not bitchin' at you.
No, I'm just saying.
Yeah, there's still a beautiful view here.
Yeah.
Only two rooms?
And Tanya is going to be sleeping naked?
I thought this is supposed to be a vacation.
It's time for a drink.
Here, I got your face.
Let me get that ready.
- Everybody, watch it. - Lord.
Bitch.
I don't know how to open this. - Oh.
Oh, [bleep].
[screaming]
My girl, Amanda and I, almost lost a eye.
See?
That's why I stick to Moscato.
Cheers to Miami.
Cheers to Miami!
Yeah.
[music playing]
So we're going to just kind of talk
about developing your fragrance line,
smelling some different things to see
if there's anything you like.
All right.
So you're going to be involved in all aspects of it.
This is all about you, so it's all about confidence.
You walk in like you know what you want and you're owning it,
that's all about confidence. - OK.
OK?
I mean, how cool is it going to be to walk into a store
and see your fragrance line, like, lined up on the shelf.
Yeah.
So, I need you guys to get your energy level up.
Andrea, you're sleeping.
I know, I'm sorry.
Let's go, let's go.
Wake up.
Wake up, girl.
We're meeting up with a professional
to go over some scents for the Tiny Twins' fragrance.
We really want to make a good impression on this lady
so she can help us develop our fragrance.
We just need to figure out what scents we want, first.
- Hi. - Hi, welcome.
I'm Amanda.
- Amanda, great to meet you. - Andrea.
Andrea, nice to meet you.
Hi, I'm Gail.
It's nice to finally meet you. It's--
Yeah. GAIL TASSELL: Yeah.
Nice to meet you.
Let's come on back and get down to the nitty-gritty.
There's a lot going on with fragrance,
and sometimes it's kind of hard to talk about,
or figure out what you like.
So we actually start with what I call a vision board.
So I'm just going to put some words out.
If there's some words there that sort of appeal to you
and attract you.
First thing that I see is I like "love."
Perfect.
Put that on your board. AMANDA SALINAS: "Unique."
- Yeah. - "Desire."
GAIL TASSELL: Oh, there you go. ANDREA SALINAS: "Thick."
GAIL TASSELL: "Thick." - Why do you like "thick?"
Yeah, because we're thick.
We just want this perfume to make people feel
loved and desired.
Sexy.
And thick.
So we're going to start with some of the citruses
and some of the top notes.
This is bergamot.
It's very citrusy.
GAIL TASSELL: Do you like it? - I'm not a fan of this one.
GAIL TASSELL: OK.
Jasmine is really pretty.
It smells light, and fresh, and clean.
Like a face wash.
Um.
This is cocoa.
It smells like pudding.
Do you guys like ginger?
No.
You guys are a tough audience.
It feels like it's not, like, not me.
It's not us.
This is going to be a long, long process.
What's your favorite fragrance?
Hot Cheetos.
Cheetos?
Chick-fil-A.
I'm worried that we don't have enough experience to do this.
We can't mess up another career opportunity.
What if she thinks that we're not taking it serious
and she doesn't want to work with us?
Not everybody is going to like the same fragrance.
But if you can work with a skilled perfumer,
they can put together all the elements
that you need, with the rose or the jasmine, not Cheetos.
Look, we understand it's a process,
and this is the beginning, and we're just learning.
But is this something that you would
like to work with the Tiny Twins on,
is developing a fragrance to see what we can move forward with?
I-- I don't know.
You're really making some great first steps
but a lot of celebrities are out there
kind of trying to capitalize on their name
and create fragrances.
Some of them out there have been just spectacular failures.
And it's really important to have the name,
but that doesn't guarantee it's going to be successful.