-I want to talk about the movie.
-Yes. -But I also --
You got to travel a little this summer.
-Yeah. -You went to Amsterdam, which --
-Yeah, you have a history with Amsterdam.
-I lived there for a couple years.
One of the most beautiful cities in the world.
-It's the most beautiful -- the most beautiful scenery,
the most beautiful prostitutes.
-Yes. -I wasn't even on drugs.
-Uh-huh. -I didn't do drugs.
I was working. And also, drugs are bad.
And I was blown away by how pretty it was.
And I did go to the red light district
just to kind of see and whatever.
And, you know, very beautiful ladies.
And there were -- There were, like, two petite ladies.
And I was like, "You guys are doing it!"
-Yeah. -Doing it for the sisters!
Love it. -Very -- Very hard to find
a petite woman in general in Amsterdam.
Very tall people, the Dutch. -Yeah.
No, that's why I didn't stay.
-Yeah. -Yeah.
No, I just thought it was so gorgeous.
-You liked the canals? -I went on the canals.
Like, I ended up -- I ended up, like, you know, just for fun,
like, videoing the whole, like, canals
and the scenery and stuff, as I am wont to.
It was just sort of, like, sarcastically
going like, "Ugh, God, it's ugly here."
Like, "How do you people even wake up in the morning
and look at the scenery?"
And most people understood
that that was me saying it was very beautiful.
And there were couple of Dutch people
who thought I was being very rude,
and I should go back to my country.
But then a fair amount of Dutch people came to my defense.
So -- But it was all happening in Dutch.
So now I know the Dutch word for sarcastic,
which is sarcastisch.
-Yeah, yeah. -So not that hard.
-Not that hard. -So they were going, like,
"She's being sarcastic." And several said,
you know, "She's just drunk." So, I also know --
Dronken is the Dutch word for drunk.
-Dronken, yeah. -Yeah, yeah, yeah.
-Yes, I've been dronken a few times in Amsterdam.
You also -- Did you go anywhere else in Europe?
-I did. I went to Switzerland, which is, like, the cute--
-It's really amazing.
-The cutest country. -Yeah.
-Like, I feel -- Like, I'm being patronizing.
But I'm sorry, it's so cute.
-Yeah. It makes Amsterdam look like a garbage can.
-Exactly. Like, every hillside
was, like, the most perfectly designed,
like, the cutest, most amazing --
And I took a friend of mine.
And she, you know, was, like, very grateful
to be taken to Switzerland.
But as we would crest every hill,
what am I, an animal? I'm not going to sing "Sound of Music"?
-Of course, yeah. -I mean --
So it was, like, really watching
a test of our friendship, like, play out on her face
knowing, like, "She bought me this trip to Switzerland.
Be nice." But then how many times
can I sing, "High on a hill was a lonely goatherd"
before she murders me on this hilltop
and leaves the body?
-It required patience on her part.
-Yes, God bless her.
-This film is -- It's a little tricky to describe.
But we were saying backstage, the director, the writer is --
-Yeah. He's like a British comedy legend.
-Yeah, Chris Morris, and -- -Yeah, Chris Morris.
Yeah, it's -- It is hard to describe.
It's like a dark satire about the criminal justice system.
And it really devolves into, like, a farce,
like, a full Shakespearean comedy of errors
where, like, everybody's misunderstanding everybody.
And it's a really serious subject matter
because it's about the way
that law enforcement kind of uses entrapment
and kind of disproportionately targets minorities.
But it's so funny, which is not because we take it lightly,
but because Chris Morris is so good at using satire
to kind of talk about these subjects.
So a lot of the details in our movie
are, like, trying to be as absurd
as, like, hundreds of these true cases.
-Because you're basically an FBI agent
who's trying to set somebody up
so you can get the credit for taking them down.
-Exactly. Like, you know, everybody's motivated by ego.
And, like, I think that some people
spend their life thinking
that law enforcement has our best interests at heart!
-Yeah. -You know.
And it's really interesting to --
-I thought you were saying we were motivated by ego,
which I was also down with.
I was also going to be onboard with you, there.
Yeah, yeah.
-Yeah. Both true things.
-I know you shot that in the Dominican Republic.
And now you're shooting in New York, yes?
What's it like shooting in New York?
-New York has been great. Like, I can't believe --
I feel very grown-up shooting stuff in New York.
But I will say, like, when you shoot in a small town, like,
people are like, "Oh, I just can't go to work today
or get into my home because they're filming a movie."
Like, "Yeah, whatever you need."
And in New York, they're like, "I've lived here for 30 years.
Get the [bleep] off my street. I'm going to do what I -- No."
And we were shooting on St. Mark's Place
at midnight on a Friday.
And nobody was going to be quiet for us.
And, like, you know, there's just guys
walking through the shots. And at one point,
a guy was walking through the shot and vomited.
[ Laughter ]
And -- And when something like that happens,
you realize that there's no, like, department
for that on a film set.
There's no one whose job it is to clean up the vomit.
And it was right next to the director's, like, monitor,
where he's going, like, "And cut.
Um, some notes?"
But -- So they didn't have a solution.
So they just set up little orange cones around the vomit.
[ Laughter ]
But what was crazy is, I was thinking about it,
and I was like -- It was little orange cones,
which to me suggests that this happens enough
that they have special orange cones for vomit situations
in New York.
-They have, like, ones for traffic.
And then they have little ones --
-They're, like, just for vomit. [ Laughter ]
-It's always so wonderful to see you here.
Congrats on the movie.