- Sir, there's no easy way to say this,
your wife isn't who she says she is.
- Oh, I gotta go hun.
(gun cocking)
(electricity sizzling)
- I'm sorry?
- When you first meet Dot,
she's this seemingly typical Minnesota housewife
and a mom that loves being a mom.
She loves making pancakes for her daughter in the morning.
Then quite quickly you realize that she's had a past,
and a past that is coming back to get her.
And it sort of submerges her,
and she has to defend her...
everything, which is her home and her family from
dark secrets in her past
that she does not want coming back again.
- You wanna take a tumble?
- I'm flattered, but if you try to touch me right now,
I'm gonna have to taze you.
(electricity fizzling)
(glass smashing)
- Message received.
- Wayne Lyon is a family man, he is a car salesman,
there's definitely an analogous to the movie there.
He has worked hard to create a life
for his daughter and his wife.
He's got a very overbearing mother
who doesn't like his wife.
And so he's stuck in the middle
between these two powerful women.
And his wife is in trouble with the law,
and he starts off being like, "We'll fix it.
I love you."
And he just he keeps doubling down on his wife,
not knowing that she has a big secret.
We all have baggage, we all have trauma,
we all have debt that has to be repaid,
and you can run from your past
but it's always gonna catch you,
and then you have to deal with it.
And you can either grow from it or it might kill you.
- What is the point of being a billionaire
if I can't have somebody killed?
She expects a lot from people
and she really thought she had Dot figured out,
and then she's very much thrown.
She didn't anticipate it, who she actually is at all.
And then she realizes that she's dealing with an adversary
that's much more dangerous than she initially,
initially she thought she was someone
she could completely discount.
And you can't at all.
- Sleep with both eyes open.
- Never do you mention she is a tiger.
Hunting a tiger forces a man to ask
why you want the tiger.
(intruder screaming)
- Consider it a debt unpaid.
- Every season has its truthsayer,
Munch is this season's truthsayer.
Obviously involved in the action in an integral way,
but also someone, he is the kind of...
Check and balance
to other characters' actions in the show.
And a kind of Old Testament reminder that if you do this,
there will be consequences.
And we find him having been employed
to do something by John Hamm's character, Roy Tillman,
to find Dot and bring her back to him.
- [Roy] I'm a Sheriff of the American Constitution.
- Do you want a towel?
- Does my moist repose bother you?
Roy is a local Sheriff of Stark County, North Dakota,
and we find him riding the range, running for reelection.
And the more we find out about Roy,
the more we kind of understand that maybe
he is a little extra legal
in his approach toward law enforcement.
Who do I gotta kill to get a coffee?
And yet he's got some particular entanglements
that make themselves known over the course of the season.
- She's claiming it never happened.
- Never what now?
- She's a wolf in sheep's clothing, that one.
- That don't sound accurate.
Indira Olmsted was described to me when I auditioned for it
as the Francis McDormand slash Marge Gunderson character
of this installment.
Which was very exciting when I heard that,
but also I was terrified because such big shoes to fill.
That being said, I will say that she, Indira,
is a totally fresh new interpretation
of this female cop character that we've had
different variations of in the world of Fargo.
She's the first woman of color,
and also the first South Asian cop obviously that we've had.
And because of that,
she has a totally different point of view,
a certain awareness and fierceness
that I think she comes with,
and brings to her life and her profession.
- I recognize you.
You were kidnapped and for the record,
that's just reality.
- With all due respect, we've got our own reality.
- You can't do...
That's not a thing.
- Witt Farr is former military,
wants to be in a quiet setting,
there's nothing really happening in these small parts
in this rural area.
So he can just go about his job,
he's seen enough combat in his life, he wants to relax.
And that's where we find him until Dot shows up,
Dot being chased by goons and henchmen,
things of that nature.
And so that's where we find him,
that's not where he ends,
but that's definitely where we find him.
- Cohens and Noah, they create worlds that are
absolutely lifelike and bigger.
Noah is a kind of great brain, a great intellect,
but he also has deep wells of imagination and creativity
that for any actor worth their salt,
those are the people you want to be working with.
It's underpinned with real intellect and politics,
and a deep knowledge of society,
but also this artistic flare.
It gets your juices going and you're off,
and it's basically someone telling you the world's,
there is no cap to your imagination.
We are gonna smash through
a ceiling of convention and do something crazy,
and that is enormously freeing for an artist.
- It's something that you dream about doing as a performer.
You always, when you see directors, writers,
creators that you admire and you look at their work,
you go, "Ah, that would be something, if I were just
captured on frame in something that they've created."
You know what I mean?
Imagine being in one of Michelangelo's paintings,
you know what I mean?
Because it will be there forever.
And I think in 1000 years our generation of folks,
and our history of civilization will be talked about
like how we talk about the great artists of back then.
And I think shows like this will last forever,
it's storytelling at its finest.
Just extremely grateful that I could share the screen
with some of the dopest, dopest performers
I've ever worked with,
and dopest creators I've ever worked with.
I know you don't think they're coming,
but the consequences, they're almost here.
- Can I at least fix my hair?
- [Voiceover] FX's Fargo.