- OK, and so-- - Here they are.
--what is going on with these two?
I almost want them to sit on the couch
and, again, get a bottle of wine, whatever your fancy is,
whatever makes you guys feel good,
and just try and make out. - Yep.
Just try it.
Like old school, like "7 Minutes in Heaven."
Yeah-- yes! Yes!
Yeah, seriously.
Like let's go in this closet and see what happens.
Whatever your aphrodisiac is, do it.
Keyword, Hank's in there.
[cool music]
I gather that you have fallen in love with her dog.
Oh, yeah.
But it's just, it's nice--
Oh, Clint's in love with her dog--
and not her.
Well, the dog's a nice dog.
Can you blame him? - [chuckling]
[suspenseful music]
GINA: Really, just been trying to focus on--
Look at the defense.
Just got her arm out.
Mm-hmm.
She's pretty much got her back turned to him.
Yeah, she looks a little closed off.
So what I want to--
You know that book, "He's Just Not That Into You"?
Gina wrote it.
[laughter]
I was going to say, this might, like, shock people,
but I have actually read the book.
And while it takes me a long time to-- to finally grasp
when they're not into me-- - Yeah?
--I accept it.
Yeah?
I've accepted it.
I think our girl Gina is just --
- Just not-- - --simply not that into him.
--into him.
--past, um, you know, I grew up with a single mom.
And so, um, it's easy for me to be super vulnerable with women.
And so especially like in the salon,
I can open up and talk about anything.
But with men, I've struggled until there's,
like, a safe space to really share that side.
PEPPER SCHWARTZ: What does it take
for you to have a safe space?
I think really just getting to know the person.
And we've done that.
Um--
I do think Gina has a problem trusting men,
like really trusting them.
You know, our honeymoon was pretty
triggering because it was, ah--
See, she's bringing up the honeymoon.
- But she started it. - How crazy is this?
She started it though.
Perspective's everything.
She doesn't feel that way. She feels like--
Do you-- I think it--
I think it's a cop-out.
Oh, I-- I completely agree.
I think it's a cop-out.
GINA: --focus on just--
It was quite negative on that honeymoon,
I'll tell you that much. [music playing]
You're in paradise. You've got to come back from it.
You know, not everyone's going to say the right thing
at the right time.
That woman's holding on to like
a grudge from a previous day.
Yes, they are.
What about you, what do you think?
How would you answer this?
Um, so-- so that's-- that's like an attribute that I--
that I herald, is like I--
I try to be vulnerable as much as possible.
[suspenseful music]
If somebody wants to know something about me, like,
I give them the unadulterated story.
I don't hold back.
[suspenseful music]
Um, I've been in relationships to where, you know,
they were long-term relationships
and somebody had a false persona for three years.
[suspenseful music]
It's like, I thought that was going to be it for me.
I thought that was marriage with kids--
I don't think that's fair.
Yeah.
You don't know me because you didn't ask specific questions
to get to know me.
CLINT: Where I was like, hey, if I
want to know what makes Gina Gina,
I want to know what her hopes and her dreams are--
Also, do you think she's intimidated by the fact
that he was with someone that he thought
he was going to be married to? - No.
- --to really-- - I don't know.
Like, women might be intimidated by that a little.
- --who she is. - Mm.
PEPPER SCHWARTZ: So how do you respond--
Oh, the eye roll.
- Yeah, don't give me the-- - Come on, Gina.
Gina, I love you, girl. But you can't--
Like, what we've said for three weeks, it's like,
I really want to get to know Gina to her core--
I know she's got kick-ass style.
Yeah.
Stunningly gorgeous.
--either because we haven't-- he's never asked me--
Like, I kind of only know the things that you--
you see and the things that she said, which
just hasn't been that much.
--come out and just be like, hey,
I want to sit down and talk about
this and tell you everything about me because that's just--
I'm not comfortable doing that quite yet
because I feel like we're still getting to know one another.
So-- [suspenseful music]
Tell Clint what would be a good way
for you to feel good about talking
about something important.
GINA: It's not that I'm opposed to talking about it.
But I feel--
She doesn't look at him.
Is she ever looking at-- is she looking at him right now?
No.
It's just going to take me some time to want to initiate.
So-- - How much time, Gina?
We don't have any more time, Gina.
We got 23 days.
Gina, we don't-- we're running out of time.
To me, that wasn't--
or doesn't feel like conversation that would
lead into deeper conversation. [suspenseful music]
PEPPER SCHWARTZ: So if he asks something like--
This is, like, way too much conversation
about conversation, right?
Like--
Well, no, I--
I think she's-- Dr. Pepper is getting to the root of it.
GINA: Yeah, I'm totally fine.
But it would-- yeah, I think it would have to be specific
and initiated.
I mean, if that's the way she communicates.
Like, ask me a question.
Set the precedent.
PEPPER SCHWARTZ: But-- but you could
try and help her out here.
You could just say, OK--
I'll set the precedent--
PEPPER SCHWARTZ: I mean, you know, both of--
I mean, this-- this is-- come on, guys.
This is-- I'm not asking you to do heart surgery here.
It just doesn't feel organic to me.
It doesn't seem like--
because if she's not willing to just share that,
and I have to elicit that out of her, then--
- Ooh. - Clint.
Come on, Clint. Come on.
You've got to-- - Clint--
- You've got to ask and ask. - --everyone has different, uh--
Yeah.
--styles.
It's not all about you, my bearded friend.
PEPPER SCHWARTZ: Let's stick to the styles
that you like that won't find you love.
I got to get something off my chest.
Go ahead.
I feel like I have seen more chemistry between cousins
than these two. - Kissing cousins?
[music playing]
Even that or-- kissing or not, there's nothing--
there's nothing here.
[music playing]
There's no heat.
There's no el pasion.
Where-- donde esta el pasion?
[music playing]