I love to eat.
I like just about everything and to me cuisine is really one of the signal achievements of
our society.
Plants play an essential role in that process by giving us the goods, the fruits and vegetables
that provide much of the raw material for our cuisine.
And yet plants themselves never get to experience cuisine as we do.
And to me that seemed always to be kind of a shame I suppose that they should give us
something as extraordinary as they do and not get it in turn.
So I started to think about how planets might get their own form of cuisine that would go
beyond the everyday experience that they have of gouging themselves on sunlight.
If you think about it our cuisine is simply a fancy way in which the basic nutrients that
we need are articulated in balance with each other to provide an aesthetically pleasing
experience.
I figured that there's no reason why you can't do the same thing for a plant, given that
plants are consuming the full spectrum of sunlight and that different parts of the spectrum
give plants different essential elements in their diet.
So I started to look at some of the leading cookbooks by Julia Child and others and trying
to reverse engineer from those cookbooks the various ways in which different ingredients
work together, the way in which different food stocks that are necessary for our sustenance
are put together to transform them into cuisine.
At the same time I started looking at sunlight and the way in which different parts of the
spectrum are essential to plants and plant respond to different parts of the spectrum
in different ways.
And then I started to map the one onto the other in order to make a photosynthetic cuisine,
a photosynthetic restaurant for planets.
The idea was to build a meal that the plant would experience over the course of the day
by filtering sunlight through colored filters.
Where the order in which the colors were exposed to the plant would be the cuisine that would
have all of the nutritive value that the plants would get were they exposed to the full spectrum
for the entire day but would put those nutrient in relationship to each other in a way that
would have a sort of culinary satisfaction in addition to simply a metabolic satisfaction.
So in the case of a comfort food for plants or a French sort of style cuisine, a Continental
cuisine what I can do is I can take the sunlight that occurs over the course of the day naturally
where it moves from more in the red to more in the blue range and then back again.
And I can increase the redness and the blueness.
And I can make it so that it's a more extreme version of what happens in nature.
Or I can switch it up.
I can make it so that the plant is constantly surprised and that surprise becomes, in the
way that avant-garde cuisine works, part of the pleasure of the meal.
So I opened a restaurant in the town of Sacramento California at the Crocker Art Museum out in
the Gardens.
There were hundred-year-old rosebushes that had always been gouging on sunlight just as
it came down to them from the sky.
Had never had a cuisine of their one.
And I built some filters into the garden that were oriented according to how the sun arcs
across the sky.
So that naturally, over the course of the day, the plants get a meal that involves many
different colors.
And then since not every plant can go to Sacramento, in fact they can't travel at all for the most
part, I decided that plants at home should have the opportunity to have a photosynthetic
cuisine as well.
I made a TV dinner for plants that was broadcast over public access television in New York
where you can put your plants in front of the TV and the colors that appeared on the
screen provided the plants with a full meal.
It's pretty weird when you see a plant enjoying a gourmet meal.
Maybe a little bit off-putting, possibly even upsetting.
This is something that is specific to us, to our culture.
This is something that we do with plants and to plants.
And when we see a plant doing this, having a great meal, I think that it has the effect
of taking us outside of ourselves and allowing us to reorient ourselves.
To think about what it is that makes our cuisines so special that makes a meal so special.
And more broadly what is it that makes our culture what it is.
What is it that makes us humans is really the question that you end up asking at the
point that you start finding characteristically human activities being performed by other
species.
Because when you see another species doing something that is so particularly human and
it hasn't been anthropomorphized but rather has been specifically deliberately brought
into their domain according to their needs, you find yourself sort of in a parallel universe
where you can look back on your own world, on your own habits and they no longer look
so familiar.
They're no longer so routine.
I think that we can do this every day and it doesn't take putting up a bunch of filters
in a garden in Sacramento.
It doesn't necessarily even take building something literally.
Simply the act of contemplating the transposition of something that we take for granted to another
species is enough to make whatever was so totally obvious as to be essentially invisible
to us.
And to make it suddenly strange enough that we can grapple with it and that we can reconsider
it in new ways.