* Clap clap clap clap clap clap clap clap clap clap clap* Katie: I can't do it
*hardcore drum roll* Jarod: oh.... Katie: OH
Jarod: Delayed drop just like ohhhhhhhhh yeAH (K: yeah)
K: I Like to refer to it as to blue balling the audience Jarod: blue-blue dropping the audience
*cue iconic music*
Umu: All right, so Teen Top is a boy group that debuted back in 2010 with six members
However, so they have recently lost member. So they're down to five. However, I believe this is ot six
This music video was released in 2015 and the song is actually in Korean called from morning to morning
But that title I guess was too long so they just use Ah which means morning and they did. Ah Ah. that's why it's called
Ah Ah, this group is known for their nice like choreography and Naoki: nice like? Umu: yeah
The music video was filmed in the same exact set as besties
Excuse me
If you guys remember the music video with like the girls and they had these glasses on that show the true intentions of men
K: Yeah! Umu: yeah, so is filmed there. Enjoy.
K: 3 2 1 J: PSHOOM
Skateboarding in a diner, ah yeah. K: Oh, yeah. I recognize this set
Charlotte: Little chromaticism going down the girls coming in
everything is gonna go to poop
K: They're like- J: what do we do? Oh
K: Excuse me? J: kind of like this muffled muted distilled
And then the drop
Ch: Them dance skills though whaT hEY
Work yes uh
Lindsey: I'm feeling this
Fiona: See it so smooth and clean and like he's clean and smooth as he smooth back there. L: Yeah,
F: Like I like when all the styles like match.
Gwen: I like it. Hugo: Oh shit that's a nice car. I really like their voices
Suave as fuck. Slidin' on in
G: THIS IS CUTE
Kevin: It's the exact same chord progression h-3-h-3
guys h 3 h 3
Ch: I Feel like it's Justin Timberlake-esque. Peyton: Yeah. Yeah, they got some big JT vibe going on
they're also some really great dancers
Ch: But it's so weird cuz the dancing is so like hard-hitting and edgy compared to their song which is so like
P: Well, the thing is a lot of like boy band dancing obviously stems from Michael Jackson
Ch: Yeah, P: like the group dance- the idea of like this intense like you know
AHAHPop bang swing like and all this like extra shit like all stems from him
K: Good morning J: good morning
J: whoaaa Booty (K: excuse me) J: but like the groove is like so smooth
J: boom
L: This is such a summer song, F: yeah L: honestly
F: Yeah, it just feels good. He has a pretty good rapping voice. F: yeah
F: cause it has that thickness thicc with two cs
G: booty H: BOOTY
H: damn they're all so attractive and they all dance so well and they all sing- oh shit that was some fancy ass footwork right there
Kev: Goes to minor three, that's what it is. Then it goes back. So from major one to minor three ooo
P: I just feel like someone usually like bust out with like a funky ass solo...
I Just love- oh they thinned the texture out
J: now you have the bridge just like super
smooth texture
K: like a whop whop whop whop
J: it's like they're on the synthesizer and there's this little like (K: like we're all on a cloud) this little.. dial thing
Na: I'm liking how they are using the vocal line is like a rhythmic thing to build interest. Stephen: Yeah
*drumroll* J: oh K: oH
J: Delayed drop just like ohhhh (k: yeah) yeah
K: I like to refer to it as blue balling the audience J: blue... blue dropping the audience yeah yeah yeah
H: dang that synth in the background G: I like the like the retro vibe that they have
F: See that is so cute. Like I love when groups add cool extra vocals L: yeah
P: Man they're dancing their asses off
aH Ur urrrr
So you don't need electronic machine to do that do you (ch: so you don't)
Ch: *whispers* it's another tonal pattern
Umu: What's a tonal pattern P: tonal patterns are like little snippets of
Music er are musical ideas
That you hear most often
And like a certain tonality and like we kind of break them up in terms of like tonality and how many functions there are
so like major two functions would be like
P and Ch: *sing*
Ch: gotta get down to the 2 P: *tries again* ch: there we go *both sing more*
Umu: And so that's what the song ended with
Ch: most of it ends with a so mi do (solfege scale)
P: ya Ch: Which we did in the middle of the third act
Which is a tonic function which would make sense considering it's at the end kids. You're ending on tonic
K: I like the drop. That was probably the most interesting part of the song,
J: You know If we tell it's like a dance like a dance tune and like mostly with the choreograph because yeah, cuz it's like choreograph-y
choreography
Anyway, it's like yeah
cuz it's like the beat is relatively constant the core like the chorus in structure of the form is pretty like
Straightforward and you know, you got your like your verse, chorus, you know bridge, you know back and forth
so it's like the emphasis is definitely on the visual and the sound like
So it's like you'd hear this that like a party or something like that when everybody is like moving and groovin'
So that's where this kind of song fits my life. S: I thought it was nice
It was like it was a good vibe. It was upbeat but not to like punch you in the face. Na: Yeah, absolutely
S: um not aggressive still laid-back for how fast the tempo was. (Na: Yeah) which was kinda cool.
Na: Yeah, that was kind of a weird juxtaposition, but it worked
S: Yeah. Na: Yeah, I like with the way that the choreography works
Like I would've expected it to be more in your face. And this was like kind of in-your-face but it wasn't like
Like dragging you by the hair and forcing you to listen to it. (S: Yeah,) but it was like really cool so yeah
H: I enjoyed the synth background. I enjoyed the instrumentation of it
G: Yeah, I think it didn't the the music was cool, but it didn't like do a wild amount of stuff
Like it definitely wasn't pulling attention from the video
H: I thought they were (G: I think they were) the figures were great
G: they had a good- like an easy sound. H: Yeah. No, none of it felt forced
It was all very like and the rapper was dope. G: We liked I liked the rapper. P: I thought it was really cool
It had that- I don't know. It was very in the middle of the road like poppy vibe
But it was (Ch: yeah) the sounds they used kind of kind of kept you there
P: like it wasn't (Ch: *gasp*) all of one or all the other (Ch: spICE GiRLs)
P: *Silence.*
Ch: I am so sorry. I just realized what it reminds me of
P: *frustrated sigh* Ch: Like the chorus
Ch: The chorus right is totally from Spice Girls
Ch: sorry, I just got really excited. I was like
Ch: It's right there! and then it happened and I had to (P: I think they're turnin' in their graves)
Umu: So is they anything about the sounds they used that kept you interested
Ch: Yes
P: Yeah, just cuz it wasn't all
electric and like in terms of like our synthesized sounds and you know
sometimes if it's all one or the other then you just kind of get like in this one little
It allows your brain to kind of check out if a song is
Too much of one thing because then you know like, you know, you can only take so much repetition, you know
well, yeah, if you're gonna do something else repeated, it's gotta be like
super duper like- yeah
Kev: I like the chord progression. it does kind of stay there a lot I like the melody. I think the chorus is *sings*
You know, you know with the chord progression like that. You can't really do anything wrong, you know
one, five step of three, three
Two of one
And five of one Umu: major one? Kev: Yes. Umu: Yeah your thoughts
Isaac: oh is this like I thought it was like a very
Interesting number because it was like the beginning for instance like it was like this
effect that a lot of people love to do or just like
you kind of have in the background and you slowly bring the focus into the
Theme of the drums and also just I think it's like instrumental is oppressed
There's synthetic synthetic instruments and it's like there's just thing
Yeah, that's very very nice it's almost like a beach like feeling you're at a beach
You're just listening to music and it just kind of the waves over and then the chord progression
Yeah, it's just it stays... I guess in a small spectrum but it's like really Kev: yeah, there is a bigger
There's enough variety between the verse and the chorus. It's like it works
Isc: and they play with a lot of your expectations like for the (kev: oh yeah the bridge) the bridge where it's like
we're Climbing up, but then you're just like yeah, but then it's like it kind of pauses
Kev: yeah, Isc: and it goes all my goodness playing with expectation is probably like
One of my favorite favorite attributes of the Sum. Kev: Yes
L: Dardy it's like a Dardy song
F: It's a dardy, L: I never been to a dardy but (F: I need to go a dardy) assuming that this is a song they'd play at one
Umu: Right. Yeah. So what do you think made it so you said beachy or something? So happy? F: Weekend-y
Umu: Yeah, where'd you get that overall message? F: uh yeah, just like musically like it wasn't too heavy
There was so much going on like with the music but like so many different textures and like guitar and drums and everything
but it had this like
gravity and
lightness to it the whole time and it just kept it very like kind of positive and L: I think that a lot of that was like the
Electric guitar that was not constant
F: The GuitAAaaAr L: yeah the little voice crack
The electric guitar that wasn't consistent through the whole thing but it just kind of came in with a little like
Little twinkly things and that (F: Twinkly things) kind of made it feel (F: I love that you use that word)
I know I used it just for you because I knew you'd like it (F: aw)
You know it kept it feeling
Uplifting and just kind of light F: it was
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