Hello, how are you? Hello, how are you? Very good.
Well, in this sequel or this expansion of Box Barcelona, we are going to see a different story about
a father and a daughter who join in this adventure that somehow connects with the first one.
With the first movie but taking place in Barcelona and well, they are going to live again an adventure towards
the unknown, they will meet a group of people to survive, to find a safe place
but this time I think that unlike the first one, we are going to I think the questions that
us fans ask ourselves, Who are the creatures what are they, what happens with them and I think that here
are these answers start to see them and it seems to me also the difference from this second part
from the first one caught me that I am very fan of the genre and what caught me
was that they couldn't, they couldn't see, no Sandra Sandra Bullock with her children there is something there is
something primal in not being able to see, in having only to be able to touch, smell also
it seemed very interesting to me as a starting point of the film and different from the
other apocalyptic films, sorry and in this case I just wanted to put on the blindfold, they
put on some glasses but at some point I also blindfolded and it's very curious it's
something that completely immobilizes you then well it was one of the things that caught my
attention in this second part how I was going to feel also as an actor in something like this
I had worked with Alex with Pastor in a previous film called Home also from
Netflix and the truth is that we understood each other very well I think they are two directors with a lot of talent
they both are brothers they get along very well they had also worked already outside of Spain and I think
they have a great talent to make movies that grow a lot, no, suddenly they in the
script and know how to make them huge and that seems as production and as talent they have
special they were like perfect for to take charge of this second installment of verbs
well first when they send me the script I thought about the physique, let my hair grow long, the beard
lose weight so that halfway through the shooting they could shave me, cut my hair so that
there would be a physical composition and then in the emotional I'm not a father yet
but I have a younger brother and it was the emotional relationship, how can it be with with
your child, being at the end of the world or being in the post-apocalyptic world and what has to be
that relationship with that human being because in the end for me it's like the most important thing no, having a
child, the love for a child and how to take care of it and how well, being constantly fighting for
them to be okay and for nothing to happen to them. That's the emotions let's say where where I also worked
well It's true that the production of the film and art have done a huge huge job because
because many of the streets really people are going to think that they are special effects
that there are many or chroma but yes they worked a lot on many of the sets where we are
they are Really created no and not by effects so it was very impactful to work
in those places but it is true that then when I saw the movie I saw how it
grew through the special effects or the thing that was hardest for me sometimes was the chroma
Green screen behind was like many times my first time as strange I felt like what
am I really doing but But it has been a great experience it has been it has been nice
she is like she is love I mean she is like working at her side has made it very easy for me
working in English also she also speaks at some point in Spanish and she is
She is a great actress. It has been a pleasure for me to share the screen with her and then with
all the cast. I think they do a beautiful job, the two girls as well, the one who
plays my daughter, Naila, with the German-speaking actress. It's been a multicultural casting, which I think is
beautiful, people from Mexico, London, Spain. I think it helps the film reach more parts of the world, for sure. On a personal and emotional level,
Well, there are moments where I think we really see human beings in critical moments,
in extreme situations. That's when I think we truly reveal who we are. Sometimes we
ask ourselves, "Who am I?" This type of situation or experiencing something like this would
really reveal who you are. Maybe you think you are brave and suddenly in
this kind of situations, you are a coward. Or the contrary. So I like this kind of
film genre, or story, or in this case "Box Barcelona" because it ultimately talks
about humanity, it talks about human beings and human relationships in extreme situations.
Finally, to make a movie like "Box Barcelona" in
Barcelona, in Spain obviously, and for it to reach all parts of the world in Spanish, English,
and German, for me, is something incredible. I think there's a great amount of talent in Spain in terms of
production, actors and we have a lot to say. For me, there is something very interesting
especially in the technical aspect, in the crews that with very little, they can create a lot of quality and
have a lot of talent, do big things and they are proving it, as you say, with "La Casa de
Papel" with other productions now with "Box Barcelona". Many crews from outside, the United
States, parts of Europe come to film and shoot in Spain, and I think this is great.
It speaks very well, I think, of the technical and artistic quality we have in our country.
Next time in Spanish, goodbye.