(knock on door)
- Your six o'clock is here.
- I don't have a six o'clock.
- You do have a six o'clock.
(riveting music)
- Sarah walks into Jamie's life when he's looking
for some kind of solution.
The other night was
- Wasn't it?
- Not necessarily love
but I definitely think he sees an opportunity as much
as she may see an opportunity in him.
It was unprofessional and-
- Oh, you didn't like it.
- No, that's not what I'm saying.
He's sees in her an identical understanding
of the power in law.
- We can do whatever we want,
but I do understand what you're saying.
A relationship would recuse you from representing the state
in litigation against Market Equities or its partners.
- She is every bit the mind that Jamie is
in an arguably more strategy driven package.
- So you know, the state hires outside counsel
for litigation.
You haven't recused me from anything.
- This is a constant chess game that she's actively
in the moment present and playing.
- You did it for nothing.
- If you thought that last night was unprofessional.
- Jamie could be being played.
It's not that he's being a fool or blind to it,
but maybe it's worth the risk.
(riveting music continues)
Now, is that Jamie being fooled, it could be, who knows?
(gentle music)
(crying)
- It's so natural to do the shoulda, coulda,
wouldas for Monica.
She knows, you know, she doesn't want him to carry
that guilt around.
- Don't quit your job.
Your job isn't why he died.
- Monica says, hey, your job has nothing to do
with the pain in our life.
I don't want anything coming between us.
- Nothing's coming between us, baby.
- She comes along and really starts to guide him more
than his family legacy does.
And I think that means everything to him.
- I love you. I don't tell you that enough.
- Never doubt it.
- For the first time he and his wife find a common ground
through the pain, they finally find something
where he's not at odds with her anymore.
And I think that will finally help him decide
what kind of man he wants to be.
(rustling on the set)
(director board clicks)
- [Director] And action.
- Summer came in here really against the family.
- You wanna come tomorrow?
- Do I wanna sit on the back of an animal
you broke into submission?
No, I think I'll stay here.
(man laughing)
- Summer, you are so full of shit.
- I don't understand these people.
I don't understand their way of life.
- Four cameras.
- And action.
- We're eating in the dining room.
You're gonna be nice.
But if you can't say something nice,
you won't say anything at all.
- Summer is now a guest in the house.
Beth has to put up with it.
There's nothing she can do.
It's her father's house.
- Come on, let's get this over with.
- Joining the Duttons at the dinner table is a shit show.
- This scene with Beth and Summer just
prior to the big fight is, I think,
one of the funniest things Taylor's ever written.
- Sorry, I didn't know you'd be joining us I would've
picked a different, everything, had I known.
Gator's earnestness throughout all of it is really
the linchpin to the entire scene.
- Tonight. You'll be having an assortment of game.
We'll have roast duck.
- Are you aware that ducks mate for life?
- Even if the humor is dark, you're laughing.
- You're serving the bird of peace for dinner?
- Dove's pretty good.
(woman laughing)
- I love the dinner scenes.
For a lot of it, I can just sit back
and watch Summer and Beth.
(Kelsey laughing)
- Let's you and I take a walk.
Maybe I can help educate you on our differing ways of life.
- We've just never had a peaceful meal that seems
and that one turns really violent.
(punch smacks)
- As a director, the fights
over the years have been that of gladiator status
and I think the fight between Summer
and Beth is carrying on that tradition.
- You're everything that's wrong with this place.
- The only thing wrong with this place is you are in it.
(punch smacks)
(rustling around)
- I don't think she was aware that she was, you know,
a martial arts expert.
(rustling around)
- Nine years of jiu-jitsu, bitch.
- We have not seen women fighting women
with the same grit and fearlessness and ferocity
that we see from these cowboys.
- I grew up with three brothers, you fucking hippie.
- The idea is that it is an extension
of that same kind of fight.
It's just with unlikely competitors.
- I've been excited to do this fight all season.
We've been rehearsing for months.
It took us two nights to film it.
(rustling around)
- She does give Beth a run
for her money in the fight.
I loved that Beth is tested that way.
(rusting around)
It becomes about something much more profound to her.
Your turn.
(Summer crying)
- I didn't think that Summer would live
through a fight with Beth, but what happens is
that by the end I get Beth's respect for how hard I fought.
- You hungry?
- I'm not sure I can chew anything.
- Just swallow it whole, shouldn't be a problem for you.
Shit, I'm sorry, we're not doing that anymore.
- And it starts to change our relationship.
- There might be butter in that.
- Fuck it.
- In a way, it clears the air between them.
- I'm gonna get the first aid kit.
- It highlights that people raised
in the same house, eating the same food,
how different they can be.
I commend you, Rip, it must take a lot of courage
to sleep next to that woman.
- You know the old saying, don't go to sleep mad?
- That's never truer than my marriage.
(intense ending tone)