(gentle music)
- We're in the single most crowed room in the Louvre
but for good reason.
This is the room that holds
the Mona Lisa by Leonardo Da Vinci.
Without a doubt, the most famous painting in the world.
- Of course it's her smile that's so famous today
and it certainly is a smile that doesn't
clearly tell us what she's feeling.
It's ambiguous.
- And I think it allows people to read into it
in any way that they prefer.
- Sigmund Freud for example,
saw a combination of maternal gaze
but also a gaze that was that was flirtatious
and I think I do see both of those aspects here.
- This is a portrait of the wife of a Florentine merchant
and as we look out at the see of people taking selfies
in front of the Mona Lisa,
it's good to remember that only the elite
could have their portrait painted during the Renaissance.
- This was an expensive proposition
and of course, you'd have to go and sit for the artist
many times so that he could capture your likeness.
- Because they were expensive,
they were reserved for kings and queens and the nobility.
What we see during the Renaissance,
is the growth of the merchant class
and the fact that a wealthy merchant would hire Leonardo
to paint his wife's portrait,
is a reminder of the fortunes that are being made
by traders, by bankers and others during the Renaissance.
- Well, especially in the city of Florence,
which was such an economic hub during the Renaissance
and we know in the fact
that the patron of this painting was a cloth merchant.
- This painting has quite a number of innovations,
but one of the most important is that it's a half length.
Generally, portraits were bust, that is from the chest up.
- This was an incredibly influential,
new formula for the portrait.
- If you think about the standard form of the portrait,
before this with the figure in profile, bust length.
It's a very static pose, very formal, very stiff,
but as soon as Leonardo turned the head toward us,
position the shoulders three quarter toward us also,
and included the hands,
suddenly, we had an image of a figure
that was much more natural,
someone who you could imagine having a conversation with.
Portraits that included a background
and that also included the hands
did exist in the Northern Renaissance.
But this is a new formula for Italy
and will be tremendously influential
with artists like Raphael and others.
- Another very influential aspect of this painting is
a technique that Leonardo employed
which is known as Sfumato.
That simply means smoke,
and what it refers to is slightly hazy
quality that Leonardo introduces.
To remove the sometimes, sharp quality
that existed in early Renaissance paintings,
where each object looks too isolated.
It's an atmospheric quality that creates
a sense of unity throughout the painting.
- And makes the figure appear to almost
emerge out of the darkness.
So we see that she's seated on a chair
in a low jar, open portrait.
And we see on either side of her
what look like the base of two columns.
We don't know if the painting was cut down
and there were originally full columns
on either side of her,
but we do know that early copies of this painting
do show those columns on either side of the figure.
- There's a lot about this painting
that we don't fully understand.
This was a commission and yet Leonardo kept the painting,
he never delivered it to the man who commissioned it
and later in Leonardo's life when he moved to France,
he brought the painting with him
which is why it is now in the Louvre.
One question which I think we should address,
is why is this the most famous image in the world?
- Well, it reminds me of another very famous image
of a woman that is very ambiguous and mysterious
and that's the woman with the pearl earring
by Vermeer from more than a century later.
Perhaps, our culture has some fascination
with images of mysterious women.
- I think that's probably an important part of it,
but then I think fame grows on itself.
In 1911, the painting was stolen
and it was headlines around the world
and that accelerated it's fame
and it has become the subject of numerous other paintings,
by artists diverse as Marcel Duchamp or Andy Warhol.
This raises an important issue,
here's a painting that was made for a private home,
to exist in a domestic interior to celebrate
a man's wife, or to celebrate a specific occasion,
perhaps the birth of a child
or the purchasing of a new home.
But here it is instead,
in a huge gallery with hundreds of people.
A painting that exists in million of multiples
around the world.
It's such an unexpected fate for what Leonardo surely saw,
as a relatively minor commission.
(lively music)